This book explores the important relationship between the way we see and the way we draw architectural ideas. The text deals with sensory experience of space, the spatial cues represented in architectural drawing and the relationship between drawing type and design intent. It also addresses new forms of drawing provided by new technological aids such as animated computer graphics and virtual reality. It provides a comprehensive text for students of architecture, interior design and landscape architecture. Tom Porter is a best selling author of graphics books for designers.
First published in 1996, The Eyes of the Skin has become a classic of architectural theory. It asks the far-reaching question why, when there are five senses, has one single sense – sight – become so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, it is a subject that has become all the more pressing and topical since the first edition’s publication in the mid-1990s. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For every student studying Pallasmaa’s classic text for the first time, The Eyes of the Skin is a revelation. It compellingly provides a totally fresh insight into architectural culture. This third edition meets readers’ desire for a further understanding of the context of Pallasmaa’s thinking by providing a new essay by architectural author and educator Peter MacKeith. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight and sensitivity of Pallasmaa’s approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa’s sketches and photographs of his own work. The new edition also provides a foreword by the internationally renowned architect Steven Holl and a revised introduction by Pallasmaa himself.
An introduction to architectural thought, this text is a thorough and accessible discussion in search of the principles of the design process. Documenting the non-verbal processes and decisions that architects and designers make is a difficult task, but one that is important when trying to understand the development of architectural design through the ages. Michael Brawne uses his experience as a practicing architect, academic and educator to provide an overview of the subject. By looking at the practices and buildings of architects past and present he incorporates history and philosophy in the search for a theory of design.
Focusing on images of New York, the rural South, and Miami from the 1890s to the 1940s, Mary N. Woods explores the ways photographers used the built environment to explore not only the gulfs but also the overlaps between modern and traditional culture in America during the early twentieth century.
In Selective Eye: An Architect's Notebook, David Martin takes us along on a life-long journey of discovery that begins with his distinguished architectural legacy, and his early personal family and educational influences. Sharing his memorable visual and verbal impressions of his wide-ranging travels, through Asia, Europe, the American Southwest, Mexico, the Middle East, the South Pacific, and the Caribbean, David's journey concludes with valuable insights into the conception, design and realisation process in architecture, the MADWORKSHOP Foundation, his distinguished career as a teacher, and his plans for the future. A testament to the fact that David is an extremely talented watercolorist and photographer with a not-so-secret passion for automotive and furniture design, his watercolors have been exhibited throughout the United States and are presented here, for the first time, as a collection in print form.In Selective Eye: An Architect's Notebook, David Martin takes us along on a life-long journey of discovery that begins with his distinguished architectural legacy, and his early personal family and educational influences. Sharing his memorable visual and verbal impressions of his wide-ranging travels, through Asia, Europe, the American Southwest, Mexico, the Middle East, the South Pacific, and the Caribbean, David's journey concludes with valuable insights into the conception, design and realization process in architecture, the MADWORKSHOP Foundation, his distinguished career as a teacher, and his plans for the future. A testament to the fact that David is an extremely talented watercolorist and photographer with a not-so-secret passion for automotive and furniture design, his watercolors have been exhibited throughout the United States and are presented here, for the first time, as a collection in print form.In Selective Eye: An Architect's Notebook, David Martin takes us along on a life-long journey of discovery that begins with his distinguished architectural legacy, and his early personal family and educational influences. Sharing his memorable visual and verbal impressions of his wide-ranging travels, through Asia, Europe, the American Southwest, Mexico, the Middle East, the South Pacific, and the Caribbean, David's journey concludes with valuable insights into the conception, design and realization process in architecture, the MADWORKSHOP Foundation, his distinguished career as a teacher, and his plans for the future. A testament to the fact that David is an extremely talented watercolourist and photographer with a not-so-secret passion for automotive and furniture design, his watercolours have been exhibited throughout the United States and are presented here, for the first time, as a collection in print form. AUTHOR: David C. Martin, FAIA, a third-generation architect, continues his family's legacy of major involvement in the architectural planning and civic life of Southern California.
A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgment When buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society. Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state. Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.
"Is architecture art? This vexed question has been posed since the 1700s, when breaking from earlier centuries in which there were no divisions between visual artist, architect, and engineer architects and laypeople alike began to see these vocations as distinct. Exploring how this separation of roles occurred, and how in the twentieth century the arts and architecture began to come together again, "The Judicious Eye" is the definitive history of the relationships between painting, sculpture and architecture as they have shifted over the past three centuries. Joseph Rykwert locates the first major shift during the Enlightenment, when key philosophers drew implied and explicit distinctions between the visual arts and architecture. As time progressed, architects came to see themselves as part of an established profession, while visual artists increasingly moved toward society's margins, widening the chasm between them. Detailing the eventual attempts to heal this breach, Rykwert concludes his book in the mid-twentieth century, when the artistic avant-garde turned to architects in its battle against a stagnant society. "The Judicious Eye", then, provides a necessary foundation for understanding architecture and visual art in the twenty-first century, as they continue to break new ground by growing closer to their intertwined roots."--Provided by publisher.
