The North Carolina Roots of African American Literature

The North Carolina Roots of African American Literature

Author: William L. Andrews

Publisher: Univ of North Carolina Press

Published: 2006-12-08

Total Pages: 325

ISBN-13: 0807877050

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The first African American to publish a book in the South, the author of the first female slave narrative in the United States, the father of black nationalism in America--these and other founders of African American literature have a surprising connection to one another: they all hailed from the state of North Carolina. This collection of poetry, fiction, autobiography, and essays showcases some of the best work of eight influential African American writers from North Carolina during the nineteenth and early twentieth centuries. In his introduction, William L. Andrews explores the reasons why black North Carolinians made such a disproportionate contribution (in quantity and lasting quality) to African American literature as compared to that of other southern states with larger African American populations. The authors in this anthology parlayed both the advantages and disadvantages of their North Carolina beginnings into sophisticated perspectives on the best and the worst of which humanity, in both the South and the North, was capable. They created an African American literary tradition unrivaled by that of any other state in the South. Writers included here are Charles W. Chesnutt, Anna Julia Cooper, David Bryant Fulton, George Moses Horton, Harriet Jacobs, Lunsford Lane, Moses Roper, and David Walker.


The Anthology. African American literature. Illustrated

The Anthology. African American literature. Illustrated

Author: William Wells Brown

Publisher: Strelbytskyy Multimedia Publishing

Published: 2023-04-14

Total Pages: 3454

ISBN-13:

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African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. Novels and short stories William Wells Brown CLOTEL; OR, THE PRESIDENT'S DAUGHTER Frederick Douglass THE HEROIC SLAVE Harriet E. Wilson OUR NIG; OR, SKETCHES FROM THE LIFE OF A FREE BLACK Nella Larsen QUICKSAND PASSING THE WRONG MAN FREEDOM SANTUARY Alice Dunbar-Nelson A CARNIVAL JANGLE VIOLETS THE WOMAN TEN MINUTES MUSING TITIEE Charles W. Chesnutt THE GOOPHERED GRAPEVINE PO' SANDY SIS' BECKY'S PICKANINNY THE DOLL THE WIFE OF HIS YOUTH DAVE'S NECKLISS THE PASSING OF GRANDISON A MATTER OF PRINCIPLE THE SHERIFF'S CHILDREN BAXTER'S PROCRUSTES Paul Laurence Dunbar THE SCAPEGOAT Jean Toomer BECKY Poetry Phillis Wheatley POEMS ON VARIOUS SUBJECTS, RELIGIOUS AND MORAL Frances E. W. Harper POEMS Langston Hughes THE WEARY BLUES Countee Cullen COLOR COPPER SUN THE BALLAD OF THE BROWN GIRL Non-fiction Olaudah Equiano THE INTERESTING NARRATIVE OF THE LIFE OF OLAUDAH EQUIANO, OR GUSTAVUS VASSA, THE AFRICAN Mary Prince THE HISTORY OF MARY PRINCE, A WEST INDIAN SLAVE Charles Ball A NARRATIVE OF THE LIFE AND ADVENTURES OF CHARLES BALL Frederick Douglass NARRATIVE OF THE LIFE Josiah Henson THE LIFE OF JOSIAH HENSON Solomon Northup TWELVE YEARS A SLAVE Harriet Ann Jacobs INCIDENTS IN THE LIFE OF A SLAVE GIRL Elizabeth Keckley BEHIND THE SCENES Louis Hughes THIRTY YEARS A SLAVE Booker T. Washington UP FROM SLAVERY William Still THE UNDERGROUND RAILROAD Henry Box Brown James Hambleton Christian Theophilus Collins Seth Concklin William And Ellen Craft Abram Galloway And Richard Eden Charles Gilbert Samuel Green Jamie Griffin Harry Grimes James Hamlet And Others John Henry Hill Ann Maria Jackson And Her Seven Children Jane Johnson Matilda Mahoney Mary Frances Melvin Aunt Hannah Moore Alfred S. Thornton Essays W. E. B. Du Bois THE SOULS OF BLACK FOLK Charles W. Chesnutt THE DISFRANCHISEMENT OF THE NEGRO Paul Laurence Dunbar REPRESENTATIVE AMERICAN NEGROES


Aaron Douglas

Aaron Douglas

Author: Aaron Douglas

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 278

ISBN-13: 9780300135923

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Within the Circle

Within the Circle

Author: Angelyn Mitchell

Publisher: Duke University Press

Published: 1994

Total Pages: 548

ISBN-13: 9780822315445

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Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection--many of which are not widely available today--either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience. Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright


Grace Abounding

Grace Abounding

Author: Robert D. Shepherd

Publisher:

Published: 2006

Total Pages: 910

ISBN-13: 9781933486024

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The definitive textbook on the African-American cultural tradition, in a lavishly illustrated 931-page edition. With Grace Abounding students will gain insight into every facet of the African-American literary and arts tradition, tracing its development from African roots, through Emancipation, Reconstruction, the Harlem Renaissance, and the Black Arts Movement of the 1970s, all the way to the emergent voices of the twenty-first century. This book and its study apparatus are designed for a wide range of grade and reading levels; teachers and curriculum coordinators from grades 4¿10 will find everything they need to instruct students in this essential yet often overlooked literary domain. Teacher's guides and additional resources available at www.coreknowledge.org/grace-abounding.


Black Voices

Black Voices

Author: Various

Publisher: Penguin

Published: 2001-04-01

Total Pages: 818

ISBN-13: 0451527828

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“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson


Call And Response

Call And Response

Author: Patricia Liggins Hill

Publisher: Houghton Mifflin

Published: 2003-10

Total Pages: 1024

ISBN-13: 9780618451715

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This comprehensive, chronological anthology of African and African American literature asserts that there is a distinctly black literary and cultural aesthetic, one that originated in the oral traditions of Africa and was kept alive during the American slavery experience. This text represents the centuries-long emergence of this aesthetic in poetry, fiction, drama, essays, speeches, sermons, criticism, journals, and the full range of song lyrics from the spiritual to rap. Produced in conjunction with the Smithsonian Institution, the audio CD is a one-of-a-kind collection of many of the poems, chants, and songs included in the book.


The Oxford Illustrated Book of American Children's Poems

The Oxford Illustrated Book of American Children's Poems

Author: Donald Hall

Publisher: Oxford University Press, USA

Published: 1999

Total Pages: 98

ISBN-13: 0195123735

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An anthology of American poems, is arranged chronologically, from colonial alphabet rhymes to Native American cradle songs to contemporary poems. 50 illustrations, 20 in color.


African American Films Through 1959

African American Films Through 1959

Author: Larry Richards

Publisher: McFarland

Published: 2015-09-17

Total Pages: 321

ISBN-13: 1476610525

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All films with a predominantly or entirely African American cast or that were about African Americans are detailed here. Each entry includes cast and credits, year of release, studio, distributor, type of film (feature, short or documentary) and other production details. In most cases, a brief synopsis of the film or contemporary reviews of it follow. In the appendices, film credits for over 1,850 actors and actresses are provided, along with a listing of film companies.


Black Resonance

Black Resonance

Author: Emily J. Lordi

Publisher: Rutgers University Press

Published: 2013-11-08

Total Pages: 304

ISBN-13: 0813562511

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Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices.