A most unlikely life. “Marc Estrin” discovers that another writer’s novel — The Nose — not only has spawned a bizarre cult among the nation’s youth, but is based on the extraordinary life of a real person—an outcast named Alexei Pigov. “Estrin” searches Alexei out and asks him to provide annotations to The Nose. Alexei says that—although the events of the novel might, for the most part, be real—the purported reasons for them are all damnable lies. On the left-hand page of The Annotated Nose we read The Nose itself, and take in its beautifully unsettling illustrations. On the right-hand page we follow Alexei’s complaints – always surprising and often far-reaching. The layers in Estrin’s remarkable comic book are as multiple, eclectic, and outrageous as the sequence of masks Alexei wears to hide his face from the world over the caroming trajectory of his most unlikely life. The Annotated Nose is at once Marc Estrin’s most playful and his most ambitious work to date. A signed and numbered limited edition of 75 copies is also available.
Marc Estrin discovers that another writer's novel 'The Nose' notonly has spawned a bizarre cult among the nation's youth, but is basedon the extraordinary life of a real person. The Annotated Noseis alayered work containing 'The Nose', comments on the nose and a comicnarrative.
Intelligence activities have always been an integral part of statecraft. Ancient governments, like modern ones, realized that to keep their borders safe, control their populations, and keep abreast of political developments abroad, they needed a means to collect the intelligence which enabled them to make informed decisions. Today we are well aware of the damage spies can do. Here, for the first time, is a comprehensive guide to the literature of ancient intelligence. The entries present books and periodical articles in English, French, German, Italian, Spanish, Polish, and Dutch--with annotations in English. These works address such subjects as intelligence collection and analysis (political and military), counterintelligence, espionage, cryptology (Greek and Latin), tradecraft, covert action, and similar topics (it does not include general battle studies and general discussions of foreign policy). Sections are devoted to general espionage, intelligence related to road building, communication, and tradecraft, intelligence in Greece, during the reign of Alexander the Great and in the Hellenistic Age, in the Roman republic, the Roman empire, the Byzantine empire, the Muslim world, and in Russia, China, India, and Africa. The books can be located in libraries in the United States; in cases where volumes are in one library only, the author indicates where they may be found.
"I recommend The Annotated Hasheesh Eater, edited by David Gross. [Fitz Hugh] Ludlow is outrageously erudite, sprinkling his drug tale with references to Hindu mythology, ancient Chinese folk medicine, and tenth-century Welsh royalty. Gross turns what could be maddening into a pleasure by providing helpful notations that explain the arcana."-- Justin Martin, "Rebel Souls: Walt Whitman and America's First Bohemians" (2014)
Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.
The AnnotatedWe represents the first fully annotated translation of Evgeny Zamiatin’s classic novel in English. Generally recognized as the first modern anti-utopian novel, Zamiatin’s We has puzzled scholars and critics alike, for it is both serious and playful, full of games. Long considered to be enigmatic, it stands out as unique among his works, and its importance is beyond doubt, for it not only holds the distinction of being the first work of its kind, but is also widely believed to have provided thematic elements for the two most famous dystopian works of the twentieth century, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. This new English translation employs language and syntax that mirror the precision and economy of Zamiatin’s Russian in his“poem in prose.” The commentary that accompanies the text sheds light on Zamiatin’s use of language as well as on the broad array of allusions that mark it, while at the same time suggesting many previously unacknowledged sources for the novel’s playfulness.
With kaleidoscopic, trenchant, path-breaking insights, Elizabeth D. Samet has produced the most ambitious edition of Ulysses Grant’s Memoirs yet published. One hundred and thirty-three years after its 1885 publication by Mark Twain, Elizabeth Samet has annotated this lavish edition of Grant’s landmark memoir, and expands the Civil War backdrop against which this monumental American life is typically read. No previous edition combines such a sweep of historical and cultural contexts with the literary authority that Samet, an English professor obsessed with Grant for decades, brings to the table. Whether exploring novels Grant read at West Point or presenting majestic images culled from archives, Samet curates a richly annotated, highly collectible edition that will fascinate Civil War buffs. The edition also breaks new ground in its attack on the “Lost Cause” revisionism that still distorts our national conversation about the legacy of the Civil War. Never has Grant’s transformation from tanner’s son to military leader been more insightfully and passionately explained than in this timely edition, appearing on the 150th anniversary of Grant’s 1868 presidential election.
This edition of the classic novel about the Prince Edward Island orphan contains critical material on the work itself and its author, as well as essays, poems, and songs.
Virginia Woolf’s groundbreaking novel, in a lushly illustrated hardcover edition with illuminating commentary from a brilliant young Oxford scholar and critic. “Mrs. Dalloway said she would buy the flowers herself.” So begins Virginia Woolf’s much-beloved fourth novel. First published in 1925, Mrs. Dalloway has long been viewed not only as Woolf’s masterpiece, but as a pivotal work of literary modernism and one of the most significant and influential novels of the twentieth century. In this visually powerful annotated edition, acclaimed Oxford don and literary critic Merve Emre gives us an authoritative version of this landmark novel, supporting it with generous commentary that reveals Woolf’s aesthetic and political ambitions—in Mrs. Dalloway and beyond—as never before. Mrs. Dalloway famously takes place over the course of a single day in late June, its plot centering on the upper-class Londoner Clarissa Dalloway, who is preparing to throw a party that evening for the nation’s elite. But the novel is complicated by Woolf’s satire of the English social system, and by her groundbreaking representation of consciousness. The events of the novel flow through the minds and thoughts of Clarissa and her former lover Peter Walsh and others in their circle, but also through shopkeepers and servants, among others. Together Woolf’s characters—each a jumble of memories and perceptions—create a broad portrait of a city and society transformed by the Great War in ways subtle but profound ways. No figure has been more directly shaped by the conflict than the disturbed veteran Septimus Smith, who is plagued by hallucinations of a friend who died in battle, and who becomes the unexpected second hinge of the novel, alongside Clarissa, even though—in one of Woolf’s many radical decisions—the two never meet. Emre’s extensive introduction and annotations follow the evolution of Clarissa Dalloway—based on an apparently conventional but actually quite complex acquaintance of Woolf’s—and Septimus Smith from earlier short stories and drafts of Mrs. Dalloway to their emergence into the distinctive forms devoted readers of the novel know so well. For Clarissa, Septimus, and her other creations, Woolf relied on the skill of “character reading,” her technique for bridging the gap between life and fiction, reality and representation. As Emre writes, Woolf’s “approach to representing character involved burrowing deep into the processes of consciousness, and, so submerged, illuminating the infinite variety of sensation and perception concealed therein. From these depths, she extracted an unlimited capacity for life.” It is in Woolf’s characters, fundamentally unknowable but fundamentally alive, that the enduring achievement of her art is most apparent. For decades, Woolf’s rapturous style and vision of individual consciousness have challenged and inspired readers, novelists, and scholars alike. The Annotated Mrs. Dalloway, featuring 150 illustrations, draws on decades of Woolf scholarship as well as countless primary sources, including Woolf’s private diaries and notes on writing. The result is not only a transporting edition of Mrs. Dalloway, but an essential volume for Woolf devotees and an incomparable gift to all lovers of literature.
