The setting: 1890 Paris. The scene: The Paris Opera House. The irresistible premise: What if Sherlock Holmes were lured across the English Channel by the beleagured managers of the opera house to lay bare the true secrets of the infamous phantom?
Three stories, based on characters from the original Phantom of the Opera novel. Three stories, revisiting that universe. A phantom who lives in hiding. An angel heard in dreams. There are Phantoms of the Mind, that send a lonely rape victim spiraling off into madness. Theres The Portal, a place where darkness meets light. There is Little Lotte, the child who hears an angel sing. Unlike any stage or screen version, the focus is angel, not phantom. Ever present, he unites the threads of these tales.
"You consider yourself to be a creature of light... but you long for the darkness. It's where you belong. It's who you are... Do you not think I recognise the parts of a soul that mirror my own?"Meg Giry grew up with tales of the Opera Ghost, a spectral being said to haunt the Paris Opera House. But when he rescues her from rape in the streets of Paris, Meg learns that the stories are true, that the Ghost —also known as the Phantom of the Opera— is a real man, with his sights set on her best friend, Christine Daaé. Despite being warned to stay away, Meg is drawn deeper into a world that has remained secret for years, her life becoming inextricably linked with the dark and mysterious Erik, and is forced to confront the darkness that lurks within her own past, finding herself always in the shadow of an Angel of Music...
French in 1986, is now available in Arthur Denner's fluid and sensitive English translation. Predictably, Poizat's route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction.
Katherine Addison, author of The Goblin Emperor, returns with The Angel of the Crows, a fantasy novel of alternate 1880s London, where killers stalk the night and the ultimate power is naming. This is not the story you think it is. These are not the characters you think they are. This is not the book you are expecting. In an alternate 1880s London, angels inhabit every public building, and vampires and werewolves walk the streets with human beings in a well-regulated truce. A fantastic utopia, except for a few things: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. And human beings remain human, with all their kindness and greed and passions and murderous intent. Jack the Ripper stalks the streets of this London too. But this London has an Angel. The Angel of the Crows. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
(Faber Piano Adventures ). The appeal of popular music spans generations and genres. In this collection of 27 hits, enjoy folk tunes like "Ashokan Farewell" and "Bridge Over Troubled Water," movie themes from James Bond and Batman , Broadway numbers from Evita and A Little Night Music , and chart-toppers performed by Michael Jackson, Adele, Billy Joel, and more. Adult Piano Adventures Popular Book 2 provides this variety, yet with accessible arrangements for the progressing pianist. Students may advance through the book alongside method studies, or jump to all their favorites. Optional chord symbols above the staff guide understanding and personal expression.
An angel has returned to Paris. But is it the Angel of Music…or Death? Two years have passed since Christine fled the opera house, put the memories and the horror behind her. And yet, in her dreams, she still hears his voice, feels his moth-light touch on her throat. The rumors involving the legendary Opera Ghost are merely newspaper sensationalism. The Opera Ghost is dead. His tragic life, his epic opera, his obsession with her voice…ended. But with a slow, heart-pounding dread, Christine lets a lie slip from her lips, and heads for Paris. Alone. Because she has to know if Erik is dead. Or if he’s alive…and wreaking his vengeance.
Deep in the shadows under the Paris Opera House resides Erik the Phantom, mysteriously enduring through the decades as the mastermind behind a strange and secret agency. A revolving door of female agents are charged by wealthy Parisians and the French Government to investigate crimes and misdemeanours they would prefer to keep out of the public eye. The toxic underbelly of Paris is exposed by Erik’s tenacious women operatives as they confront horror and corruption throughout the city. But it is one dreadful murder during the 1910 Great Flood of Paris that brings Irene Adler, Kate Reed and others together for a final, deadly confrontation.
30m, 7f, plus ensemble (doubling possible.) / Ints./exts. This mesmerizing Phantom is traditional musical theatre in the finest sense. The Tony award winning authors of Nine have transformed Gaston Leroux' The Phantom of the Opera into a sensation that enraptures audiences and critics with beautiful songs and an expertly crafted book. It is constructed around characters more richly developed than in any other version, including the original novel. "Everything is first rate." - N.Y. Daily News