"The Whorehouse Bells Were Ringing" and Other Songs Cowboys Sing

Author: Guy Logsdon

Publisher: University of Illinois Press

Published: 1995

Total Pages: 420

ISBN-13: 9780252064883

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"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society


Country Music Sources

Country Music Sources

Author: Guthrie T. Meade

Publisher: NC State University Language and Life Project

Published: 2002

Total Pages: 1252

ISBN-13:

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Country Music Sources: A Biblio-Discography of Commercially Recorded Traditional Music


A Treasury of Mexican Folkways

A Treasury of Mexican Folkways

Author: Frances Toor

Publisher: Crown

Published: 1947

Total Pages: 730

ISBN-13:

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The customs, myths, folklore, traditions, beliefs, fiestas, dances, and songs of the Mexican people.


Traditional Anglo-American Folk Music

Traditional Anglo-American Folk Music

Author: Norm Cohen

Publisher: Routledge

Published: 2015-12-22

Total Pages: 800

ISBN-13: 1317333918

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Originally published in 1994. Filling a gap in the sound recordings of traditional Anglo-American folk music this volume covers both vocal and instrumental material from the 1920s to the 1990s. The listings have also been limited to performers native to the tradition rather than "revival" performers. The album selection is grouped into field recordings and commercial (pre-1942) recordings, with subdivisions into individual recordings or anthologies. The discography not only reflects its author’s in-depth knowledge of Anglo-American folk music’s historical development but charts a valuable step forward in the evaluation, as well as select lissting, of available sound recordings.