Native Americans in the Movies

Native Americans in the Movies

Author: Michael Hilger

Publisher: Rowman & Littlefield

Published: 2015-10-16

Total Pages: 465

ISBN-13: 1442240024

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Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations—to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has not only been revised with updated information and examples but also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details include film summary nation represented image portrayal production details DVD availability Many of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volumeoffers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen. As such, Native Americans in the Movies will appeal not only to scholars of media, ethnic studies, and history but also to anyone interested in the portrayal of Native Americans in cinema.


Picturing Indians

Picturing Indians

Author: Liza Black

Publisher: U of Nebraska Press

Published: 2020-10

Total Pages: 433

ISBN-13: 1496223756

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Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers' choices to follow mainstream representations of "Indianness." Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians--the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios' need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival. Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to "play Indian" in post-World War II Hollywood. Browse the author's media links.


Killing the Indian Maiden

Killing the Indian Maiden

Author: M. Marubbio

Publisher: University Press of Kentucky

Published: 2006-12-15

Total Pages: 314

ISBN-13: 081312414X

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Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. M. Elise Marubbio examines the sacrificial role in which a young Native woman allies herself with a white male hero and dies as a result of that choice. In studying thirty-four Hollywood films from the silent period to the present, she draws upon theories of colonization, gender, race, and film studies to ground her analysis in broader historical and sociopolitical context and to help answer the question, “What does it mean to be an American?” The book reveals a cultural iconography embedded in the American psyche. As such, the Native American woman is a racialized and sexualized other. A conquerable body, she represents both the seductions and the dangers of the American frontier and the Manifest Destiny of the American nation to master it.


Coyote Waits

Coyote Waits

Author: Tony Hillerman

Publisher: Harper Collins

Published: 2009-03-17

Total Pages: 356

ISBN-13: 0061801208

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Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+! Don’t Miss the AMC television series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, coming this summer! The tenth novel in Tony Hillerman's acclaimed Leaphorn and Chee series — “Bolt the door, disconnect the phone, and declare yourself off limits....Coyote Waits is a real confounder, not at all what you expected.” (Denver Post) The car fire didn't kill Navajo Tribal Policeman Delbert Nez—a bullet did. And the old man in possession of the murder weapon is a whiskey-soaked shaman named Ashie Pinto. Officer Jim Chee is devastated by the slaying of his good friend Del, and confounded by the prime suspect's refusal to utter a single word of confession or denial. Lieutenant Joe Leaphorn believes there is much more to this outrage than what appears on the surface, as he and Jim Chee set out to unravel a complex weave of greed and death that involves a historical find and a lost fortune. But the hungry and mythical trickster Coyote is waiting, as always, in the shadows to add a strange and deadly new twist.


Celluloid Indians

Celluloid Indians

Author: Jacquelyn Kilpatrick

Publisher: U of Nebraska Press

Published: 1999-01-01

Total Pages: 282

ISBN-13: 9780803277908

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An overview of Indian representation in Hollywood films. The author notes the change in tone for the better when--as a result of McCarthyism--filmmakers found themselves among the oppressed. By an Irish-Cherokee writer.


Making the White Man's Indian

Making the White Man's Indian

Author: Angela Aleiss

Publisher: Bloomsbury Publishing USA

Published: 2005-05-30

Total Pages: 233

ISBN-13: 0313025754

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The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality. The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.


Hollywood's Indian

Hollywood's Indian

Author: Peter Rollins

Publisher: University Press of Kentucky

Published: 2011-01-23

Total Pages: 267

ISBN-13: 0813131650

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Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.


Seeing Red—Hollywood's Pixeled Skins

Seeing Red—Hollywood's Pixeled Skins

Author: LeAnne Howe

Publisher: MSU Press

Published: 2013-03-01

Total Pages: 491

ISBN-13: 1609173686

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At once informative, comic, and plaintive, Seeing Red—Hollywood’s Pixeled Skins is an anthology of critical reviews that reexamines the ways in which American Indians have traditionally been portrayed in film. From George B. Seitz’s 1925 The Vanishing American to Rick Schroder’s 2004 Black Cloud, these 36 reviews by prominent scholars of American Indian Studies are accessible, personal, intimate, and oftentimes autobiographic. Seeing Red—Hollywood’s Pixeled Skins offers indispensible perspectives from American Indian cultures to foreground the dramatic, frequently ridiculous difference between the experiences of Native peoples and their depiction in film. By pointing out and poking fun at the dominant ideologies and perpetuation of stereotypes of Native Americans in Hollywood, the book gives readers the ability to recognize both good filmmaking and the dangers of misrepresenting aboriginal peoples. The anthology offers a method to historicize and contextualize cinematic representations spanning the blatantly racist, to the well-intentioned, to more recent independent productions. Seeing Red is a unique collaboration by scholars in American Indian Studies that draws on the stereotypical representations of the past to suggest ways of seeing American Indians and indigenous peoples more clearly in the twenty-first century.


Native Recognition

Native Recognition

Author: Joanna Hearne

Publisher: State University of New York Press

Published: 2013-01-25

Total Pages: 430

ISBN-13: 1438443994

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In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples. Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption.