From its inception in New York City, radio dramatically changed the city. The five boroughs became, in some ways, more united through the medium, as common concerns were aired and given wider attention. But as radio focused more on entertainment, the city lost the last of its small town origins, as people left the front stoop for the living room. This heavily illustrated history traces the development and influence of AM radio in the New York metropolitan area, as well as providing technical data and program schedules of the stations.
An in-depth look at a century of radio history—and its continuing relevance in a radically changed world. A century after Marconi’s experimental transmissions, this book examines the history of radio and traces its development from theories advanced by James Clerk Maxwell and Heinrich Hertz to the first practical demonstrations by Guglielmo Marconi. It looks back to the pioneering broadcasts of the BBC, examines the development of broadcast networks in North America and around the world, and spotlights radio’s role in the Second World War. The book also features the radio programs and radio personalities that made a considerable impact on listeners during the “Golden Era.” It examines how radio, faced by competition from television, adapted and survived. Indeed, radio has continued to thrive despite increased competition from mobile phones, computers, and other technological developments. Radio Broadcasting looks ahead and speculates on how radio will fare in a multi-platform future.
The first book to document and emphasize the myriad voices of the free radio movement, from Black Liberation Radio in Springfield, Illinois, to Free Radio Berkeley in Berkeley, California. The first section, "Media Monopoly And The Rise Of The Free Radio Movement" includes contributions from Robert McChesney on the political economy of radio in North America and a history and analysis of the burgeoning pirate radio movement. The second section, "On The Air," includes interviews with and commentary by some of the key grassroots participants in micropower broadcasting worldwide--from Canada, Holland, Haiti, and Mexico, as well as America. The final section of the book consists of a comprehensive technical guide and how-to manual for going on the air, complete with schematics and "sound" advice.
Founded as a counterweight to the Communist broadcasters in East Germany, Radio in the American Sector (RIAS) became one of the most successful public information operations conducted against the Soviet Bloc. Cold War on the Airwaves examines the Berlin-based organization's history and influence on the political worldview of the people--and government--on the other side of the Iron Curtain. Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communist officials to alter their methods in order to keep listeners. From the occupation of Berlin through the airlift to the construction of the Berlin Wall, Cold War on the Airwaves offers an absorbing view of how public diplomacy played out at a flashpoint of East-West tension.
MissingMilo Hamilton has called 11 no-hitters and a World Series, often in tandem with such broadcast legends as Jack Buck, Jack Brickhouse, Bob Elson, and Harry Caray. His work was so well-received that he was enshrined into the broadcasters? wing of the Baseball Hall of Fame in 1992. He received an even more unexpected honor eight years later ? election to the exclusive Radio Hall of Fame, of which only seven other baseball broadcasters belong. He has truly managed to work his way up from humble origins. The story he tells in Making Airwaves: 60 Years at Milo's Microphone is a profile in courage, a tale of talent and determination, and a behind-the-scenes look at seven decades of baseball history.
The astonishing story of America’s airwaves, the two friends—one a media mogul, the other a famous inventor—who made them available to us, and the government which figured out how to put a price on air. This is the origin story of the airwaves—the foundational technology of the communications age—as told through the forty-year friendship of an entrepreneurial industrialist and a brilliant inventor. David Sarnoff, the head of RCA and equal parts Steve Jobs, Jack Welch, and William Randolph Hearst, was the greatest supporter of his friend Edwin Armstrong, developer of the first amplifier, the modern radio transmitter, and FM radio. Sarnoff was convinced that Armstrong’s inventions had the power to change the way societies communicated with each other forever. He would become a visionary captain of the media industry, even predicting the advent of the Internet. In the mid-1930s, however, when Armstrong suspected Sarnoff of orchestrating a cadre of government officials to seize control of the FM airwaves, he committed suicide. Sarnoff had a very different view of who his friend’s enemies were. Many corrupt politicians and corporations saw in Armstrong’s inventions the opportunity to commodify our most ubiquitous natural resource—the air. This early alliance between high tech and business set the precedent for countless legal and industrial battles over broadband and licensing bandwidth, many of which continue to influence policy and debate today.
Turned On in soft back. The air waves of the VOB radio stations light up to the voices of the people. Calls hosted from all over the world on things affecting Bajans.
The PENGUIN purchases GOTHAM'S largest media company. Meanwhile, a crime wave hits the city. BATMAN soon learns that these events are related. After the DARK KNIGHT stops a crime, the PENGUIN'S TV news channel edits the security tapes and police reports to make BATMAN look like a criminal. People begin to fear the DARK KNIGHT. If he can't prove his innocence, the hero will end up in prison, and the PENGUIN will fly free.
Human Rights and African Airwaves focuses on Nkhani Zam'maboma, a popular Chichewa news bulletin broadcast on Malawi's public radio. The program often takes authorities to task and questions much of the human rights rhetoric that comes from international organizations. Highlighting obligation and mutual dependence, the program expresses, in popular idioms and local narrative forms, grievances and injustices that are closest to Malawi's impoverished public. Harri Englund reveals broadcasters' everyday struggles with state-sponsored biases and a listening public with strong views and a critical ear. This fresh look at African-language media shows how Africans effectively confront inequality, exploitation, and poverty.
