Continuing the epic of Christendom told in earlier volumes, The Age of Paradise and The Age of Division, the author explains how, between the Italian Renaissance of the fourteenth century and the Russian Revolution of the twentieth, secular humanism displaced Christianity to become the source of modern culture. The result was some of the most illustrious music, science, philosophy, and literature ever produced. But the cultural reorientation from paradise to utopia-from an experience of the kingdom of heaven to one bound exclusively by this world-all but eradicated the traditional culture of the West, leaving it at the beginning of the twentieth century without roots in anything transcendent.
"Before there was a West, there was Christendom. This book tells the story of how both came to be." (from the Introduction) The Age of Paradise is the first of a projected four-volume history of Christendom, a civilization with a supporting culture that gave rise to what we now call the West. At a time of renewed interest in the future of Western culture, author John Strickland-an Orthodox scholar, professor, and priest-offers a vision rooted in the deep past of the first millennium. At the heart of his story is the early Church's "culture of paradise," an experience of the world in which the kingdom of heaven was tangible and familiar. Drawing not only on worship and theology but statecraft and the arts, the author reveals the remarkably affirmative character Western culture once had under the influence of Christianity-in particular, of Eastern Christendom, which served the West not only as a cradle but as a tutor and guardian as well.
Exploring the fury of the young in a world or crisis that seems to offer no alternatives "Only martyrs know neither pity nor fear. Believe me, the day when the martyrs are victorious will be the day of universal conflagration". Jacques Lacan made this gloomy prophesy back in 1959: but doesn't it also apply to our own time? Faced with a rise in attacks around the world, can we really just blame the 'radicalization of' Islam'? What hope is there for the alienated youth, as the wars that have ravaged the Middle East spill out across the globe? For Alain Bertho, the mounting chaos we see today is above all driven by the weakening of states' legitimacy under the pressure of globalization. Add to this the hypocrisy of the elites who beat the drum of 'security measures', even as they sow the seeds of violence around the world. This disorder is the swamp of despair which can only produce fresh atrocities. Today's youth are the lost children of neoliberal globalization, the inheritors of the political and human chaos it produces. When they find it easier to imagine the end of the world than the end of capitalism, their revolt tends to take the paths of martyrdom and despair. The closing of the revolutionary hypothesis allows only fury. The answer, Bertho argues, is a new radicalism, able to inspire a collective hope in the future.
If you have ever wondered exactly how we got from the Christian society of the early centuries, united in its faithfulness to apostolic tradition, to the fragmented and secular state of the West today, The Age of Division will answer all your questions and more. In this second of a four-volume cultural history of Christendom, author John Strickland applies insights from the Orthodox Church to trace the decline and disintegration of both East and West after the momentous but often neglected Great Schism. For five centuries, a divided Christendom was led further and further from the culture of paradise that defined its first millennium, resulting in the Protestant Reformation and the secularization that defines our society today.
In this exquisitely wrought memoir of a committed life, historian, and civil rights activist, Paul Gaston reveals his deep roots in Fairhope---the unique Utopian community founded in 1894 by his grandfather on the shores of Mobile Bay, Alabama. Fairhope grew into a unique political, economic, and educational experiment and a center of radical economic and educational ideals. As time passed, however, Fairhope's radical nature went into decline. By the early 1950s, the author began to look outward for ways to take part in the coming struggle---the civil rights movement. Gaston's career at the University of Virginia, where he taught from 1957-97, forms the core of Coming of Age in Utopia.
I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.
Many observers judge utopians and their sympathizers as foolhardy dreamers at best and murderous totalitarians at worst. However, as noted social critic and historian Russell Jacoby argues, not only has utopianism been unfairly characterized, a return to an iconoclastic utopian spirit is vital for today's society. Jacoby reexamines the anti-utopian mindset and identifies how utopian thought came to be regarded with such suspicion. He challenges standard readings of such anti-utopian classics as 1984 and Brave New World and offers stinging critiques of the influential liberal and anti-utopian theorists Hannah Arendt, Isaiah Berlin, and Karl Popper. As Jacoby demonstrates, iconoclastic utopianism, shaped by the works of Theodor Adorno, Walter Benjamin, Ernst Bloch, Gustav Landauer, and other predominantly Jewish thinkers, revives society's dormant political imagination and suggests new and more imaginative ideas of the future.
Utopia Antiqua is a fresh look at narratives of the Golden Age and decline in ancient Roman literature of the late Republic and imperial period. Through the lens of utopian theory, Rhiannon Evans looks at the ways that Roman authors, such as Virgil, Ovid and Tacitus, use and reinvent Greek myths of the ages, considering them in their historical and artistic context. This book explores the meanings of the ‘Iron Age’ and dystopia for Roman authors, as well as the reasons they give for this decline, and the possibilities for a renewed Age of Gold. Using case studies, it considers the cultural effects of importing luxury goods and the way that it gives rise to a rhetoric of Roman decline. It also looks at the idealisation of farmers, soldiers and even primitive barbarians as parallels to the Golden Race and role models for now-extravagant Romans.
A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges. Utopia in the Age of Survival makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis--that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe. Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia.
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
