This book consists of ten essays that examine the ways in which language has been used to evoke what Lawrence L. Langer calls the ‘deathscape’ and the ‘hopescape’ of the Holocaust. The chapters in this collection probe the diverse impacts that site visits, memoirs, survivor testimonies, psychological studies, literature and art have on our response to the atrocities committed by the Germans during World War II. Langer also considers the misunderstandings caused by erroneous, embellished and sentimental accounts of the catastrophe, and explores some reasons why they continue to enter public and printed discourse with such ease.
Written by a member of the French resistance who became an important literary figure in postwar France, this moving memoir of life and death in Auschwitz and the postwar experiences of women survivors has become a key text for Holocaust studies classes. This second edition includes an updated and expanded introduction and new bibliography by Holocaust scholar Lawrence L. Langer. “Delbo’s exquisite and unflinching account of life and death under Nazi atrocity grows fiercer and richer with time. The superb new introduction by Lawrence L. Langer illuminates the subtlety and complexity of Delbo’s meditation on memory, time, culpability, and survival, in the context of what Langer calls the ‘afterdeath’ of the Holocaust. Delbo’s powerful trilogy belongs on every bookshelf.”—Sara R. Horowitz, York University Winner of the 1995 American Literary Translators Association Award
This ground-breaking book opens a closet and allows hundreds of people of this generation to emerge, with their nightmares, phobias, and flashbacks suggestive of an incarnation in the Holocaust. Through that open door, author Sara Rigler introduces the reader to people from all over the world whose stories defy rational explanation-unless they are indeed reincarnated souls from the Holocaust. Because the purpose of reincarnation is to rectify past mistakes and failings, Part Two narrates the journeys of souls who in their current lifetime replaced fear with courage, hatred with love, and guilt with self-forgiveness. Fascinating and convincing, this page-turner will quicken your awareness of your own soul and how your inexplicable fears, attractions, and repulsions may be comprehensible through the notion of past-life experiences. "Sara Rigler has written a powerful and gripping narrative.... The stories make for fascinating reading." -Rabbi Yitzchak A. Breitowitz, Kehillat Ohr Somayach "An eye-opening journey." --Alicia Yacoby, Founder, Our6Million "Sara Rigler's extensive research and collection of past-life Holocaust memories confirms the reality of this phenomenon, and offers hope for healing the trauma that carried over for many of us. For those who have not had their own memories, the case studies offer compelling evidence for the continuation of a personal consciousness after death." --Carol Bowman, author of Children's Past Lives "This book is not only credible, it is important." -Rebbetzin Tziporah (Heller) Gottlieb, author and lecturer "Sara Rigler has done exceptional work in meticulously compiling, recording, and describing personal stories of Jews and non-Jews from many countries. By doing so she has rendered an invaluable service ... to humanity." --Sabine Lucas, Ph.D., Jungian analyst
“A meticulous and shattering investigation of eight horrific pictures...”—L’Arche In December 1941, on a shore near the Latvian city of Liepaja, Nazi death squads (the Einsatzgruppen) and local collaborators murdered in three days more than 2,700 Jews. The majority were women and children, most men having already been shot during the summer. The perpetrators took pictures of the December killings. These pictures are among the rare photographs from the first period of the extermination, during which over 800 000 Jews from the Baltic to the Black Sea were shot to death. By showing the importance of photography in understanding persecution, Nadine Fresco offers a powerful meditation on these images while confronting the essential questions of testimony and guilt. From the forward by Dorota Glowackay: Straddling the boundary between historical inquiry and personal reflection, this extraordinary text unfolds as a series of encounters with eponymic Holocaust photographs. Although only a small number of photographs are reproduced here, Fresco provides evocative descriptions of many well-known images: synagogues and Torah scrolls burning on the night of Kristallnacht; deportations to the ghettos and the camps; and, finally, mass executions in the killing fi elds of Eastern Europe. The unique set of photographs included in On the Death of Jews shows groups of women and children from Liepaja (Liepája), shortly before they were killed in December 1941 in the dunes of Shkede (Škéde) on the Baltic Sea. In the last photograph of the series, we see the victims’ bodies tumbling into the pit.
"I set out to find a group of people who, like me, were possessed by a history they had never lived." The daughter of Holocaust survivors, Helen Epstein traveled from America to Europe to Israel, searching for one vital thin in common: their parent's persecution by the Nazis. She found: • Gabriela Korda, who was raised by her parents as a German Protestant in South America; • Albert Singerman, who fought in the jungles of Vietnam to prove that he, too, could survive a grueling ordeal; • Deborah Schwartz, a Southern beauty queen who—at the Miss America pageant, played the same Chopin piece that was played over Polish radio during Hitler's invasion. Epstein interviewed hundreds of men and women coping with an extraordinary legacy. In each, she found shades of herself.
1943: Polish underground fighter John Wiernicki is captured and beaten by the Gestapo, then shipped to Auschwitz. In this chilling memoir, Wiernicki, a Gentile, details "life" in the infamous death camp, and his battle to survive, physically and morally, in the face of utter evil. The author begins by remembering his aristocratic youth, an idyllic time shattered by German invasion. The ensuing dark days of occupation would fire the adolescent Wiernicki with a burning desire to serve Poland, a cause that led him to valiant action and eventual arrest. As a young non-Jew, Wiernicki was acutely sensitive to the depravity and injustice that engulfed him at Auschwitz. He bears witness to the harrowing selection and extermination of Jews doomed by birth to the gas chambers, to savage camp policies, brutal SS doctors, and rampant corruption with the system. He notes the difference in treatment between Jews and non-Jews. And he relives fearful unexpected encounters with two notorious "Angels of Death": Josef Mengele and Heinz Thilo. War in the Shadow of Auschwitz is an important historical and personal document. Its vivid portrait of prewar and wartime Poland, and of German concentration camps, provides a significant addition to the growing body of testimony by gentile survivors and a heartfelt contribution to fostering comprehension and understanding.
Dora Apel analyzes the ways in which artists born after the Holocaust-whom she calls secondary witnesses-represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Holocaust directly, but to its "memory effects" and to the implications of those effects for the present and future. Drawing on projects that employ a variety of unorthodox artistic strategies, the author provides a unique understanding of contemporary representations of the Holocaust. She demonstrates how these artists frame the past within the conditions of the present, the subversive use of documentary and the archive, the effects of the Jewish genocide on issues of difference and identity, and the use of representation as a form of resistance to historical closure.
On January 30, 1933, hearing about the celebrations for Hitler’s assumption of power, Erich Ebermayer remarked bitterly in his diary, “We are the losers, definitely the losers.” Learning of the Nuremberg Laws in 1935, which made Jews non-citizens, he raged, “hate is sown a million-fold.” Yet in March 1938, he wept for joy at the Anschluss with Austria: “Not to want it just because it has been achieved by Hitler would be folly.” In a masterful work, Peter Fritzsche deciphers the puzzle of Nazism’s ideological grip. Its basic appeal lay in the Volksgemeinschaft—a “people’s community” that appealed to Germans to be part of a great project to redress the wrongs of the Versailles treaty, make the country strong and vital, and rid the body politic of unhealthy elements. The goal was to create a new national and racial self-consciousness among Germans. For Germany to live, others—especially Jews—had to die. Diaries and letters reveal Germans’ fears, desires, and reservations, while showing how Nazi concepts saturated everyday life. Fritzsche examines the efforts of Germans to adjust to new racial identities, to believe in the necessity of war, to accept the dynamic of unconditional destruction—in short, to become Nazis. Powerful and provocative, Life and Death in the Third Reich is a chilling portrait of how ideology takes hold.
Written while Hans Keilson was in hiding during World War II, The Death of the Adversary is the self-portrait of a young man helplessly fascinated by an unnamed "adversary" whom he watches rise to power in 1930s Germany. It is a tale of horror, not only in its evocation of Hitler's gathering menace but also in its hero's desperate attempt to discover logic where none exists. A psychological fable as wry and haunting as Badenheim 1939, The Death of the Adversary is a lost classic of modern fiction.
An analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust; sheds light on the forms and functions of memory as victims relive devastating experiences of pain, humiliation, and loss.
