Selected Poems

Selected Poems

Author: Henry Howard

Publisher: Taylor & Francis

Published: 2003

Total Pages: 108

ISBN-13: 9780415967334

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


Printing Virgil

Printing Virgil

Author: Craig Kallendorf

Publisher: BRILL

Published: 2019-12-02

Total Pages: 204

ISBN-13: 9004421351

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In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance. Using a new methodology developed at the Humboldt University in Berlin, Printing Virgil shows that the press established which commentaries were disseminated, provided signals for how the Virgilian translations were to be interpreted, shaped the discussion about the authenticity of the minor poems attributed to Virgil, and inserted this material into larger censorship concerns. The editions that were printed during this period transformed Virgil into a poet who could fit into Renaissance culture, but they also determined which aspects of his work could become visible at that time.


Henry Howard, the Poet Earl of Surrey

Henry Howard, the Poet Earl of Surrey

Author: William A. Sessions

Publisher:

Published: 2003

Total Pages: 472

ISBN-13: 9780198186250

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In this biography of Henry Howard, the Poet Earl of Surrey, the author assesses his role in Tudor society and examines his image of the Renaissance courtier, his representation of nobility and his poetic work and creation of poetic forms.


Aeneid Book 4

Aeneid Book 4

Author: P Vergilius Maro

Publisher:

Published: 2020-12-31

Total Pages: 230

ISBN-13:

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These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.


"Arms, and the Man I sing . . ."

Author: Arvid Løsnes

Publisher: University of Delaware

Published: 2011-05-12

Total Pages: 378

ISBN-13: 1611490030

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This study referred to as a "preface" is given this designation because its basic aim is not to offer an up-to-date overall assessment of Dryden's translation of Virgil's Æneid but, rather, to provide a relevant basis for such an assessment ?thus allowing for a wide range of readership. The relevance of this approach rests on two basic premises: that of R. A. Brower, who maintains "that no translation can be understood or properly evaluated apart from the conditions of expression under which it was made," supported by Dryden's expressed intention "to make Virgil speak such English, as he wou'd himself have spoken, if he had been born in England, and in this present age," together providing a genuinely relevant basis for an understanding of Dryden's translation, "the conditions of expression" here allowing the inclusion of all the possible implications this phrase includes.


How the Classics Made Shakespeare

How the Classics Made Shakespeare

Author: Jonathan Bate

Publisher: Princeton University Press

Published: 2020-10-13

Total Pages: 378

ISBN-13: 0691210144

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"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.


Emotion in the Tudor Court

Emotion in the Tudor Court

Author: Bradley J. Irish

Publisher: Northwestern University Press

Published: 2018-01-15

Total Pages: 248

ISBN-13: 0810136414

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Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.