Collects folk tales from Indonesia and Malaysia that relate the adventures of the trickster Mouse Deer, who must think and act quickly to avoid being eaten.
"I'm quick and smart as I can be. Try and try, but you can't catch me!" Mouse Deer sings his song as he walks through the forest looking for tasty fruits and roots and shoots. Though he is small, he is not afraid. He knows that many big animals want to eat him -- but first they have to catch him! In these delightful trickster tales from Southeast Asia, find out how Mouse Deer gets the best of his enemies -- Tiger, Crocodile, and the most dangerous animal of all, Farmer! TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Kim Gamble is one of the most popular children's book illustrators of Australia. He is also a frequent contributor to that country's much-loved School Magazine, where Aaron's Mouse Deer stories first appeared. ///////////////////////////////////////////////// "A retelling of some of Southeast Asia's most popular folklore .... Simply narrated, The Adventures of Mouse Deer is witty and steeped in the power of myth, as well as high-spirited determination.... [A] delightful introduction to an enduring legend."-- Small Press Bookwatch, Midwest Book Review, May 2005 "Mouse Deer's small stature leaves him vulnerable in the jungle, but Crocodile, Tiger, and Farmer are no match for this quick-witted, fearless creature. Give this book to children making their first forays into chapter books, and visit the author's Web site to download readers theater scripts." -- Daryl Grabarek, School Library Journal, Dec. 1, 2009 ///////////////////////////////////////////////// CONTENTS 1 ~ Mouse Deer and Tiger 2 ~ Mouse Deer and Crocodile 3 ~ Mouse Deer and Farmer ///////////////////////////////////////////////// SAMPLE Then he heard something. ROWR! There was Tiger! "Hello, Mouse Deer. I was just getting hungry. Now you can be my lunch." Mouse Deer didn't want to be lunch. He looked around and thought fast. He saw a mud puddle. "I'm sorry, Tiger. I can't be your lunch. The King has ordered me to guard his pudding." "His pudding?" said Tiger. "Yes. There it is." Mouse Deer pointed to the mud puddle. "It has the best taste in the world. The King doesn't want anyone else to eat it." Tiger looked longingly at the puddle. "I would like to taste the King's pudding." "Oh, no, Tiger! The King would be very angry." "Just one little taste, Mouse Deer! The King will never know." "Well, all right, Tiger. But first let me run far away, so no one will blame me."
This book is grounded in a theorization of the author's personal story including growing up as a female adoptee of a single parent in a patriarchal context, and current material context as an immigrant in New Zealand.
Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking. Experimental in form as well as in method, Climates. Habitats. Environments. features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid’s Metamorphoses to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore. Copublished with NTU Centre for Contemporary Art Singapore
The oldest and most extensive written language of Southeast Asia is Old Javanese, or Kawi. It is the oldest language in terms of written records, and the most extensive in the number and variety of its texts. Javanese literature has taken many forms. At various times, prose stories, sung poetry or other metrical types, chronicles, scientific, legal, and philosophical treatises, prayers, chants, songs, and folklore were all written down. Yet relatively few texts are available in English. The unstudied texts remaining are an unexplored record of Javanese culture as well as a language still alive as a literary medium in Bali. Introduction to Old Javanese Language and Literature represents a first step toward remedying the dearth of Old Javanese texts available to English-speaking students. The ideal teaching companion, this anthology offers transliterated original texts with facing-page English translations. Theanthology focuses on prose selections, since their straightforward style and syntax offer the beginning student the most rewarding experience. Four sections make up the collection. Part I offers several short readings as the most accessible entry point into Old Javanese. Part II contains two moralistic fables from an Old Javanese retelling of the Hindu Pañcatantra cycle. Part III takes up the epic, providing excerpts from one of the books of the Old Javanese retelling of the Mahābhārata. Part IV offers excerpts from two chronicles, the generic conventions of which challenge received notions of history writing because of their supernaturalism and folkloric elements. Includes introduction, glossary, and notes.
When you're sworn to silence it pays to keep your eyes and ears open. Tiger eyes, tiger spirit, tiger stone. Only a daughter could unlock the stone's power. Java, fourteenth century. The villagers are fearful of Mbah Merapi, the rumbling volcano that overshadows their lives. Kancil, the lowliest kitchen servant, knows the real danger is human but she is fatherless and mute - and she will lose everything if her identity is revealed. How can Kancil warn the villagers of the danger they are in?