The Acrostic Paradise Lost

The Acrostic Paradise Lost

Author: Terrance Lindall

Publisher: Yuko Nii Foundation

Published: 2020-01-01

Total Pages: 204

ISBN-13: 1792348983

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Acrostics in Milton’s poem have fascinated scholars, and I thought I might like to write another synopsized version of Paradise Lost in acrostic form that actually tells the story briefly. The idea was suggested by John Geraghty, a prominent collector of Milton books, art and ephemera. I am just beginning the project that I hope I can present it during National Poetry Month next year. I will also present two first edition illustrated books of William Blake, plus many other remarkable illustrated books. I do attempt things with Paradise Lost never done before. One was synopsizing it and then popularizing it in Heavy Metal Magazine. The synopsized book was on display in B. Dalton’s store window on 5th Avenue in mid- Manhattan and sold out. Another was the Gold Folio, and another was the Gold Scroll that reads like a Torah scroll (p.65). Then there was the Paradise Lost Costume ball in 2008 that got a major article in the New York Times. All were successful. We also have a major collection of Paradise Lost related materials, including first illustrated editions, an Elkington Shield that won a world fair award, etc. These will be on display when I produce the show related to the acrostic.


Doré's Illustrations for "Paradise Lost"

Doré's Illustrations for

Author: Gustave Doré

Publisher: Courier Corporation

Published: 2012-03-07

Total Pages: 66

ISBN-13: 0486134032

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All 50 of Doré's powerful illustrations for Milton's epic poem, recounting mankind's fall from the grace of God through the work of Satan. Appropriate quotes from the text are printed with each illustration.


Literary Names

Literary Names

Author: Alastair Fowler

Publisher: OUP Oxford

Published: 2012-09-06

Total Pages: 420

ISBN-13: 0191650994

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Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible given names changed and how is this reflected in literature? Why do some characters remain mysteriously nameless? In this rich and learned book, Alastair Fowler explores the use of names in literature of all periods - primarily English but also Latin, Greek, French, and Italian - casting an unusual and rewarding light on the work of literature itself. He traces the history of names through Homer, Spenser, Shakespeare, Milton, Thackeray, Dickens, Joyce, and Nabokov, showing how names often turn out to be the thematic focus. Fowler shows that the associations of names, at first limited, become increasingly salient and sophisticated as literature itself develops.


This Side of Paradise

This Side of Paradise

Author: F. Scott Fitzgerald

Publisher: The Floating Press

Published: 2009-04-01

Total Pages: 503

ISBN-13: 1775414833

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This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.


Paradise Lost, 1668-1968

Paradise Lost, 1668-1968

Author: Earl Roy Miner

Publisher: Bucknell University Press

Published: 2004

Total Pages: 520

ISBN-13: 9780838755778

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The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari


The Origin of Sin

The Origin of Sin

Author: Prudentius

Publisher: Cornell University Press

Published: 2012-02-17

Total Pages: 249

ISBN-13: 080146305X

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Aurelius Prudentius Clemens (348-ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since-most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.