Abomination—a combination of historical fiction and fantasy—tells the tale of two very different, but equally tragic, heroes, each on their own path to damnation, but who ultimately find salvation in each other.
A powerful, disturbing thriller reissued in The Originals series of classic teenage fiction. Martha is twelve - and very different from other kids, because of her parents. Strict members of a religious group - the Brethren - their rules dominate Martha's life. And one rule is the most important of all: she must never ever invite anyone home. If she does, their shameful secret - Abomination - could be revealed. But as Martha makes her first real friend in Scott, a new boy at school, she begins to wonder. Is she doing the right thing by helping to keep Abomination a secret? And just how far will her parents go to prevent the truth from being known? The Originals are the pioneers of fiction for young adults. From political awakening, war and unrequited love to addiction, teenage pregnancy and nuclear holocaust, The Originals confront big issues and articulate difficult truths
An alien hidden in the ocean’s depths is awakened—and wreaks havoc on mankind—in this science fiction classic from the Hugo Award–winning author. In The Atlantic Abomination, an exploratory expedition to the bottom of the ocean discovers the remnants of a long-lost civilization, and then, the enormous body of an alien being preserved for unknown millennia. An attempt to raise the body unleashes a horror beyond imagining as the creature revives from a long sleep and begins to exert control over men’s minds throughout the world. This is a classic SF horror story in the mode of John W. Campbell’s The Thing, the source material for SF thriller movies in the 1950s and again, via John Carpenter, in the 1980s. For each generation, there is a writer meant to bend the rules of what we know. Hugo Award winner (Best Novel, Stand on Zanzibar) and British science fiction master John Brunner remains one of the most influential and respected authors of all time, and now many of his classic works are being reintroduced. For readers familiar with his vision, this is a chance to reexamine his thoughtful worlds and words, while for new readers, Brunner’s work proves itself the very definition of timeless.
"Crackles with an ominous electricity, pulling you inside the mind of a killer who is terrifyingly twisted...terrifyingly real. The pages will race by as you read, but I guarantee your heart will race even faster." -T.L. Hines, author of Waking Lazarus A beautiful woman stands by the side of the road, barefoot and bleeding, a child in her arms. Someone just tried to kill her, but she wouldn't recognize him if she saw his face. She doesn't even remember her own name. A suburban cop surveys a kitchen in disarray--a woman and child missing, a chilling note. This crime scene is unlike any he has ever seen. The man who calls himself Gideon waits and plans. He sees himself as a destroyer of evil, one who rids the world of abominations. He has already killed five. He will kill again. And somewhere in the wilderness, in a secret geocache near where the wild swans gather, lies the unspeakable clue that links them all together. Michigan's rugged and beautiful Upper Peninsula is the setting for this absorbing tale of love and loss, beauty and terror, grievous sins and second chances. A deftly woven thriller from the popular author of the Rock Harbor novels.
Ride with the Horsemen of the Apocalypse as they seek to unearth a plot that could plunge all of Creation into chaos! Ages before the events of Darksiders and Darksiders II, two of the feared Horsemen—Death and War—are tasked with stopping a group of renegades from locating the Abomination Vault: a hoard containing weapons of ultimate power and malice, capable of bringing an end to the uneasy truce between Heaven and Hell . . . but only by unleashing total destruction. Created in close collaboration with the Darksiders II teams at Vigil and THQ, Darksiders: The Abomination Vault gives an exciting look at the history and world of the Horsemen, shining a new light on the unbreakable bond between War and Death.
Abomination: Devil Worship and Deception in the West Memphis Three Murders provides a detailed, time-lined analysis of the murder that shocked the nation: the heinous killing of three eight year old boys in West Memphis, Arkansas on May 5th, 1993. A wall of deception has led the American public to erroneously believe that the three men were falsely accused and convicted for the crime. Unfortunately, this is not true. William Ramsey, author of Prophet of Evil: Aleister Crowley, 9/11 and the New World Order, provides shocking insights into the lives of the convicted murderers and their involvement with witchcraft. Relying on actual court and police records, William Ramsey shows that the evidence abundantly points to the guilt of the West Memphis Three.
Where is the real Leeds? How does one get there? Is it floating on the air-words and music you can almost reach out and grab like wriggling worms of sound and ether? Is it in the carnival that seethes under the corrupted church, drawing the lost along shadowy corridors and through the strangely angled Funhouse doors to the place where the city fathers perform secret rites with the goat-headed masters of the dark? Do you seek the Real Leeds? Venture out to a secluded spot, turn on your radio, and spin that dial down to the murky low numbers, somewhere just around 87.9... That music, that voice calling on the edge of static and distortion-it might lead you to that blasted and damned path toward the Real and Truest heart of Leeds, Massachusetts. This is WXXT. It's the witching hour, when shadows take wing and nightmares stalk. Turn your radio up. Point your antennas to the infinite sky. And stay tuned for Weather on the Sixes. WXXT. The bubbling blisters on the tongue of the Pioneer Valley.
“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.
They were just two kids playing in a graveyard. But their play awakens a dark, malevolent force that feeds on flesh and spirit, an elusive creature that can take many forms. It hates all things human, and it means to own the Earth.