Using Psalm 139, Abbey Wedgeworth walks alongside women suffering the heartbreak of miscarriage. Having experienced the sorrow of miscarriage herself, she acknowledges the isolation commonly felt and the impact that such an experience can have on faith. The 31 biblical reflections in this beautiful and comforting book remind grieving women that God sees them, knows them, loves them, and is actively caring for them. These precious verses will show women that God can bring comfort, assurance, protection, and purpose in the very sorrow that they are experiencing. Includes personal stories of pregnancy loss from others, including Courtney Reissig, Kristie Anyabwile, and Eric Schumacher encouraging sufferers that they are not alone. It is a very helpful book to give to women who are suffering in this way.
In their zeal for reform, early Protestant leaders tended to throw out Saint Benedict with the holy water. That is a mistake, writes Dennis Okholm, in Monk Habits for Everyday People. While on retreat in a Benedictine abbey, the author, a professor who was raised as a Pentecostal and a Baptist, observed how the meditative and ordered life of a monk lifted Jesus' teachings off the printed page and put them into daily practice. Vital aspects of devotion, humility, obedience, hospitality, and evangelism took on new clarity and meaning. Paralleling that experience, Okholm guides the reader on a focused and instructive journey that can revitalize the devotional life of any Christian who wants to slow down and dig deeper.
In this darkly humorous New York Times–bestselling memoir, the Irish American writer and actor shares charming stories from his first decade in the US. Malachy McCourt left behind a childhood of poverty and painful memories of his father and mother in Limerick, Ireland, when he followed his brother, Frank, to America in 1952. In A Monk Swimming, McCourt recounts the decade that followed. With not much else to his name other than his sharp wit and knack for storytelling, McCourt was unsure what he would do after arriving in New York City. He worked as a longshoreman on the Brooklyn docks, became the first celebrity bartender in a Manhattan saloon, performed on stage with the Irish Players, and told tales to Jack Paar on The Tonight Show. Although McCourt gained success, money, women, and, eventually, children of his own, he still carried memories of the past with him. So, he fled again. He found himself in the Manhattan Detention Complex, otherwise known as the Tombs. He was arrested several times: poolside in Beverly Hills, in Zurich with gold-smugglers, and again in Calcutta with sex workers. McCourt’s journey also took him to Paris, Rome, and even Limerick again, until finally he was forced to grapple with his past. Praise for A Monk Swimming “[A] funny, oddly winning book.” —The New York Times “A rollicking good read that, as the Irish say, would make a dead man laugh.” —The Philadelphia Inquirer “Malachy McCourt, who has habitually regurgitated English in glorious colors to his fellow Irishmen and New Yorkers, here makes his vivid, whimsical, raucous, murderous joy and voice available to the rest of us in tales of riot and glory which build on the story of the McCourts’ early life so dazzlingly told in Angela’s Ashes by his brother Frank.” —Thomas Keneally, author of the international bestseller Schindler’s List
A pioneering, comprehensive investigation into a major Italian monastery. The Benedictine abbey of Holy Trinity, Cava, has had a continuous existence since its foundation almost exactly a thousand years ago. From its modest beginnings, it developed during the late eleventh and early twelfth centuries into one of the wealthiest and most influential monasteries in southern Italy. This path-breaking study, based on many years research into the, largely unpublished, charters of Cava, begins by examining the growth of the abbey's congregation and property, and its struggle subsequently to defend its interests during the troubled thirteenth century. But, in addition, it uses the extensive evidence available to study its benefactors and dependents, administration and economy, and through this material to analyse the social and economic structures of the principality of Salerno. There is also a re-evaluation of the problem of forgery, practised on a large scale at Cava during the thirteenth century, a factor which has complicated and discouraged previous study of this important institution. A major advance both in the study of the south Italian Church and of the medieval Mezzogiorno during the central Middle Ages, the volume presents a vivid and detailed picture of local society and its workings, and of the families and individuals who had dealings with the abbey.
The essays published in this volume cover many aspects of the history of Cluny from its foundation until the end of the twelfth century. Four of them are published here for the first time, and others appear in a revised form. The three articles on Cluny in the tenth, eleventh, and twelfth centuries constitute a brief survey of Cluny at the height of its prestige and influence. Others, such as the articles on Cluny and the Investiture Controversy and the First Crusade, deal with the influence of Cluny outside its walls. Yet others are concerned with the relations between Cluny and other orders, between Cluny and its dependent houses, and between the abbey and town of Cluny. The remainder study the internal history of the abbey, the administration, legislation, and finances of the order, and its development and problems, especially in the twelfth century.
Winner of two 2019 Catholic Press Association Awards: Memoir (First Place) and Cover Design (Second Place). Monastic life and its counter-cultural wisdom come alive in the stories and lessons of Br. Paul Quenon, O.C.S.O., during his more than five decades as a Trappist at the Abbey of Gethsemani. He served as a novice under Thomas Merton and he also welcomed some of the monastery's more well-known visitors, including Sr. Helen Prejean and Seamus Heaney, to Merton's hermitage. In Praise of the Useless Life includes Quenon's quiet reflections on what it means to live each day with careful attentiveness. The humble peace and simplicity of the monastery and of Quenon's daily life are beautifully portrayed in this memoir. Whether it be through the daily routine of the monastery, his love of the outdoors no matter the season, or his lively and interesting conversations with visitors (reciting Emily Dickinson with Pico Iyer, discussing Merton and poetry with Czeslaw Milosz), Quenon's gentle musings display his love for the beauty in his vocation and the people he’s encountered along the way. Inspired by his novice master Merton, the poet and photographer’s stories remind us that the beauty of life can best be seen in the "uselessness" of daily life—having a quiet chat with a friend, spending time in contemplation—in our vocations, and in the memories we make along the way.
A new collection of soccer writing by the bestselling author of Fever Pitch. After the phenomenal success of Fever Pitch, Nick Hornby tried to avoid writing about soccer, for fear that he'd be writing about it forever. But occasionally over the years he’s found it impossible to turn down a particularly enticing assignment or, in the case of the 2012-13 Premier League, just unable to resist writing about that most spectacular of seasons. Fortunately for those who love great writing about soccer, all these fugitive pieces are collected in Fan Mail. You can follow the fortunes, as Hornby did, of a hopelessly out-of-their-depth Cambridge United in the old Second Division, discover why Perry Groves was an unlikely hero among Arsenal fans, enjoy Hornby trying to explain the World Cup to Americans, and share with him the pain of watching his national team.
The scope and tragedy of the thing : the structure of the series -- More things in heaven and earth : going beyond the normal -- As if a man were author of himself : good against evil -- Be absolute for death : life and death -- Power is made perfect in weakness : power and weakness -- To lay down one's life for one's friends : love and sacrifice -- It is essential that you understand this : freedom and determination -- A pretty boring life : the hidden and the ostentatious -- Telling it like it is : the struggle for truth -- They will see God : purity of heart and purity of blood.
Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future. Purcell explores the very nature of feminist theater—does it qualify if a play is written by a woman or does it just need to feature strong female characters?—as well as how notable activist work for feminism has played a pivotal role in theatre. An engaging survey of female artists on stage and behind the scenes, From Aphra Behn to Fun Home will be of interest to theatregoers and anyone interested in the invaluable contributions of women in the performing arts.
