Provides suggestions for correcting common writing mistakes and offers advice on developing a fiction writer's attitude, refining ideas and language, and submitting manuscripts.
When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do?
"What do you think of my fiction book writing?" the aspiring novelist extorted. "Darn," the editor hectored, in turn. "I can not publish your novel! It is full of what we in the business call 'really awful writing.'" "But how shall I absolve this dilemma? I have already read every tome available on how to write well and get published!" The writer tossed his head about, wildly. "It might help," opined the blonde editor, helpfully, "to ponder how NOT to write a novel, so you might avoid the very thing!" Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid—at all costs—if you ever want your novel published. In How Not to Write a Novel, authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious "mis-examples" to demonstrate each manuscript-mangling error, they'll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.
Writing and Selling Your Novel is a revision and an expansion, a new edition, but with the same mission: to help you write publishable fiction. In Bickham's book, marketing is twined into the writing. In yours, it will be, too. Follow this proven advice and you can make your work perform on the only two levels that count - as can't-put-it-down storytelling and as can't-turn-it-down manuscript. Here you'll find a mixture of fiction-writing fact and philosophy that will help you bring a professional's approach to your work; use stimulus and response believably, effectively; create excitement and evoke emotion with scene and sequel; build fascinating complexities into your characters; revise, to turn a rough draft into a polished novel; and all with salability in mind.
Sixtee-year-old "Slam" Harris is counting on his noteworthy basketball talents to get him out of the inner city and give him a chance to succeed in life, but his coach sees things differently.
Craft your fiction with scene-by-scene flow, logic and readability. An imprisoned man receives an unexpected caller, after which "everything changed..." And the reader is hooked. But whether or not readers will stay on for the entire wild ride will depend on how well the writer structures the story, scene by scene. This book is your game plan for success. Using dozens of examples from his own work - including Dropshot,Tiebreaker and other popular novels - Jack M. Bickham will guide you in building a sturdy framework for your novel, whatever its form or length. You'll learn how to: • "worry" your readers into following your story to the end • prolong your main character's struggle while moving the story ahead • juggle cause and effect to serve your story action As you work on crafting compelling scenes that move the reader, moment by moment, toward the story's resolution, you'll see why... • believable fiction must make more sense than real life • every scene should end in disaster • some scenes should be condensed, and others built big Whatever your story, this book can help you arrive at a happy ending in the company of satisfied readers.
The writing life is solitary and challenging, and it takes far more than creativity to become a commercial success. The Writer's I Ching uses the ancient Chinese divination system to provide writers with help mastering the business of writing and choosing the most propitious times to take action. Because writing educators created the book, it also teaches the storyteller and non-fiction craft with lessons suitable for both beginners and seasoned professionals. This unique presentation of the I Ching features a complete deck of 64 cards bound into the book itself. The writer poses a question about how to proceed on a specific fiction or non-fiction project, negotiation, or business matter. He draws an I Ching card and turns to the proper page for the interpretation of that card. Many cases of writer's block have been cured and flashes of insight gained through this simple technique. The I Ching dates back to before Christ and counts among its devotees Confucius, Albert Einstein, and Bob Dylan.
"In Artful Sentences: Syntax as Style, Virginia Tufte shows how standard sentence patterns and forms contribute to meaning and art in more than a thousand wonderful sentences from the twentieth and twenty-first centuries. The book has special interest for aspiring writers, students of literature and language, and anyone who finds joy in reading and writing."--Publisher's description.
Comedy is serious business—and serious money. In this guide, comedian, writer, and teacher James Mendrinos explains the principles of comedy and how to apply them to forms from stand-up to sitcoms- including fiction, film, speeches, articles, essays, and more. He also includes exercises designed to hone the craft, break through writer’s block, and tailor a piece to its intended audience. In this Complete Idiot’s Guide®, you get: • Foolproof advice for writing scripts, feature films, plays, cartoons, stand-up jokes—even working humor into your presentation at work. • Terrific techniques for brainstorming, free associating, and drafting lists to make your writing better—and funnier. • Stand-up tips on identifying with and writing for your audience and genre. • Navigation tools for the inroads to marketing and selling your comedy.