The Film Daily Year Book of Motion Pictures
Author:
Publisher:
Published: 1938
Total Pages: 1296
ISBN-13:
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Author:
Publisher:
Published: 1938
Total Pages: 1296
ISBN-13:
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Published: 1968
Total Pages: 1218
ISBN-13:
DOWNLOAD EBOOKAuthor: Aubrey Solomon
Publisher: McFarland
Published: 2014-01-10
Total Pages: 391
ISBN-13: 0786486104
DOWNLOAD EBOOKIn 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
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Published: 1928
Total Pages: 1020
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Published: 1942
Total Pages: 1024
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DOWNLOAD EBOOKAuthor: Cline M. Koon
Publisher:
Published: 1930
Total Pages: 30
ISBN-13:
DOWNLOAD EBOOKAuthor: George Bluestone
Publisher: Univ of California Press
Published: 1966
Total Pages: 260
ISBN-13:
DOWNLOAD EBOOKAuthor: David Frey
Publisher: Bloomsbury Publishing
Published: 2017-02-28
Total Pages: 480
ISBN-13: 1786730618
DOWNLOAD EBOOKBetween 1929 and 1942, Hungary's motion picture industry experienced meteoric growth. It leapt into Europe's top echelon, trailing only Nazi Germany and Italy in feature output. Yet by 1944, Hungary's cinema was in shambles, internal and external forces having destroyed its unification experiments and productive capacity. This original cultural and political history examines the birth, unexpected ascendance, and wartime collapse of Hungary's early sound cinema by placing it within a complex international nexus. Detailing the interplay of Hungarian cultural and political elites, Jewish film professionals and financiers, Nazi officials, and global film moguls, David Frey demonstrates how the transnational process of forging an industry designed to define a national culture proved particularly contentious and surprisingly contradictory in the heyday of racial nationalism and antisemitism.