Christian F. Metzger was born 12 Dec 1857 in Hoffnungstal, Ukraine, Russia to Christian Metzger and Magdalena Wagner. He married Catherine Bitz (Bietz) 1881 in Neu Berlin, Russia. She was born 5 Aug 1859 the daughter of Andreas Bitz and Elizabeth Schaffner. Christian F. Metzger died 14 Jul 1931 in Challenge, Yuba Co., California. Catherine Bitz Metzger died 5 Apr 1948 in Yuba City, Sutter Co., California. They were the parents of 10 children.
In this revised fourth edition of his classic evangelistic work, Will Metzger calls for a rehabilitation of the truth framework necessary for the survival of the Christian message. Metzger's passionate and pragmatic approach provides direction for a new generation of evangelists eager to communicate the whole gospel.
The poems in Bed, many written during prolonged bed rest, examine how life's interruptions--illness or new motherhood, loss or lust--can lead us to intimate revelations with others and with our selves. We spend much of our lives in bed--it is a border, a boundary, a haven, and a trap--and the poems in Bed confront and question the very limits of body and mind. In dream and waking, in sickness and sex, in marriage and birth, in grief and death, the bed is a space that can either mark time or transcend it, a place of perpetual becoming and reinvention. Here is a body trying to remember pleasure amidst the material of suffering, a language trying to keep up with a love that begins before speech. The bed in Bed is often an absent center--a missing mind--around which intimacy must dance. Maybe it is the wanted child. Maybe it is the mourned self. Maybe it is your mind these poems must be tucked into to be kept or come alive.
During the past few decades a great amount of scholarly work has been done on the various prayer cultures of antiquity, both Graeco-Roman and Jewish and Christian. In Jewish studies this burgeoning research on ancient prayer has been stimulated particularly by the many new prayer texts found at Qumran, which have shed new light on several long-standing problems. The present volume intends to make a new contribution to the ongoing scholarly debate on ancient Jewish prayer texts by focusing on a limited set of prayer texts, scil. , a small number of those that have been preserved only in Greek. Jewish prayers in Greek tend to be undervalued, which is regrettable because these prayers shed light on sometimes striking aspects of early Jewish spirituality in the centuries around the turn of the era. In this volume twelve such prayers have been collected, translated, and provided with an extensive historical and philological commentary. They have been preserved on papyrus, on stone, and as part of Christian church orders into which some of them have been incorporated in a christianized from. For that reason these prayers are of great interest to scholars of both early Judaism and ancient Christianity.
Based on fieldwork and reflection over a period of almost fifty years, Maya Potters’ Indigenous Knowledge utilizes engagement theory to describe the indigenous knowledge of traditional Maya potters in Ticul, Yucatán, Mexico. In this heavily illustrated narrative account, Dean E. Arnold examines craftspeople’s knowledge and skills, their engagement with their natural and social environments, the raw materials they use for their craft, and their process for making pottery. Following Lambros Malafouris, Tim Ingold, and Colin Renfrew, Arnold argues that potters’ indigenous knowledge is not just in their minds but extends to their engagement with the environment, raw materials, and the pottery-making process itself and is recursively affected by visual and tactile feedback. Pottery is not just an expression of a mental template but also involves the interaction of cognitive categories, embodied muscular patterns, and the engagement of those categories and skills with the production process. Indigenous knowledge is thus a product of the interaction of mind and material, of mental categories and action, and of cognition and sensory engagement—the interaction of both human and material agency. Engagement theory has become an important theoretical approach and “indigenous knowledge” (as cultural heritage) is the focus of much current research in anthropology, archaeology, and cultural resource management. While Dean Arnold’s previous work has been significant in ceramic ethnoarchaeology, Maya Potters' Indigenous Knowledge goes further, providing new evidence and opening up different concepts and approaches to understanding practical processes. It will be of interest to a wide variety of researchers in Maya studies, material culture, material sciences, ceramic ecology, and ethnoarchaeology.
