After catching her husband kissing another woman in the barn, Loretta Sullivan Bailey left Lonesome Canyon Ranch and swore she'd never come back. But when her daughter threatens to drop out of college to become a rancher's wife, Loretta refuses to let her baby make the same mistake she did. She returns to the ranch, determined to get her daughter back in school by the summer's end and resolute on ignoring her feelings for her ex-husband. --A cowboy from his hat to his boots, ruggedly handsome rancher Jackson Bailey is none too pleased that his feisty and gorgeous ex-wife has suddenly shown up seventeen years after their divorce. But despite all their fighting and fussing, the two stubborn former lovers soon discover that old flames burn the hottest. Can they finally put aside their differences and find happiness together --forever?
DIVAn evocative, poignant coming-of-age novel set in rural Texas in the 1930s/divDIV /divDIVThrough events small and large, thirteen-year-old Harold Stevens grows up during a pivotal summer in the red-dirt backcountry of West Texas. With his friend C.K. Crow, the black field hand who works for Harold’s father, he shoots deer and quail, fishes for catfish, mends fences, grows and learns about marijuana, and tests his emerging manhood against bullies, bulls, and the irresistible charms of his horse-riding older cousin. During a hysterical trip to a circus sideshow, Harold and a buddy sneak backstage to see “The Great Hermaphrodite” and the “funny little old Monkey Man,” whom they try to buy a beer. But danger waits on the fringe of this innocent time. When C.K.’s brother, Big Nail, appears after escaping from a chain gang, an inevitable and violent confrontation between the brothers is set in motion—a confrontation that will mark the end of Harold’s childhood. /divDIV /divDIVThis insideview of Southern’s roots in Alvarado, Texas, where pastoral innocence belied an undercurrent of racism and violence, brings this novel of a boy’s transition to maturity vividly alive. /divDIV /divThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate.
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.
An “excellent sports history” (Publishers Weekly) in the tradition of Michael Lewis’s Moneyball, award-winning historian S.C. Gwynne tells the incredible story of how two unknown coaches revolutionized American football at every level, from high school to the NFL. Hal Mumme spent fourteen mostly losing seasons coaching football before inventing a potent passing offense that would soon shock players, delight fans, and terrify opposing coaches. It all began at a tiny, overlooked college called Iowa Wesleyan, where Mumme was head coach and Mike Leach, a lawyer who had never played college football, was hired as his offensive line coach. In the cornfields of Iowa these two mad inventors, drawn together by a shared disregard for conventionalism and a love for Jimmy Buffett, began to engineer the purest, most extreme passing game in the 145-year history of football. Implementing their “Air Raid” offense, their teams—at Iowa Wesleyan and later at Valdosta State and the University of Kentucky—played blazingly fast—faster than any team ever had before, and they routinely beat teams with far more talented athletes. And Mumme and Leach did it all without even a playbook. “A superb treat for all gridiron fans” (Kirkus Reviews, starred review), The Perfect Pass S.C. Gwynne explores Mumme’s leading role in changing football from a run-dominated sport to a pass-dominated one, the game that tens of millions of Americans now watch every fall weekend. Whether you’re a casual or ravenous football fan, this is “a rousing tale of innovation” (Booklist), and “Gwynne’s book ably relates the story of that innovation and the successes of the man who devised it” (New York Journal of Books).
She’s been fooled before by sweet words and hot kisses Kelly Turner loves being a florist, and being asked to take the lead on the new site for the town’s festival is an honor. If only she didn’t have to work closely with the town player, Tate Prentice. After being burned once by a serial cheater, her inconvenient attraction toward Tate needs to be nipped in the bud. Tate Prentice’s focus is on ensuring his father recovers fully from his stroke and making sure the family’s peach farm continues to thrive. When his brother nominates the farm to be the satellite site for the festival, he’s less than impressed. The only good thing is he'll be working with Kelly – even though he knows she’ll never give him a second glance, not with his reputation. The more time Kelly spends with Tate, the more she sees the man behind the reputation. Can she trust her instincts, or will her heart be broken once again?
A Good Morning America Book Club Pick! • A bighearted novel with technicolor characters, plenty of Texas swagger, and a powder keg of a plot in which marriages struggle, rivalries flare, and secrets explode, all with a clever wink toward classical mythology. For fans of Madeline Miller's Circe: "The Iliad meets Friday Night Lights in this muscular, captivating debut" (Oprah Daily). The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down. An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don't we all wonder: What good is this destructive force we call love?
"Clear off space on your keeper shelf, Fossen has arrived."—Lori Wilde, New York Times bestselling author Can two old friends rekindle the spark that brought them together when their pasts are littered with land mines? The chance to be near his young son is the only thing that could entice former SWAT commander Matt Corbin back to his hometown. Matt has only a few happy memories of his tough childhood in Last Ride, Texas, and most of them involve Emory Parkman. Once his teenage crush, she’s now living in a cottage on his late grandfather’s ranch, which seems like a good omen…until Matt learns Emory is looking into his family’s history, a subject he’d prefer remained closed. Emory’s wedding-gown designs are said to bring luck—to everyone but her. Though twice bitten by romance that went sour, she’s tempted to take a chance on the rancher next door. Emory and Matt’s long-ago attempts at love never got a fair chance, but all these years later, their attraction is stronger than ever. Maybe by unearthing some of his ancestors’ long-buried secrets, she can help him finally cast off the past’s shadows and prove to Matt that the third time’s the charm. A Last Ride, Texas Novel Book 1: Spring at Saddle Run Book 2: Christmas at Colts Creek Book 3: Summer at Stallion Ridge Book 4: Mornings at Rivers End Ranch
Texas, Being: A State of Poems collects more than forty-five poems from a beautiful and brutal state. Some are about the music of their languages. Some speak to the dead, some to the sun, and others to omissions of history. One concerns a hedgehog cactus, and another a roller rink. From “Happy, Texas” to “Palestine, TX,” from seashores to skeletons to Selena, all are in one way or another about Texas, but good poems are always about more than one thing. Selected by Jenny Browne, 2017 poet laureate of Texas, these poems draw a picture of one of America’s vastly sublime yet most audaciously independent corners. In these diverse voices, the state is a lovely and painful contradiction of space and meaning. Texas is a place “where blind catfish cruise” and wild asters grow. It’s a frame of mind where Jenny Boully writes “the history is unending” and Mexican American studies professor Christopher Carmona can “feel the slowness of time.” Jorge Luis Borges wrote of it as “an endless plain / Where a man’s cry dies a lonely death.” Victoria Chang writes that “there is so / much sky that even birds / get lost." Andrea “Vocab” Sanderson describes her hometown as a “fiercely loving city tougher on the outside / but smooth as pecan shells,” and Naomi Shihab Nye reminds us to “be patient, sure there’s lots of bad around, / but more room for good too, with all this empty.” Whether it is Joshua Edwards imagining his photographer father or Primo Feliciano Marín’s declaration “Hail Texas, fraught with charms unknown,” these voices, past and present, give us a glimpse into the poetic soul of the nation’s most willful state. Poets include Robert A. Ayres, Curtis Bauer, Jan Beatty, Layla Benitez-James, Jorge Luis Borges, Jenny Boully, Catherine Bowman, Susan Briante, Bobby Byrd, Christopher Carmona, Aline B. Carter, Rosemary Catacalos, Victoria Chang, Hayan Charara, Joshua Edwards, Tarfia Faizullah, Carrie Fountain, Vievee Francis, Mag Gabbert, Miriam Bird Greenberg, Lucy Griffith, Aaron Hand, Fady Joudah, Jim LaVilla-Havelin, Emma Lazarus, J. Estanislao Lopez, Primo Feliciano Marín, Pablo Miguel Martínez, Walter McDonald, Jasminne Mendez, Townsend Miller, Ange Mlinko, Naomi Shihab Nye, Shin Yu Pai, Cecily Parks, Emmy Pérez, Octavio Quintanilla, Iliana Rocha, Andrea “Vocab” Sanderson, ire’ne lara silva, Jeff Sirkin, Margo Tamez, Lao Yang, Loretta Diane Walker, Emily Winakur, and Matthew Zapruder.
