THE RANCHER AND THE RUNAWAY BRIDE Tate Whitelaw has had enough of her older brothers interfering in her life. So she decides to split from the ranch and does what any young, red-blooded girl would do--run straight into the arms of rancher Adam Phillips. Adam's in no mood to rescue a damsel in distress, but his heart has other ideas. Tate has no clue that her estranged brother, Jesse, is as close as the neighboring spread...and Adam has no intention of telling her. But when she discovers that Jesse is a ranch hand next door, Adam has some explaining ahead of him. Add in the three Whitelaw boys, who show up to make sure their sister's an honest woman, and there's nothing left to say except "I do." THE BLUEST EYES IN TEXAS When debutante Lindsey Major came under the protection of Texas Ranger Burr Covington, she discovered her greatest challenge yet. Because Burr was determined not to succumb to her charms--despite the desire she saw simmering in his...
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
“With The Queen of the Damned, Anne Rice has created universes within universes, traveling back in time as far as ancient, pre-pyramidic Egypt and journeying from the frozen mountain peaks of Nepal to the crowded, sweating streets of southern Florida.”—Los Angeles Times In a feat of virtuoso storytelling, Anne Rice unleashes Akasha, the queen of the damned, who has risen from a six-thousand-year sleep to let loose the powers of the night. Akasha has a marvelously devious plan to “save” mankind and destroy the vampire Lestat—in this extraordinarily sensual novel of the complex, erotic, electrifying world of the undead. Praise for The Queen of the Damned “Mesmerizing . . . a wonderful web of dark-side mythology.”—San Francisco Chronicle “Imaginative . . . intelligently written . . . This is popular fiction of the highest order.”—USA Today “A tour de force.”—The Boston Globe
A rogue nobleman, a rescued lady, and revenge undone by romance all play a part in New York Times bestselling author Joan Johnston’s irresistible novel of best-laid plots, delicious deception, and unexpected passion. Two years have passed since Josie Wentworth was bought from the Sioux for a gold watch and whisked back to England by Marcus Wharton, the Duke of Blackthorne. When Marcus breaks his promise to return Josie to America, she ends up as a maid in the home of his charming but neglected nephews. Once Josie’s long-lost family finds her, however, the suddenly wealthy heiress sets out to save the two boys from their indifferent uncle—and teach the duke a lesson in honor. Learning that Marcus is seeking a rich American bride to save his estate, Josie plots to catch his eye—certain he’ll never recognize the beauty she’s become as the ragged captive he rescued. But Josie doesn’t wager on her marital charade taking a tender turn, as the nobleman she’s despised for years proves to be a very different man than she’s imagined. And there’s no denying his passionate caresses, as she falls deeper under the spell of a husband determined to claim her heart. Praise for Blackthorne’s Bride “[Joan] Johnston’s gloriously dramatic twelfth Bitter Creek novel, the fourth installment in her Mail Order Bride subseries, whisks readers across the Atlantic. . . . [This] page-turner is replete with romantic angst, sizzling sex, and the promise of an enduring love.”—Publishers Weekly (starred review) “Second chances, marriage of convenience, revenge, reconnection, and redemption . . . Blackthorne’s Bride is another winner from Joan Johnston that gives readers a delicious story of love, laughter, forgiveness, and family.”—Smexy Books “Blackthorne’s Bride is a sweeping tale that takes you from the Wild West . . . to Regency England. [It’s] a feisty and surprisingly enticing romance that takes you on an adventure through the city streets of London and the countryside.”—Addicted to Romance “Riveting . . . Johnston excels at descriptions, peppered with period details that make this book a picturesque reading experience.”—Buried Under Romance The passionate Westerns in Joan Johnston’s Bitter Creek series can be enjoyed together or separately, in any order: TEXAS BRIDE • WYOMING BRIDE • MONTANA BRIDE • SINFUL • SHAMELESS • BLACKTHORNE’S BRIDE • SULLIVAN’S PROMISE
The Light of Western Stars is a western romance novel by Zane Grey. In this story, a New York society girl heads west and ends up with more adventure than she had bargained for. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Explores American Joseph H. Lewis's eclectic career, including his best-known film, Gun Crazy. Joseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In The Films of Joseph H. Lewis, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full range of Lewis's career. While some studies analyze Lewis's work in different areas, others focus on particular films, ranging from poverty row fare to westerns and "television films." Overall, this collection offers fresh perspectives on Lewis as an auteur, a director responsible for individually unique works as well as a sustained and coherent style. Essays in part 1 investigate the texts and contexts that were important to Lewis's film and television career, as contributors explore his innovative visual style and themes in both mediums. Contributors to part 2 present an array of essays on specific films, including Lewis's remarkable and prescient Invisible Ghost and other notable films My Name Is Julia Ross, So Dark the Night, and The Big Combo. Part 3 presents an extended case study of Lewis's most famous and-arguably-most important work, Gun Crazy. Contributors take three distinct approaches to the film: in the context of its genre as film noir and modernist and postmodernist film; in its relationship to masculinity and masochism; and in terms of ethos and ethics. The Films of Joseph H. Lewis offers a thorough assessment of Lewis's career and also provides insight into film and television making in the 1930s, 40s, and 50s. Scholars of film and television studies and fans of Lewis's work will appreciate this comprehensive collection.
