Memories of Mike's dad resurface when a space shuttle mission goes bad and the family of the pilot witness the shocking disaster in the desert skies above Ambrosia. Will Mike ever discover the truth about his dad's plane crash in the Middle East? Why won't God answer his prayers? Soon another mystery unfolds as reports of strange and frightening apparitions filter in from the desert, along with smoky green fog. Could aliens and enemy soldiers both be attacking Ambrosia? Mike, Winnie, Ben, and Spence investigate at an abandoned military base--only to discover that their greatest fears await them.
In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space. This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars. Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.
Here in book five of the series, characters have to face their fears. And readers will learn to trust God one step at a time, even when it doesn’t seem to make sense. Will mysterious events cause the Last Chance Detectives to run scared? Memories of Mike’s dad resurface when a space shuttle mission goes bad and the family of the pilot witness the shocking disaster in the desert skies above Ambrosia. Will Mike ever discover the truth about his dad’s plane crash in the Middle East? Why won’t God answer his prayers? Soon another mystery unfolds as reports of strange and frightening apparitions filter in from the desert, along with smoky green fog. Could aliens and enemy soldiers both be attacking Ambrosia? Mike, Winnie, Ben, and Spence investigate at an abandoned military base—only to discover that their greatest fears await them. Get to know The Last Chance DetectivesMike: Fearless and bold, his leadership spurs the group on—sometimes into danger!Winnie: She knows the desert like the back of her hand and has a nose for news.Ben: His imagination makes him a great problem solver.Spence: A technical genius, he’s the brains of the outfit.Together, these four friends won’t stop until the mystery is solved!
Taking a look behind the scenes of Alien and its sequels, this book examines in detail the making of the films, provides details of earlier drafts, explores unproduced adventures (including three completely different versions of Alien 3 and Alien vs Predator), and previews Alien 4.
FROZEN HELL is the original version of John W. Campbell's classic novella, Who Goes There? (filmed as The Thing). Recently discovered among Campbell's papers, this version adds another 45 pages to the story. Includes a Preface by Alec Nevala-Lee and an Introduction by Robert Silverberg.
An eerie story of a silver land beneath the black Venusian seas. A grim tale of brooding terror whirling out of space to drive men mad, of a menace without name or form, and of the man, Lundy, who fought the horror, his eyes blinded by his will. For to see the terror was to become its slave—a mindless automaton whose only wish was to see behind the shadowed mysterious eyelids of "IT".
The novelette based on the B-movie parody feature film "Space Zombies: 13 Months of Brain-Spinning Mayhem!" by Kevin Risk and Regan W. H. Macaulay, now available on iTunes and on DVD. This is Book 1 of the "Trilogy of Horrifically Half-Baked Ham". Even the sanest and kindest of men goes mad. But what is it that drives him to insanity? Zombies from space seeking human brains for snacks? Human-to-cat, cat-to-human thought essence switches? Monster toad beasts or starfish mutations? Duelling heads? What you are about to read is a description of the circumstances under which one man, veterinarian Dr. Vic McNaughton, goes horribly, horribly - and almost irretrievably - insane.
In the 1950s, science was rapidly advancing, and so were scientific opportunities for women. Modern science fiction films reflected these simultaneous social developments. This book proposes that the social ideology of the 1950s, which was partly concerned with gender issues, saturated the B science fiction films of that era and inspired a new appreciation for the role of women in scientific advancements and other social achievements. Drawing on feminist literary and cultural theory, the author argues that the emergence of the modern American science fiction film in 1950 and the situation of post-World War II female scientists together created a film genre. That genre was explicitly amenable to exploring the tension between a woman's place in her home and her place in the work force, particularly in scientific fields. Early chapters provide a general introduction to the science fiction genre and specifically describe 1950s B science fiction films as they resonate with concerns proper to feminist theory. Subsequent chapters offer detailed, historically situated readings of 10 B science fiction films from the 1950s that feature women in science. The cinematic representations of female scientists are compared and contrasted with real female professionals of the time, illuminating the changing gender dynamics reflected in popular film in the 1950s. Films analyzed include Rocketship X-M, It Came from Beneath the Sea, Them!, Tarantula, The Deadly Mantis, Beginning of the End, Kronos, Cat-Women of the Moon, World Without End, and Queen of Outer Space.
The radical history of space exploration from the Russian Cosmists to Elon Musk Many societies have imagined going to live in space. What they want to do once they get up there - whether conquering the unknown, establishing space "colonies," privatising the moon's resources - reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clark in his speculative books offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
