Xuanzang should be known as one of the world's great heroes. His travels are legendary. He brought true Buddhism to China. His own book provides a unique record of the history and culture of his time. Yet he is unknown to most of us and even to most Chinese. footsteps, discover more about Xuanzang and restore his fame. So she retraced his journey from China to India and back. In the 8th century, crossing 110 kingdoms, he took 18 years. He opened up the east and west of Asia to each other - and to us. robbers with his teaching, his charm and his indomitable will. Against all odds he persuaded the Confucian emperors to allow Buddhism to flourish in China. understanding the Buddhist faith of her grandmother, recognizing also the passionate idealism of the communist beliefs of her own family and discovering her own beliefs.
"Trees without wind takes place in a remote Shanxi village during the Cultural Revolution. A rare affliction has left the residents physically stunted, and the deformed villagers, echoing the manipulated masses of China, become pawns in the Party's factional infighting."--Book cover.
In Karl Schroeder's sci-fi thriller, Hayden Griffin has come to the city of Rush with one thing in mind: to take murderous revenge for his parents' deaths. It is the distant future. The world known as Virga is a fullerene balloon three thousand kilometers in diameter, filled with air, water, and aimlessly floating chunks of rock. The humans who live in this vast environment must build their own fusion suns and "towns" that are in the shape of enormous wood and rope wheels that are spun for gravity. Young, fit, bitter, and friendless, Hayden Griffin is a very dangerous man. He's come to the city of Rush in the nation of Slipstream with one thing in mind: to take murderous revenge for the deaths of his parents six years ago. His target is Admiral Chaison Fanning, head of the fleet of Slipstream, which conquered Hayden's nation of Aerie years ago. And the fact that Hayden's spent his adolescence living with pirates doesn't bode well for Fanning's chances . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Jane Hutcheon's connection to China goes back more than one hundred and fifty years, when her great-great-grand-uncle Phineas, a Scottish tea merchant, was drawn to its shores. When Jane became the ABC's China correspondent in 1995, she began her own journey through an ancient and intriguing culture that is undergoing rapid change. Like learning to eat a dish of slippery braised pig's face, Jane had to learn the etiquette of reporting in China-a country where people often give interviews in lowered voices, or with a glance over their shoulders to see who might be listening. Though China has transformed itself into a heady capitalist republic, the country's new facade covers up a multitude of the same old problems. And in the lead up to the 2008 Beijing Olympics, the clash between new and old is more pronounced than ever. By talking with ordinary people-a glamorous Amway couple, a traffic cop, a rubbish collector and members of the Falun Gong, among others-Jane provides intimate insights into China's radical transformation. In the process, she discovers that the real China is intense, humorous, cynical and, quite often, bizarre. Travelling with a television crew, coping with a serious bout of 'banquet intolerance' and dealing with the frustration caused by Chinese bureaucracy, Jane takes us on a bumpy ride across a country the world is fascinated with, and that everyone is dying to get their chopsticks into.
Between July 1945 and November 1962 the United States is known to have conducted 216 atmospheric and underwater nuclear tests. After the Limited Test Ban Treaty between the United States and the Soviet Union in 1963, nuclear testing went underground. It became literally invisible—but more frequent: the United States conducted a further 723 underground tests, the last in 1992. 100 Suns documents the era of visible nuclear testing, the atmospheric era, with one hundred photographs drawn by Michael Light from the archives at Los Alamos National Laboratory and the U.S. National Archives in Maryland. It includes previously classified material from the clandestine Lookout Mountain Air Force Station based in Hollywood, whose film directors, cameramen and still photographers were sworn to secrecy. The title, 100 Suns, refers to the response by J.Robert Oppenheimer to the world’s first nuclear explosion in New Mexico when he quoted a passage from the Bhagavad Gita, the classic Vedic text: “If the radiance of a thousand suns were to burst forth at once in the sky, that would be like the splendor of the Mighty One . . . I am become Death, the destroyer of worlds.” This was Oppenheimer’s attempt to describe the otherwise indescribable. 100 Suns likewise confronts the indescribable by presenting without embellishment the stark evidence of the tests at the moment of detonation. Since the tests were conducted either in Nevada or the Pacific the book is simply divided between the desert and the ocean. Each photograph is presented with the name of the test, its explosive yield in kilotons or megatons, the date and the location. The enormity of the events recorded is contrasted with the understated neutrality of bare data. Interspersed within the sequence of explosions are pictures of the awestruck witnesses. The evidence of these photographs is terrifying in its implication while at same time profoundly disconcerting as a spectacle. The visual grandeur of such imagery is balanced by the chilling facts provided at the end of the book in the detailed captions, a chronology of the development of nuclear weaponry and an extensive bibliography. A dramatic sequel to Michael Light’s Full Moon, 100 Suns forms an unprecedented historical document.
• Written by a critically-acclaimed natural-history author • Shares author’s fun journey to understanding clouds • Written for the curious—but non-science—minded Author Maria Mudd Ruth fell in love with clouds the same way she stumbles into most passions: madly and unexpectedly. A Sideways Look at Clouds is the story of her quite accidental infatuation with and education about the clouds above. When she moved to the soggy Northwest a decade ago, Maria assumed that locals would know everything there was to know about clouds, in the same way they talk about salmon, tides, and the Seahawks. Yet in her first two years of living in Olympia, Washington, she never heard anyone talk about clouds—only the rain. Puzzled by this lack of cloud savvy, she decided to create a 10-question online survey and sent it to everyone she knew. Her sample size of 67 people included men and women, new friends in Olympia, family on the East Coast, outdoorsy and indoorsy types, professional scientists, and liberal arts majors like herself. The results showed that while people knew a little bit about clouds, most were like her—they had a hard time identifying clouds or remembering their names. As adults, they had lost their curiosity and sense of wonder about clouds and were, essentially, not in the habit of looking up. A Sideways Look at Clouds acknowledges the challenges of understanding clouds and so uses a very steep and bumpy learning curve—the author’s—as its plot line. The book is structured around the ten words used in most definitions of a cloud: “a visible mass of water droplets or ice crystals suspended in the atmosphere above the earth.” A captivating story teller, Maria blends science, wonder, and humor to take the scenic route through the clouds and encourages readers to chart their own rambling, idiosyncratic course.
