Zworykin, Pioneer of Television

Zworykin, Pioneer of Television

Author: Albert Abramson

Publisher: University of Illinois Press

Published: 1995

Total Pages: 392

ISBN-13: 9780252021046

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Using patents, published and unpublished documents, and interviews with television pioneers including Zworykin himself, Abramson reconstructs the inventor's life from his early years in Russia, through his stay as RCA's technical guru under David Sarnoff, to his death in 1982. More than fifty photographs show highlights of Zworykin's work. Abramson notes the contributions of other scientists--particularly Zworykin's biggest rival, Philo T. Farnsworth--to the advancement of television. However, he argues, it was Zworykin's inventions that made modern, all-electronic television possible, causing many to award him the title "father of television". "His achievements rank him with Thomas Edison and Alexander Graham Bell," states Albert Abramson in this discerning, often dramatic biography of Vladimir Kosma Zworykin, the Russian-born scientist who "did more to create our present system of cathode-ray television than any other person."


World Television

World Television

Author: Joseph D. Straubhaar

Publisher: SAGE

Published: 2007-05-18

Total Pages: 313

ISBN-13: 1452239657

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World Television: From Global to Local, a new assessment of the interdependence of television across cultures and nations brings together the most current research and theories on the subject. By examining recent developments in the world system of television as well as several theories of culture, industry, genre, and audience, author Joseph D. Straubhaar offers new insights into the topic. He argues that television is being simultaneously globalized, regionalized, nationalized, and even localized, with audiences engaging it at multiple levels of identity and interest; therefore the book looks at all these levels of operation. Key Features Draws upon both international communication and cultural studies perspectives: Presents a new model is presented that attempts to move beyond the current controversies about imperialism and globalization. Looks at historical patterns: Historical patterns across cultures and countries help compare where television has been and where it is going. Takes a contemporary focus: Uses of technology, flows and patterns of program development, genres of television, the interaction of producers and audiences, and patterns of audience choice among emerging alternatives are examined. Explores how the audience for these evolving forms of television is structured: The effects of these forces or patterns of television have on both cultural formations and individual identities are identified. Intended Audience This is an excellent text for advanced undergraduate and graduate courses in Globalizatiion and Culture, Global Media, Television Studies, Television Criticism, and International Media.


Planet TV

Planet TV

Author: Lisa Parks

Publisher: NYU Press

Published: 2003

Total Pages: 480

ISBN-13: 0814766919

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Provides an overview of the rapidly changing landscape of global television, combining previously published essays by pioneers of the study of television with new work by cutting-edge television scholars who refine and extend intellectual debates in the field.


World Radio TV Handbook, 2020

World Radio TV Handbook, 2020

Author:

Publisher:

Published: 2019-12

Total Pages: 0

ISBN-13: 9781999830021

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'World Radio TV Handbook' continues to be an accurate guide to national and international SW, MW, LW and FM broadcasting, ideal for the serious radio listener.


Transnational Television Worldwide

Transnational Television Worldwide

Author: Jean K. Chalaby

Publisher: Bloomsbury Publishing

Published: 2004-11-26

Total Pages: 273

ISBN-13: 0857717480

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This book is the first to offer a global perspective on the unique contemporary media phenomenon of transnational television channels. It is also the first to compare their impact in different regions of the globe. Revealing great richness and diversity across some of the world's main geocultural regions (Europe, the Middle East, Africa, South Asia, Greater China and Latin America), international contributors with in-depth industry knowledge examine the place of these channels in the process of globalization, their impact on the nation-state and on regional culture and politics. The book also considers audiences and geocultural TV markets, providing new ways of thinking about the emerging transnational media order.


A History of Early Television

A History of Early Television

Author: Stephen Herbert

Publisher: Taylor & Francis

Published: 2004

Total Pages: 392

ISBN-13: 9780415326674

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In the 21st Century, broadcast television is an established part of the lives of many millions of people all over the world, bringing information and entertainment directly into our homes. This three volume collection provides source materials for those with a new interest in the history of early television, and is a valuable resource for researchers requiring access to facsimiles of original texts. The set consists of two important 1920s-1930s books relating to television, and a collection of short articles covering the social, aesthetic, and technical aspects of the medium. Items range from 1870s prophecies, experiments and cartoons, to 1930s accounts of the first public broadcasting systems in Britain, Germany, and the USA. The pieces are from newspapers, specialist journals of the period, and popular magazines. Technical articles included are chosen for their accessibility to non-specialists with limited technical knowledge. The selection comments on the progress of television in many parts of the world. The set includes a general introduction by the editor, which places each item in context and provides a comprehensive account of the medium through 1940. The second volume starts with another selection from Television magazine and also includes selected chapters from the Book of Practical Television.


1938: Modern Britain

1938: Modern Britain

Author: Michael John Law

Publisher: Bloomsbury Publishing

Published: 2017-12-14

Total Pages: 199

ISBN-13: 1474285023

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In 1938: Modern Britain, Michael John Law demonstrates that our understanding of life in Britain just before the Second World War has been overshadowed by its dramatic political events. 1938 was the last year of normality, and Law shows through a series of case studies that in many ways life in that year was far more modern than might have been thought. By considering topics as diverse as the opening of a new type of pub, the launch of several new magazines, the emergence of push-button radios and large screen televisions sets, and the building of a huge office block, he reveals a Britain, both modern and intrigued by its own modernity, that was stopped in its tracks by war and the austerity that followed. For some, life in Britain was as consumerist, secular, Americanized and modern as it would become for many in the late 1950s and early 1960s. Presenting a fresh perspective on an important year in British social history, illuminated by six engaging case studies, this is a key study for students and scholars of 20th-century Britain.


On the Screen

On the Screen

Author: Ariel Rogers

Publisher: Columbia University Press

Published: 2019-07-30

Total Pages: 382

ISBN-13: 0231548036

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Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.