The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
“A hard-hitting sermon on the racial divide, directed specifically to a white congregation.” —Kirkus Reviews, starred review A New York Times, Los Angeles Times, Washington Post, and Boston Globe Bestseller As the country grapples with racial division at a level not seen since the 1960s, Michael Eric Dyson’s voice is heard above the rest. In Tears We Cannot Stop, a provocative and deeply personal call or change, Dyson argues that if we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, and discounted. In the tradition of James Baldwin’s The Fire Next Time—short, emotional, literary, powerful—this is the book that all Americans who care about the current and long-burning crisis in race relations need to read. Praise for Tears We Cannot Stop Named a Best/Most Anticipated Book of 2017 by: The Washington Post • Bustle • Men’s Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York’s Bill’s Books • Kirkus Reviews • Essence “Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish.” —Toni Morrison “Here’s a sermon that’s as fierce as it is lucid . . . If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen.” —Stephen King “One of the most frank and searing discussions on race . . . a deeply serious, urgent book, which should take its place in the tradition of Baldwin’s The Fire Next Time and King’s Why We Can’t Wait.” —The New York Times Book Review
"Fast, slick and acerbically funny: buckle up and enjoy the ride." Guardian The setting: Montevideo’s Old Town, with its dark alleys, crumbling facades and watchful residents. The gig: an armoured truck robbery. The cast: Diego, a failed kidnapper with weak nerves, Ursula Lopez, an amateur criminal with an insatiable appetite, El Roto, the broken one, a notorious hoodlum with excessive self-confidence. Dr Antinucci, a shady lawyer with big plans. And finally, Leonilda Lima, a washed-out police inspector with a glimmer of faith in justice.
“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR “[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.
Poetry. Written over the past 35 years, PICASSO'S TEARS is an epic account of Wong May's incisive, empathic, and visionary engagement with our strange and violent world. Politically inflamed and intensely personal, this fourth book of poems by Wong May marks the long-awaited re-emergence of a major, miraculous voice.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.
The award-winning author of To Seduce a Texan thrills readers once again with the unforgettable story of a love as wild and free as the American West. A BATTLE OF WILLS Spirited heiress Libbie Winters is horrified to find herself in the midst of an Apache rebellion—and amazed to discover that her captor, a scout named Cougar, is the same man who offered her his prized Apache Tears necklace a year before. And though she is promised in marriage to a vengeful cavalry officer, Libbie cannot forget her powerful attraction to the fearless Apache hero. A BLAZE OF PASSION Believing she has rejected his gift, Cougar’s heart is hardened toward the haughty white girl he now holds for ransom. Yet he cannot deny the desire this flame-haired beauty arouses in him, or the love he longs to give her. He knows it is impossible to hold the fiery woman whose spirit is as free as his own—unless Libbie makes the dangerous choice to embrace the passion burning between them . . . Praise for the writing of Georgina Gentry “Georgina has done it again.” —Madeline Baker, New York Times–bestselling author “Strongly crafted characters . . . Sizzling sexuality . . . What more can a reader yearn for?” —Rendezvous “You’ll sing the praises of Cheyenne Song. It’s Gentry’s best book yet!” —Janelle Taylor, New York Times–bestselling author
A BLACK FATHER. A WHITE FATHER. TWO MURDERED SONS. A QUEST FOR VENGEANCE. *SUNDAY TIMES THRILLER OF THE MONTH* * FINANCIAL TIMES CRIME BOOKS OF THE YEAR* * BARACK OBAMA'S SUMMER READING LIST 2022* 'Superb...Cuts right to the heart of the most important questions of our times.' MICHAEL CONNELLY 'The very definition of a white-knuckle ride' IAN RANKIN Ike Randolph left jail fifteen years ago, with not so much as a speeding ticket since. But a Black man with cops at the door knows to be afraid. Ike is devastated to learn his son Isiah has been murdered, along with Isiah's white husband, Derek. Though he never fully accepted his son, Ike is broken by his death. Derek's father Buddy Lee was as ashamed of Derek being gay as Derek was of his father's criminal past. But Buddy Lee - with seedy contacts deep in the underworld - needs to know who killed his only child. Desperate to do better by them in death than they did in life, two hardened ex-cons must confront their own prejudices about their sons - and each other - as they rain down vengeance upon those who hurt their boys. A provocative revenge thriller and an achingly tender story of redemption, this novel is a ferocious portrait of grief; for those loved and lost, and for mistakes than can never truly be undone. 'Cosby's talents for pungent dialogue and Chandler-esque phrase-making were praised in his previous novel,.. and they're evident again in this pulsating follow-up' Sunday Times THRILLER OF THE MONTH 'A stellar performance' Sunday Times Crime Club 'Cosby's prose barrels along like a pick-up still angry it's not a Ferrari, and his phrase-making is up there with the great artists of noir' The Times BEST THRILLERS OF THE MONTH 'It's a rare trick to combine violence with social commentary, but Cosby pulls it off' Daily Mail 'Raw, powerful and pacey, Razorblade Tears more than fulfils the promise of Cosby's superb debut' The Guardian 'This is as close to a thriller masterpiece as it is possible to get...it is a tale of grief and redemption, but ends with a heartbreaking poignancy that brings tears to the eyes' Daily Mail 'Every once in a while a writer comes along with an incredible voice...add S. A. Cosby to that list.' STEVE CAVANAGH 'Utterly brilliant....Beautiful, violent, operatic, relevant, poignant, gripping & important. This book is a mirror. It shows us our world as it is. Masterful' WILL DEAN Praise for S. A. Cosby: 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM 'S. A. Cosby is a welcome, refreshing new voice in crime literature.' DENNIS LEHANE