Team Chihuly describes the relationship and developement between master glassblower Dale Chihuly as well as other renowned artists including Dante Marioni, Benjamin Moore, William Morris, and Richard Royal as well as Italian Glass Masters, Pino Signoretto and Lino Tagliapietra.
For more than 30 years the author has dazzled the public with his flamboyant creations. His blown glass works are on display in more than 180 museums around the world. This volume focuses on his most imposing creations.
The first children's book about Dale Chihuly, the world-renowned glass sculptor His crew calls him Maestro. Thousands of fans call him a magician. Over the past five decades, Dale Chihuly (b. 1941) has created some of the most innovative and popular works of art in museums and gardens around the world. Authors Jan Greenberg and Sandra Jordan met with Chihuly in his studio for exclusive interviews discussing his early life, his passion for glassblowing, and his dazzling works. Lavishly illustrated with Chihuly's art and family photographs, this book discusses Chihuly's workshop and his glassblowing technique. The book includes a step-by-step look at how blown glass is created, a list of places to see Chihuly's artwork, endnotes, a bibliography, and an index.
Dale Chihuly is the most famous and influential artist working in glass today. A career-spanning biographical essay by curator Timothy Anglin Burgard and stunning colour photography of the works will captivate Chihuly's myriad fans - both old and new.
Every time I visited the Citadel, I would imagine what I could do to enhance its glory and bring attention to its soul, says artist Dale Chihuly of his recent project in Jerusalem. In July 1999, Chihuly's grandest and most ambitious undertaking opened at the Citadel, and will remain there for a year. Chihuly in the Light of Jerusalem 2000 serves as a focal point for the city's millennium celebration. This volume highlights 14 major installations commissioned by the Tower of David Museum of the History of Jerusalem. The exhibition is made up of more than 10,000 pieces of glass, blown in France, Japan, the Czech Republic, Finland, Israel, and the United States. Within the walls of the Citadel, Chihuly unexpectedly married ancient and modern forms, animating the stone architecture with glass. Mediterranean sunlight illuminates the Blue Tower, the red and yellow Spears, the Moon, and the Crystal Mountain. Chihuly has transformed the Citadel, once a defensive fortress, into a garden of colour and celebration. Commentary by William Warmus.
Artforum art critic Joan Seeman Robinson discusses Chihuly's most exquisite and ethereal series, invoking the spontaneous automatic drawings of the Surrealists, the water lilies of Claude Monet, the action painting of Jackson Pollock, and, most cogently, Henri Matisse's Swimming Pool. Oceanographer and explorer Sylvia Earle, former Chief Scientist of the National Oceanic and Atmospheric Administration, finds in Chihuly's evocative 'Seaforms' not only 'reflections of skill, passion, teamwork and sheer genius' but also 'tributes' to the sea. Together these writers help to illuminate what many consider Chihuly's quintessential series, which was begun in 1980. The saturated colour of the 40 full-colour pages, including many double-page spreads, conveys the sensuousness of Chihuly's work.
Features the artist's glass sculptures from "The Garden Cycle" exhibition that were displayed in prominent conservatories and gardens around the world.
Bound like an artist's sketchbook this book documents the culmination of this amazing artistic odyssey that took the artist from his Seattle Boathouse hot shop to Nuutajarvi, Finland; Waterford, Ireland; Monterrey, Mexico; and finally Venice to blow glass. In the factories in those locations, Chihuly and his team of American glass blowers worked with native artisans more accustomed to making functional objects than art. Together they created the 14 chandeliers that graced the campos and canals of Venice for a remarkable time in September 1996. In her essay Dana Self, curator of the Kemper Museum of Contemporary Art and Design, muses on the relationship of Chihuly's glass and 'The Spectacle of Beauty'. She concludes that Chihuly's fantastical explorations demonstrate that beauty does produce a meaningful experience of the world. Writer William Warmus chronicles the culmination of this two-year project with his diary entries. Full-colour photographs record for readers the installations as they were assembled. An extensive chronology traces the artist's career.
This book presents the most flamboyant and whimsical of all Chihuly's series. The voluptuous glass pieces, shown in full-colour, were inspired by Art Deco Venetian glass during Chihuly's Fullbright scholarship in Venice. With collaboration between Chihuly and glass master Lino Tagliapietra, the series evolved over a period of only seven blowing sessions. Though at their core, the Venetians are vessels of some sort, they explode outward when wrapped with spiralling coils, leaves, feathers, and claws in startling colour combinations. Chihuly chronicles the evolution of the series in his reflective essay included in this volume. His bold and colourful drawings illustrate how the artist guided his team to make these pieces. This oversized book offers a breathtaking view of Chihuly's Venetians, which, more than any other of his series, embody personality and individual character. This book begins with an essay by Ron Glowen.