The people of Tuarā-rangaia and the surrounding area are shocked to discover that a taniwha has taken up residence in a cave near a busy track. When the son of an important chief is carried off, they decide it's time to rid themselves of this menace. Many plans are made but time after time the taniwha outwits them. Suggested level: intermediate, secondary.
Sir Hirini Moko Mead's book on taniko weaving, Te Whatu Taniko, Taniko Weaving: Tradition and Technique is recognised as a key reference work to this important tradition of Maori craft. First published in 1958 and in its previous edition in 1999, the book serves as a reference work to artists, enthusiasts, students and teachers . Te Whatu Taniko relates both the history and 'how-to' of Maori taniko weaving in one accessible volume. Clearly written with numerous illustrations and photos, the book describes the origins of weaving, its role in Maori society, contemporary expression, and steps towards learning the craft.
A biting new collection by award-winning poet Anne Kennedy. In The Sea Walks into a Wall, the natural world around us hits back. The sea crashes its glass onto the bar. You watch from afar. You'd take it all back if you could. Everything. You'd go down there and you'd. And talks back too. If I'm fucked, you're coming with me. Sincerely, the stream. From rainy Ihumatao to London's Kew Gardens, in the face of seas and streams, ducks and dogs, black drops and bureaucracies, humans bumble through. Without distractions you'd rush through your life like chi through an empty room. You bump into a baby and that takes up eighteen years. Love fills the room like a maze. Intelligent, playful, witty, and innovative, these poems bite where it hurts.
Tourism is vital to the economies of most Pacific nations and as such is an important site for the meaningful production of shared and disputed cultural values and practices. This is especially the case when tourism intersects with other important arenas for cultural production, both directly and indirectly. Touring Pacific Cultures captures the central importance of tourism to the visual, material and performed cultures of the Pacific region. In this volume, we propose to explore new directions in understanding how culture is defined, produced, experienced and sustained through tourism-related practices across that region. We ask, how is cultural value, ownership, performance and commodification negotiated and experienced in actual lived practice as it moves with people across the Pacific? ‘This collection is a welcome addition to tourism studies, or perhaps we should say post- or para-tourism. The essays bring out many facets and experiences too quickly bundled under a single label and focused exclusively on “destinations” visited by “outsiders”. Tourism, we see here, actively involves many different populations, societies, and economies, a range of local/global/regional engagements that can be both destructive and creative. Western outsiders aren’t the only ones on the move. Unequal power, (neo)colonial exploitation and capitalist commodification are very much part of the picture. But so are desire, adventure, pleasure, cultural reinvention and economic development. The effect, overall, is an attitude of alert, critical ambivalence with respect to a proliferating historical phenomenon. A bumpy and rewarding ride.’ — James Clifford, Professor Emeritus, University of California, Santa Cruz
Transgressing Tikanga is a collection of [twenty] first-hand accounts written by Europeans who were captured by Maori between 1816 and 1884. These Pakeha men and women were seized when they either committed blatant acts of aggression or unknowingly transgressed tikanga Maori (customary law), for which utu was required. These captivity narratives are packed with drama and action, and are not always easy reading, but they create a vivid picture of nineteenth-century interactions between Maori and Pakeha. They provide a rich insight into early Maori life, including the principals of captivity and utu, social order, religious practices, everyday customs, and the conduct of warfare. With notes that give detailed historical context, Transgressing Tikanga makes an important contribution to understanding the cross-cultural tensions from which contemporary New Zealand society has emerged."--Back cover.
This is a beautifully presented book featuring some stunning images and concise accounts of the concepts and values of traditional and contemporary Maori weaving. Featuring some of New Zealand's foremost Maori expert weavers, The Eternal Thread: The Art of Maori Weaving celebrates innovation and development of weaving and plaiting as art forms in modern times while acknowledging the technology developed by weavers through the past centuries.
The weaving book centres on flax. Maori soon discovered the properties of harakeke ¿the wonder fibre¿, and have used it to create a huge range of useful and decorative objects, including baskets, mats, housing materials, clothing, ropes, and fishing nets. The construction of these articles records histories and stories, and acts as a cultural record.
Pronounce and understand Māori place names with the new fourth edition of A.W. Reed's classic guide to meanings and origins of names across New Zealand. From Ahaura to Whitianga, this handily sized book is the definitive guide to the most common and notable Māori names in Aotearoa/New Zealand. Included are maps on the inside covers showing principal names, and reproductions of the illustrations from the 1950 edition of the book by renowned artist James Berry.