Drawing on interviews with women and queer tattoo artists from across the US, UK and Australia, this book explores their experiences in what has historically been a male-dominated industry to reveal how tattooing has undergone a ‘gender turn’ and a subsequent shift in gender relations.
"In this provocative work full of intriguing female characters from tattoo history, Margot Mifflin makes a persuasive case for the tattooed woman as an emblem of female self-expression." —Susan Faludi Bodies of Subversion is the first history of women’s tattoo art, providing a fascinating excursion to a subculture that dates back into the nineteenth-century and includes many never-before-seen photos of tattooed women from the last century. Author Margot Mifflin notes that women’s interest in tattoos surged in the suffragist 20s and the feminist 70s. She chronicles: * Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. * The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties. * Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship. * Victorian society women who wore tattoos as custom couture, including Winston Churchill’s mother, who wore a serpent on her wrist. * Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed. “In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It’s an indelible account of an indelible piece of cultural history.” —Barbara Kruger, artist
"This book is as seductive as the phenomenon that it explores. With courage, love, and joy, Frueh crosses into unexplored terrains of beauty and pleasure, where she finds a grotesquely captivating creature: Monster/Beauty. By illuminating her journey with thoughtful insight and engaging prose, she encourages readers to join her in her quest to articulate fresh ways of thinking about the aesthetic and the erotic and of theorizing the flux of lived experience." —John Alan Farmer, senior editor of Art Journal "Monster/Beauty is a daringly provocative experiment in personal and erotic writing and an important book for anyone interested in breaking normative codes of beauty, pedagogy, and authorial methodology. In a richly self-revealing text, Frueh proposes nothing less than a Rabellaisian re-ordering of aesthetic embodiments within social relations." —Mira Schor, author of Wet: On Painting, Feminism, and Art Culture "Giving new meaning to "embodied writing," this book goes farther than any other toward getting the body into the text. Joanna Frueh is a performance artist first-she is also an art historian, a singer, a poet, a bodybuilder, a professor, an academic celebrity of modest fame, but her performances collapse these distinctions. Frueh's intensely personal, intensely physical prose brings an aura of presence to the book that rivals the effect she achieves on stage." —Robyn Warhol, co-editor of Feminisms "This book is monstrous--full of gorgeous hypermuscular women, step-mothers, and vampires; full of ravishing muscular sex, classroom erotics, splendid aging. It is a performance in which Frueh explores and celebrates her body, its powers and beauties, and those of her friends and lovers." —Alphonso Lingis, author of Excesses, Abuses, and Dangerous Emotions "A welcome voice in contemporary feminist theory, Frueh's Monster/Beauty reminds us of the pleasures of thinking, teaching and creating in wholly embodied, sensual and passionate acts. Frueh poetically enacts the self as an aesthetic/erotic project, affirming the many different and beautiful selves we can become. It is a joy to read." —Marsha Meskimmon, author of We Weren't Modern Enough: Women Artists and the Limits of German Modernism "Joanna Frueh is a hero. I sleep better knowing she's out there writing and thinking." —Michael Cunningham, author of The Hours
Cultural sensibilities about tattooing are discussed within historical context and in relation to broader trends in body modification, such as cosmetic surgery, dieting, and piercing.
"Once associated with gang members, criminals, and sailors, tattoos are now mainstream. An estimated twenty percent of all adults have at east one, and women are increasingly getting tattoos and are now more likely than men to have one. But many of the tattoos that women get are gender-appropriate: they are cute, small, and can be easily hidden. A small dolphin on the ankle, a black line on the lower back, a flower on the hip, and a child's name on the shoulder blade are among the popular choices. But what about women who are heavily tattooed? Why would a woman get "sleeves"? And why do some collect larger-scale tattoos on publicly visible skin, of imagery not typically considered feminine or cute, like skulls, zombies, snakes, or dragons? Drawing on five years of ethnographic research and interviews with more than seventy heavily tattoed women, 'Covered in Ink' provides insight into the increasingly visible subculture of tattoed women. Author Beverly Yuen Thompson spent time in tattoo parlors and at tattoo conventions in order to further understand women's love of ink and their imagery choices as well as their struggle with gender norms, employment discrimination, and family rejection. Still, many of these women feel empowered by their tattoes and believe they are creating a space for self-expression that also presents a positive body image. 'Covered in Ink' investigates this complicated subculture and finds out the many meanings of the love of ink"--Page 4 of cover.
The Other End of the Needle encourages readers to step into the complex world of tattooists. Through interviews with tattooists, and observations in their shops, Lane challenges us to understand how people collectively create and sustain culture. By asking how people make things, this book shows how tattoos are more than just images on the skin.
An ethnography of the tattoo community, tracing the practice's transformation from a mostly male, working-class phenomenon to one adapted and propagated by a more middle-class movement in the period from the 1970s to the present.
With profound implications for our most foundational assumptions about gender, Gender Mosaic explains why there is no such thing as a male or female brain. For generations, we've been taught that women and men differ in profound and important ways. Women are more sensitive and emotional, whereas men are more aggressive and sexual, because this or that region in the brains of women is smaller or larger than in men, or because they have more or less of this or that hormone. This story seems to provide us with a neat biological explanation for much of what we encounter in day-to-day life. But is it true? According to neuroscientist Daphna Joel, it's not. And in Gender Mosaic, she sets forth a bold and compelling argument that debunks the notion of female and male brains. Drawing on the latest scientific evidence, including the groundbreaking results of her own studies, Dr. Joel explains that every human brain is a unique mixture -- or mosaic -- of "male" and "female" features, and that these mosaics don't map neatly into two categories. With urgent practical implications for the way we understand ourselves and the world around us, Gender Mosaic is a fascinating look at the science of gender, sex and the brain, and at how freeing ourselves from the gender binary can help us all reach our full human potential.
Body art meets popular science in this elegant, mind-blowing collection, written by renowned science writer Carl Zimmer. This fascinating book showcases hundreds of eye-catching tattoos that pay tribute to various scientific disciplines, from evolutionary biology and neuroscience to mathematics and astrophysics, and reveals the stories of the individuals who chose to inscribe their obsessions in their skin. Best of all, each tattoo provides a leaping-off point for bestselling essayist and lecturer Zimmer to reflect on the science in question, whether its the importance of an image of Darwins finches or the significance of the uranium atom inked into the chest of a young radiologist.
Through an interview-based study, Victoria Pitts has researched the subcultural milieu of contemporary body modification, focusing on the ways sexuality, gender and ethnicity are being reconfigured through new body technologies - not only tattooing, but piercing, cyberpunk and such 'neotribal' practices as scarification. She interprets the stories of sixteen body modifiers (as well as some subcultural magazines and films) using the tools of feminist and queer theory. Pitts not only covers a hot topic but also situates it in a theoretical context.