"In "Tarrano the Conqueror" is presented a tale of the year 2430 A.D.—a time somewhat farther beyond our present-day era than we are beyond Columbus' discovery of America. My desire has been to create for you the impression that you have suddenly been plunged forward into that time—to give you the feeling Columbus might have had could he have read a novel of our present-day life."
"In "Tarrano the Conqueror" is presented a tale of the year 2430 A.D.—a time somewhat farther beyond our present-day era than we are beyond Columbus' discovery of America. My desire has been to create for you the impression that you have suddenly been plunged forward into that time—to give you the feeling Columbus might have had could he have read a novel of our present-day life."
The Space Opera Megapack collects 20 classic and modern stories, ranging from galaxy-spanning epics by E.E. "Doc" Smith and John W. Campbell, Jr. to modern interpretations by Jay Lake, Kristine Kathryn Rusch, Tim Sullivan, and more! Included are: BREATH'S DUTY, by Sharon Lee and Steve Miller SPAWN OF JUPITER, by E. C. Tubb KILLER ADVICE, by Kristine Kathryn Rusch THE WORLD WITH A THOUSAND MOONS by Edmond Hamilton THE SKYLARK OF SPACE, by E.E. “Doc” Smith DEADLINE IN SPACE, by John Russell Fearn PLANETESIMAL DAWN, by Tim Sullivan THE WEIGHT OF HISTORY, THE LIGHTNESS OF THE FUTURE, by Jay Lake BIG PILL, by Raymond Z. Gallun WHERE ARE YOU, MR. BIGGS?, by Nelson S. Bond THE SKY TRAP, by Frank Belknap Long CHANGE OF COMMAND, by Jean Lorrah TULAN, by C.C. MacApp THE BLACK STAR PASSES, by John W. Campbell, Jr. THE GALAXY PRIMES, by E.E. “Doc” Smith TARRANO THE CONQUEROR, by Ray Cummings THE SARGASSO OF SPACE, by Edmond Hamilton SALVAGE IN SPACE, by Jack Williamson THE ULTIMATE WEAPON, by John W. Campbell, Jr. INVADERS FROM THE OUTER SUNS, by Frank Belknap Long, Jr. And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see all the other entries in this great series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!
To anyone interested in the roots of modern science fiction, the name of Ray Cummings should be well known. He wrote science fiction and fantasy before the name "science fiction" had been coined, publishing fantastic yarns in Argosy, Munsey's Magazine, and other mainstream pulp magazines. Of course, as soon as the science fiction pulps debuted, he moved to them, where his work received a hearty welcome from fans. Cummings publishing more than 750 novels and short stories over his long career, producing work in many genres, including the mystery field (see "Atom Boy" in this Megapack for one prime example). We are pleased to showcase 25 of his tales, ranging from science fiction to fantasy to mystery...more than 1,500 pages of great reading! Included are: THE GIRL IN THE GOLDEN ATOM (1919-1920) THE GIRL IN THE GOLDEN ATOM, PART 2 THE SILVER VEIL (1921) THE FIRE PEOPLE (1922) TWO PROPOSALS (1923) JETTA OF THE LOWLANDS (1930) THE WHITE INVADERS (1931) REQUIEM FOR A SMALL PLANET (1958) BRIGANDS OF THE MOON (1931) WANDL THE INVADER (1932) TARRANO THE CONQUEROR (1930) PHANTOMS OF REALITY (1930) DR. FEATHER IN "A SHOT IN THE DARK" (1936) DR. FEATHER IN "MURDER IN THE FOG" (1937) DR. FEATHER IN "THE DEAD MAN LAUGHS" (1938) DR. FEATHER IN "CLUE IN CRIMSON" (1943) THE WORLD BEYOND (1938) GADGET GIRL (1944) PRECIPICE (1945) PHOTOGRAPH OF DEATH (1945) STAMP OF DOOM (1946) THE SCALPEL OF DOOM (1947) ATOM BOY (1947) THE LIFTED VEIL (1947) BEYOND THE VANISHING POINT (1958) THE GIRL FROM INFINITE SMALLNESS (1940) PLANET STORIES' FEATURE FLASH: MEET RAY CUMMINGS And don't forget to search this ebook store for "Wildside Megapack" to see more entries in the series, covering science fiction, fantasy, horror, mysteries, westerns -- and much, much more!
Joe Kubert sealed his reputation as one of the greatest American comic-book cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more. For the first time, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime.
While students and general readers typically cannot relate to esoteric definitions of science fiction, they readily understand the genre as a literature that characteristically deals with subjects such as new inventions, space, robot and aliens. This book looks at science fiction in precisely this manner, with twenty-one chapters that each deal with a subject that is repeatedly addressed in science fiction of recent centuries. Based on a packet of original essays that the author assembled for his classes, the book could serve as a supplemental textbook in science fiction classes, but also contains material of interest to science fiction scholars and others devoted to the genre. In some cases, chapters offer thorough surveys of numerous works involving certain subjects, such as imagined vehicles, journeys beneath the Earth and undersea adventures, discovering intriguing patterns in the ways that various writers developed their ideas. When comprehensive coverage of ubiquitous topics such as robots, aliens and the planet Mars is impossible, chapters focus on major themes referencing selected texts. A conclusion discusses other science fiction subjects that were omitted for various reasons, and a bibliography lists additional resources for the study of science fiction in general and the topics of each chapter.
An absorbing exposé of the books we couldn't read, didn't read, didn't know about, and the reasons why. When Nicole Moore discovered the secret 'censor's library' in the National Archives - 793 boxes of books prohibited from the 1920s to the 1980s - so began a journey that resulted in this, the first comprehensive examination of Australian book censorship. For much of the twentieth century, Australia banned more books and more serious books than most other English-speaking or Western countries, from the Kama Sutra through to Huxley's Brave New World and Joyce's Ulysses. Federal publications censorship was a largely secret affair and deliberately kept from the knowledge of the Australian public until the scandals and protests of late last century. Censorship continues to attract heated debate, from the Henson affair to the national internet feed. Combining rigorous scholarship with the narrative tension of a thriller, The Censors Library is a provocative account of this scandalous history. Book jacket.
What impact did the new art of film have on the development of another new art, the emerging science fiction genre, during the pre- and early post-World War II era? Focusing on such popular pulp magazines as Amazing Stories, Astounding Stories, and Wonder Stories, this book traces this early relationship between film and literature through four common features: stories that involve film or the film industry; film-related advertising; editorial matters and readers' letters commenting on film; and the magazines' heralded cover and story illustrations. By surveying these haunting traces of another medium in early science fiction discourse, we can begin to see the key role that a cinematic mindedness played in this formative era and to expand the early history of science fiction as a cultural idea beyond the usual boundaries that have been staked out by its literary manifestations and the genre's historians.
