After the loss of her husband, Jack, Molly faces an uncertain future. She embarks on a quest to secure the survival of the steel sculpture museum they built together. Against the backdrop of her ongoing struggles with obstructive Officials, copious amounts of red tape and the British weather, she finds herself thrust into the role of amateur detective, when a bizarre and unexpected incident, leads her to confront forces that could threaten everything she holds dear. Can Molly unravel the truth behind this perplexing mystery, while ensuring the museum’s enduring legacy?
Compiled by musician/folklorist Mike Seeger and dancer Ruth Pershing, Talking Feet introduces us to dancers from the Appalachian, Piedmont, and Blue Ridge Mountain regions of the South. In its various forms—flatfooting, buckdancing, hoedown, rural tap or clogging—Southern dancing involves a great deal of personal style and innovation as dancers create the rhythm of old-time country music—talking blues, bluegrass, hand-patting and western swing. Traditionally, people have danced at corn shuckings, apron hemmings, weddings, and house parties. Nowadays, clog dancers compete at festivals and competitions. Talking Feet is a precious record of the experience of old-timers and an inspiration to younger enthusiasts who want to absorb the tradition and make it their own.
Scott O'Neil, one of America's most successful sports executives, shares seven principles to keep you present, grounded, and thriving. When we’re moving at 115 MPH, we rarely see the wall coming. But it comes for all of us and when it does, we grasp for lessons, for meaning, for purpose. Each moment (good or bad) and each win or loss, provides us an opportunity to learn, and if we choose to take it, that opportunity can change our lives-and the world- for the better. The human spirit craves connection. Authenticity. Belonging. Touch. Gratitude. Purpose. We need to make our interactions count. Whether it’s the death of a friend, loss of a job, a bad break-up or the isolation of COVID-19, those who manage to be where their feet are will grow, stretch and emerge stronger, smarter and more prepared as we find peace and gratitude in the pause. In Be Where Your Feet Are, Scott O’Neil, CEO of the Philadelphia 76ers and New Jersey Devils, offers his own story of grief and healing, and shares his most valuable lessons in what keeps him present, grounded and thriving as a father, husband, coach, mentor, and leader. Scott avails his network to share poignant life lessons from an array of people including professional athletes and sports executives, a world-famous Movie Director, Saudi royalty; and his teenage daughters, among many others. Be Where Your Feet Are provides a humbling and vulnerable peek behind the curtain as well as a framework, anecdotes, and exercises to guide the reader towards self-discovery. A gifted storyteller with an uncanny ability and willingness to bare raw emotion, Scott weaves in and out of stories that have left deep imprints on him and are written to lift and inspire.
Clickity! Clickity! Long green feet! Who is dancing that clickity beat? Lizard is dancing on clickity feet. Clickity! Clickity! Happy feet! Introducing a get-up-and-dance toddler book-so catchy and rhythmic, you'll almost want to sing it. Lindsey Craig's rollicking text features funny sound words (Tippity! Creepity! Stompity! Thumpity!), dancing animals, a singsong beat, and a guessing element just easy enough for preschoolers to anticipate. Marc Brown's artwork is bright, textured, and joyful, a collage of simple shapes for kids to find and name. So grab a partner and tap your feet to this read-aloud picture-book treat.
Finding Your Feet looks back at the hurdles and trials I faced, the people and characters that gave me the tools to fight and tells my story in their words. Sometimes traumatic, sometimes emotional but never without a big smile and some banter, I now know that, with a bit of effort, you really CAN do anything. There's NO magic wand.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
I wrote this book called “Escape from Mississippi”: The Diary of a Boy Growing up in the South in the 40s and 50s.’I’m going to take you to place’s tell you about people, that’s unique to me. . I will start in Columbus; go to Papa’s house and beyond. Everybody shopped in Columbus the biggest little town that was the closest to most of the country people. The hitch lot’s, where everybody parked their horses, Mules and wagons, for a fee. The proprietors in the little town of Columbus Jews owed. Most of it . There were a couple of black owed store’s. I will tell about the all White girls collage. Tell you about the County Fair. I will take you from up town through Seventh Avenue. The most popular street the most popular places. I will tell you about the schools in Columbus. Talk about the night life. The back door users, making love, through the floor. We’ll go to Steen’s, a little cross Road Town this was my Town. I’ll tell you about the Sand Road a hood within itself. A juke joint, people came from all over to hang out all night. Tell you about the churches the schools. Next to papas, two hundred and eighty five, acres of land. I’ll tell you about my best friend I grew up with. Tell you of the coal tin top house I was born in, only kerosene lamps, one working fireplace, to keep fourteen of us warm in winter. Tell you all about my sisters and brothers, about the hard work, Papa’s womanizing words papa and mama said when they were mad, slang words we used for a laugh. Tell you of the Uncles and Aunt’s Cousins. Tell you about friends of the family, people that worked for papa. Tell about papa’s saw mill. Tell you of Cattle and cops we raised. Tell you about the con men, the con preachers, the fireside ghost stories, the insane people stories. The baby with the man’s head, the poor, uneducated happy people, the biggest party in the country, the good year’s bad years… the crawling deadly creatures, the packs of wild dogs that roomed around in the fall… Moonshine makers, Moonshine runners.. I’ll take you to town Caledonia. I’ll tell you about the people the Schools Ball game’s Bar-b-q.
