In despair at having no son to succeed him, the King of Turkey leaves his palace to live in seclusion. Soon after, however, he encounters four wandering dervishes - three princes and a rich merchant from Persia, Yemen and China - who have been guided to Turkey by a supernatural force that prophesied their meeting. The five men sit together in the dead of night, each in turn telling the tale of lost love that led him to renounce the world. As their stories within stories unfold, a magnificent world is revealed of courtly intrigue and romance, fairies and djinn, oriental gardens and lavish feasts, adventures and mishaps. A Tale of Four Dervishes (1803) is an exquisite example of Urdu fiction that provides a fascinating glimpse into the customs, beliefs and people of the time.
A mysterious chest is buried unopened. A wondrous caravan brings fortune to a simple cobbler. An outcast princess creates a new life in the wilderness. Some of the 78 tales in this remarkable book first appeared in print over a thousand years ago; others are medieval classics. Yet each has a special relevance for us at the dawn of the 21st century. All are told with Idries Shah's distinctive wit and grace and the author's own commentary notes. These are teaching stories in the Sufi tradition. Those who probe beyond the surface will find multiple meanings to challenge assumptions and foster new ways of thinking and perceiving. Tales of the Dervishes is essential reading for anyone interested in Sufi thought, the significance and history of tales, or simply superb entertainment.
"...arrives like the brightest comet, a dazzling work of art full of invention, playfulness and Chaucerian tale-telling, by fakirs in a far-off cemetery. Their ornate stories are full of Mughals and caliphs, old kings and city black-outs. This heady, compelling fusion of cultures – East meeting West – complete with social satire is a remarkable debut. Easily the most remarkable work of fiction to come out of Wales in a thousand moons." – Jon Gower "Four Dervishes is a fascinating adaptation of a medieval classic spun into a satirical and magical realist novel about our times." – Tabish KhairOne monsoon night, a power cut forces a man full of disappointments on to the streets of the town. Sheltering in a cemetery he comes across four others – a grave digger, an aristocrat, an honourable criminal and a messiah – each with a past, and with a story to tell. Crimes have been committed, dark family secrets revealed, fortunes rise and fall, the varieties of love are explored, and new selves are discovered in a rich round of storytelling. And as the Disappointed Man discovers, a new story is about to begin...Four Dervishes draws on a long tradition of storytelling as it skewers issues like religious bigotry, injustice, the denial of women's rights, and class division. Lavishly inventive, verbally rich, an exotic confection, this novel is both darkly thematic and humorously playful.
THE BOOK OF AMIR KHUSRAU Selected Poems & The Tale of the Four Dervishes Translation & Introduction Paul Smith Amir Khusrau (1253-1324), the 'Parrot of India' was born at Patigali near the Ganges in India. At the age of thirty-six he was poet-laureate, serving many sultans. He was not only fluent in Persian, in which he composed the majority of his 92 books, but also in Arabic, Hindi and Sanskrit. He composed ten long masnavis, five Divans of ghazals and other poems and many prose works. He was a Master musician and invented the sitar. The Perfect Master Nizam ud-din took him as his disciple and eventually he became God-realized. He rebelled against narrow spirituality and helped redefine the true Sufi way. He was a profound influence on Hafiz and is seen as the link between Sadi and Hafiz in updating the form and content of the ghazal and eroticising it. This is the largest selection of his poems in English. Introduction is on his Life & Times & Poetry and the Forms in which he wrote and on Sufism & Poetry. The correct rhyme-structure has been kept and the meaning of these beautiful, enlightened poems. Appendix: Translation of his The Tale of the Four Dervishes Large Format Paperback 7" x 10" 439 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Shah Latif, Bulleh Shah, Iqbal, Ghalib, Dara Shikoh, Lalla Ded, Makhfi and many others, and his own poetry, fiction, plays, biographies, children's books, and a dozen screenplays. www.newhumanitybooks.com
From the author of Homeland Elegies and Pulitzer Prize winner Disgraced, a stirring and explosive novel about an American Muslim family in Wisconsin struggling with faith and belonging in the pre-9/11 world. Hayat Shah is a young American in love for the first time. His normal life of school, baseball, and video games had previously been distinguished only by his Pakistani heritage and by the frequent chill between his parents, who fight over things he is too young to understand. Then Mina arrives, and everything changes. American Dervish is a brilliantly written, nuanced, and emotionally forceful look inside the interplay of religion and modern life.
In despair at having no son to succeed him, the King of Turkey leaves his palace to live in seclusion. Soon after, however, he encounters four wandering dervishes - three princes and a rich merchant from Persia, Yemen and China - who have been guided to Turkey by a supernatural force that prophesied their meeting. The five men sit together in the dead of night, each in turn telling the tale of lost love that led him to renounce the world. As their stories within stories unfold, a magnificent world is revealed of courtly intrigue and romance, fairies and djinn, oriental gardens and lavish feasts, adventures and mishaps. A Tale of Four Dervishes (1803) is an exquisite example of Urdu fiction that provides a fascinating glimpse into the customs, beliefs and people of the time.
'She turned into a frog, into a lizard, into all kinds of other reptiles and then into a spindle' In these tales, young women go on long and difficult quests, wicked stepmothers turn children into geese and tsars ask dangerous riddles, with help or hindrance from magical dolls, cannibal witches, talking skulls, stolen wives, and brothers disguised as wise birds. Half the tales here are true oral tales, collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four great Russian writers: Alexander Pushkin, Nadezhda Teffi, Pavel Bazhov and Andrey Platonov. In his introduction to these new translations, Robert Chandler writes about the primitive magic inherent in these tales and the taboos around them, while in the afterword, Sibelan Forrester discusses the witch Baba Yaga. This edition also includes an appendix, bibliography and notes. Translated by Robert Chandler and Elizabeth Chandler With Sibelan Forrester, Anna Gunin and Olga Meerson
Sheikh Nuruddin is a dervish at a Sarajevo monastery in the eighteenth century during the Turkish occupation. When his brother is arrested, he descends into the Kafkaesque world of the Turkish authorities in order to find out what has happened. As he does so, he begins to question his relations with society as a whole and, eventually, his life choices in general. Hugely successful when published in the 1960s, Death and the Dervish appears here in its first English translation.
