The best-selling zombie anthology finally gets collected, featuring work from the best of the best: material written by Mark Waid, Keith Giffen, Eureka creator Andrew Cosby, Transformers the Movie writer John Rogers, Eureka TV show writer Johanna Stokes, Fall of Cthulhu writer Michael Alan Nelson, and more! Artists featured are a non-stop constellation of names: Keith Giffen, Fallen Angel's J.K. Woodward, Painkiller Jane's Lee Moder, 100 Bullets' Dave Johnson, Mark Badger, and many many more! This edition collects Zombie Tales #1, Zombie Tales: Oblivion, and Zombie Tales: The Dead.
"By patient accumulation of anecdote and detail, Rustad evolves Shetler’s story into something much more human, and humanly tragic, into a layered inquisition and a reportorial force....suffice it to say Rustad has done what the best storytellers do: tried to track the story to its last twig and then stepped aside." —New York Times Book Review In the vein of Jon Krakauer's Into the Wild, a riveting work of narrative nonfiction centering on the unsolved disappearance of an American backpacker in India—one of at least two dozen tourists who have met a similar fate in the remote and storied Parvati Valley. For centuries, India has enthralled westerners looking for an exotic getaway, a brief immersion in yoga and meditation, or in rare cases, a true pilgrimage to find spiritual revelation. Justin Alexander Shetler, an inveterate traveler trained in wilderness survival, was one such seeker. In his early thirties Justin Alexander Shetler, quit his job at a tech startup and set out on a global journey: across the United States by motorcycle, then down to South America, and on to the Philippines, Thailand, and Nepal, in search of authentic experiences and meaningful encounters, while also documenting his travels on Instagram. His enigmatic character and magnetic personality gained him a devoted following who lived vicariously through his adventures. But the ever restless explorer was driven to pursue ever greater challenges, and greater risks, in what had become a personal quest—his own hero’s journey. In 2016, he made his way to the Parvati Valley, a remote and rugged corner of the Indian Himalayas steeped in mystical tradition yet shrouded in darkness and danger. There, he spent weeks studying under the guidance of a sadhu, an Indian holy man, living and meditating in a cave. At the end of August, accompanied by the sadhu, he set off on a “spiritual journey” to a holy lake—a journey from which he would never return. Lost in the Valley of Death is about one man’s search to find himself, in a country where for many westerners the path to spiritual enlightenment can prove fraught, even treacherous. But it is also a story about all of us and the ways, sometimes extreme, we seek fulfillment in life. Lost in the Valley of Death includes 16 pages of color photographs.
As thrilling a tale as the Donner Party, this graphic novel tells the true story of William Lewis Manly, who risked his life to save pioneer families from dying in a barren wasteland.THE MAN WHO BEAT DEATH VALLEY reveals how Death Valley earned its name, told for the first time in a graphic novel.
Tales for the Dying explores the centrality of death and dying in the narrative of the Bhāgavata-Purāna, India's great text of devotional theism, canonized as an integral part of the Vaisnava bhakti tradition. The text grapples with death through an imaginative meditation, one that works through the presence and power of narrative. The story of the Bhāgavata-Purāna is spoken to a king who is about to die, and it enables him to come to terms with his own passing. The work does not isolate dying as an issue; it treats it on many levels. This book discusses how images of dying in the Bhāgavata-Purāna relate to issues of language and love in the religious imagination of India. Drawing on insights from studies in myth, literary semiotics, and depth psychology, as well as from Indian commentarial and aesthetic traditions, the author examines the power of myth and narrative (storytelling or hari katha) and shows how a detailed awareness of the Puranic imagination may lead to a revisioning of some long-held presuppositions around Indian religious attitudes toward dying. By casting Vaisnava bhakti traditions and Puranic narrative in a fresh light, the mythic imagination of the Purānas takes its place on the stage of contemporary discourse on comparative mythology and literature.
“Old-school horror.” ―Stephen King The Exorcist meets Lord of the Flies, by way of Midnight Mass, in Boys in the Valley, a brilliant coming-of-age tale from award-winning author Philip Fracassi. An Esquire Best Horror Book of 2023! “A sublimely chilling story.” —Library Journal, STARRED review St. Vincent's Orphanage for Boys. Early twentieth century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future...a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives — and perhaps their eternal souls — are at risk. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
'Engaging, modern fables with a feminist tang' Sunday Times DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID. Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men. From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times 'Sharp writing and cleverly done' Spectator
#1 New York Times bestselling author Nora Roberts presents the electrifying conclusion to her powerful Circle Trilogy. Worlds have collided and centuries have elapsed as six people have brought their unique powers, their courage, and their hearts to a battle that could drown humanity in darkness… Her face, so pale when she’d removed her cloak, had bloomed when her hand had taken the sword. Her eyes, so heavy, so somber, had gone as brilliant as the blade. And had simply sliced through him, keen as a sword, when they’d met his… In the kingdom of Geall, the scholarly Moira has taken up the sword of her people. Now, as queen, she must prepare her subjects for the greatest battle they will ever fight—against an enemy more vicious than any they have seen. For Lilith, the most powerful vampire in the world, has followed the circle of six through time to Geall. Moira also has a personal score to settle. Vampires killed her mother—and now, she is ready to exact her revenge. But there is one vampire to whom she would trust her soul… Cian was changed by Lilith centuries ago. But now, he stands with the circle. Without hesitation, he will kill others of his kind—and has earned the respect of sorcerer, witch, warrior, and shape-shifter. But he wants more than respect from Moira—even though his desire for her makes him vulnerable. For how can a man with an eternity to live love a woman whose life is sure to end—if not by Lilith’s hand, then by the curse of time? “[Roberts] is one of the best writers in the romance world.”—The Best Reviews
In Zane Grey's Ultimate Collection, readers will find a treasure trove of historical novels, western classics, adventure tales, and baseball stories all compiled into one comprehensive volume. Grey's literary style is characterized by vivid descriptions of the American West, engaging dialogue, and thrilling plotlines that keep readers on the edge of their seats. Set against the backdrop of the rugged frontier, Grey's stories offer a unique blend of action, romance, and exploration, making them a must-read for fans of the genre. This collection showcases Grey's versatility as a writer, with each story offering a new and exciting adventure for readers to embark on. Zane Grey's deep connection to the American West and his love for the outdoors heavily influenced his writing. As an avid outdoorsman and angler, Grey drew inspiration from his own experiences to create unforgettable characters and settings that resonate with readers to this day. His passion for storytelling shines through in each tale, capturing the spirit of the Wild West and bringing it to life for modern audiences. I highly recommend Zane Grey's Ultimate Collection to readers who enjoy immersive historical fiction, gripping westerns, and thrilling adventure stories. With over 60 titles to choose from, this compilation offers hours of entertainment and a glimpse into the rich tapestry of American literature.
This is the history of Death Valley, where that bitter stream the Amargosa dies. It embraces the whole basin of the Amargosa from the Panamints to the Spring Mountains, from the Palmettos to the Avawatz. And it spans a century from the earliest recollections and the oldest records to that day in 1933 when much of the valley was finally set aside as a National Monument. This is the story of an illusory land, of the people it attracted and of the dreams and delusions they pursued-the story of the metals in its mountains and the salts in its sinks, of its desiccating heat and its revitalizing springs, and of all the riches of its scenery and lore-the story of Indians and horse thieves, lost argonauts and lost mine hunters, prospectors and promoters, miners and millionaires, stockholders and stock sharps, homesteaders and hermits, writers and tourists. But mostly this is the story of the illusions-the illusions of a shortcut to the gold diggings that lured the forty-niners, of inescapable deadliness that hung in the name they left behind, of lost bonanzas that grew out of the few nuggets they found, of immeasurable riches spread by hopeful prospectors and calculating con men, and of impenetrable mysteries concocted by the likes of Scotty. These and many lesser illusions are the heart of its history.
