First published in 1938, this lively collection of over 150 tales and songs runs the gamut from joy to woe, from horror to humor. In forming the collection, Charles Neely required only that the tales and songs—whether home grown or transplanted from the great body of world lore— had taken root somehow in the area of southern Illinois known as Egypt. Notable tales include "Bones in the Well," "A Visit from Jesse James," "The Flight of the Naked Teamsters," "The Dug Hill Boger," and "How Death Came to Ireland"; among the songs and ballads are "Barbara Allen," "Hog and Hominy," "The Drunkard’s Lone Child," "The Belleville Convent Fire," "Shawneetown Flood," and "The Death of Charlie Burger."
At long last, the archives of the Little Egypt Ghost Society and the Gaslight Ghoul Club have been opened. Within these pages, uncover the secrets behind some of southern Illinois' most famous ghost stories and legends. Bruce and Lisa Cline expose the truth behind the Murphysboro Mud Monster, present evidence of paranormal activity at places such as the Rose Hotel, Oakland Cemetery, and Harrisburg's Cinema 4, and explain the history behind some of southern Illinois' most controversial and eccentric figures. From the Old Slavehouse, to the Rose Hotel, to the Woodlawn Sarcophagus and beyond, join the Little Egypt Ghost Society as they explore some of Illinois' oldest and most interesting places!
Cultural historian Jeff Biggers takes us to the dark amphitheatre ruins of his familys nearly 200 - year - old hillside homestead that has been strip - mined on the edge of the first federally recognized Wilderness Site in southern Illinois. In doing so' he not only comes to grips with his own denied backwoods heritage' but also chronicles a dark and missing chapter in the American experience; the historical nightmare of coal outside of Appalachia' serving as an expos of a secret legacy of shame and resiliency.
Although Illinois saw no dramatic witch trials, witchcraft has been a part of Illinois history and culture from French exploration to the present day. On the Illinois frontier, pioneers pressed silver dimes into musket balls to ward off witches, while farmers dutifully erected fence posts according to phases of the moon. In 1904, the quiet town of Quincy was shocked to learn of Bessie Bement's suicide, after the young woman sought help from a witch doctor to break a hex. In turn-of-the-century Chicago, Lauron William de Laurence's occult publishing house churned out manuals for performing bizarre rituals intended to attract love and exact revenge. For the first time in print, Michael Kleen presents the full story of the Prairie State's dalliance with the dark arts.
For folklorists, students, as well as general readers, this is the most comprehensive survey of American folktales and legends currently available. It offers an amazing variety of American legend and lore - everything from Appalachian Jack tales, African American folklore, riddles, trickster tales, tall tales, tales of the supernatural, legends of crime and criminals, tales of women, and even urban legends.The anthology is divided into three main sections - Native American and Hawaiian Narratives, Folktales, and Legends - and within each section the individual stories explore the myriad narrative traditions and genres from various geographic regions of the United States. Each section and tale genre is introduced and placed in its narrative context by noted folklorist Frank de Caro. Tale type and motif indexes complete the work.
Examining the role of violence in America's past, this collection of essays explores its history and development from slave patrols in the colonial South to gun ownership in the 20th century. The contributors focus not only on individual acts such as domestic violence, murder, duelling, frontier vigilantism and rape, but also on group and state-led acts such as lynchings, slave uprisings, the establishment of rifle clubs, legal sanctions of heterosexual aggression, and invasive medical experiments on women's bodies.
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.
This classic book offers a lively and penetrating analysis of what the overland journey was really like for midwestern farm families in the mid-1800s. Through the subtle use of contemporary diaries, memoirs, and even folk songs, John Mack Faragher dispels the common stereotypes of male and female roles and reveals the dynamic of pioneer family relationships. This edition includes a new preface in which Faragher looks back on the social context in which he formulated his original thesis and provides a new supplemental bibliography. Praise for the earlier edition: "Faragher has made excellent use of the Overland Trail materials, using them to illuminate the society the emigrants left as well as the one they constructed en route. His study should be important to a wide range of readers, especially those interested in family history, migration and western history, and women's history."--Kathryn Kish Sklar "An enlightening study."--American West "A helpful study which not only illuminates the daily life of rural Americans but which also begins to compensate for the male orientation of so much of western history."--Journal of Social History
