Takin’ Care of Business by Don L. Lipkin It is a must-read for high school seniors whose post-graduation goal is simply to find employment. It is a should-read for individuals who are presently incarcerated and scheduled for release in the near future. Hopefully, this little book will be the catalyst that causes many people to seriously consider the benefits of entrepreneurship.
By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience: the working-class 'Average Joes' who didn't want to change the world as much as they wanted to protect their perceived place within it. To the extent that "working-class populism" describes an authentic political current, it's now beyond a doubt that certain musicians and certain of their songs helped define that current. By now, rock 'n' roll has cast a long shadow over hundreds of millions of people around the world not just over reckless kids, but over wage-earning parents and retired elders; not just over indignant youth challenging authority, but over indignant adults challenging their own definition of it. Not only have the politics of rock fans drifted surprisingly rightward since 1970; some rock, as Case argues, has helped reset the very boundaries of left and right themselves. That God, guns, and Old Glory can be understood to be paid fitting tribute in a heavy guitar riff delivered by a long-haired reprobate in blue jeans but that #Me Too, Occupy Wall Street or Black Lives Matter might not hints at where those boundaries now lie.
In this insightful and timely book, author George Case shows how an important strain of rock music spoke as much to a working-class populist audience as to the rebellious youth audience we typically associate with this music, helping to reset the boundaries of left and right in American society.
This moving and fascinating autobiography, written by rock music historian John Einarson with Randy Bachman, gives us a once in a lifetime tour behind the scenes: from Randy's earliest days in Winnipeg with Lenny Breau and Neil Young, to the Guess Who's grand coast-to-coast reunion tours in the summers of 2000 and 2001.
Randy Bachman has been rolling out chart-topping songs his whole life—“You Ain’t Seen Nothing Yet,” “These Eyes,” “American Woman,” “Takin’ Care of Business”—and, since 2005, treating fans to a lifetime of rock ’n’ roll stories on his hit CBC Radio show, Vinyl Tap. His approach is always fresh—even the most hardcore music fans will be surprised by what they can learn from Bachman. Whether he is touring with Ringo Starr, jamming with Little Richard, or recording with Neil Young, music is his life, and his anecdotes put you at the centre of it all. A fifty-year career in music is full of extreme highs and lows. It is also a life filled with some very colourful characters. Bachman’s stories are candid and always entertaining. These are his best stories. The most memorable Vinyl Tap moments are all here, from Randy’s Guitarology 101 to his favourite songs to be played at funerals. For fans of the radio show and perennial rock ’n’ roll lovers from the sixties through to today, Randy Bachman’s Vinyl Tap Stories invites readers to relive their favourite musical experiences. And for new fans, it opens up a joyous world of rock and popular music. Despite his success, Bachman is still “that kid from Winnipeg,” and his enthusiasm for great music is as strong as ever. Funny, raucous, and engaging, Randy Bachman’s Vinyl Tap Stories is irresistible.
A collection of "uncommonly good stories" (The Chicago Tribune) from a true American master of the short story—disturbing, comic, and moving takes that find deeper meanings in ordinary domestic life. With unforgettable characters, places, and events—a young divorcee, a shared summer home, a troubled family, a wedding, the death of a pet—Williams takes her readers on journey after journey, as only she can.
The book presents a powerful reminder of adults' responsibility for the development of long-term attention (and thus of maturity) in children, particularly in the face of the techniques of attention-destruction practiced by the programming industries.
In Loca Motion, Michelle Habell-Pall argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics.
