A new edition of the acclaimed portfolio of work by Japan's leading architect, now featuring digitally remastered photographs. "The magnificent photographs by Richard Pare come as close to putting you there as any publication is likely to achieve." —The New York Times An exquisite work of art in its own right, this book is the result of ten years' collaboration between the English photographer Richard Pare and the internationally renowned Japanese architect Tadao Ando. This new edition features all the same extraordinary photographs, completely remastered from the original negatives, bringing this beautiful volume back to life. Pare's remarkable images shed new light on this important body of work, while Ando's original line drawings and sketches provide unparalleled insight into his creative process.
The most complete and comprehensive collection of residential projects from the world’s most internationally recognized and renowned architect. Though prolific in civic and commercial work, Tadao Ando first gained recognition for his residential projects, which were constructed solidly of concrete but ingeniously imbued with light and air. This exhaustive study is a complete catalog of all his residential work to date, including two new homes just finished in 2013. This volume features unseen and unpublished works presented through lavish and striking color photographs as well as detailed architectural drawings and plans of over thirty years of Ando’s residential work, from the Sumiyoshi Row House in 1975 to the current houses for global design connoisseurs and art collectors.
What do we look at? The wall or the cross, which is not really there? Framed in aesthetic design with a powerful contemporary layout and creating an engaging visual but informative narrative, this book will take you on a fascinating journey to one of Tadao Ando's world-known signature architectural works - Church of the Light.
This book showcases recent houses by the world-renowned Japanese minimalist architect, offering unprecedented access to his thought process through more than 100 photographs, line drawings, sketches, and plans. Tadao Ando is one of the best-known and most influential contemporary architects with a minimalistic aesthetic and love of natural materials like glass and concrete--proof that less is more. This volume features ten houses and examines his approach to these designs. Viewed as a collection, these houses serve to demonstrate the wide range of Ando's prodigious genius through lavish and striking photographs. Characteristics of his work include large expanses of unadorned architectural concrete walls combined with wooden or stone floors and large windows. He uses simple methods to solve complicated and small spaces and turns them into spaces with breathtaking landscapes. With precise and beautiful photographs accompanied by Tadao Ando's sketches, drawings, and plans, this volume presents several unseen and little published works, from the Bosco Studio and House facing the Pacific Ocean in Oaxaca, Mexico (2014)to a penthouse in Manhattan for a Japanese collector, completed in 2019.
The most complete and comprehensive collection of residential projects from the world’s most internationally recognized and renowned architect. Though prolific in civic and commercial work, Tadao Ando first gained recognition for his residential projects, which were constructed solidly of concrete but ingeniously imbued with light and air. This exhaustive study is a complete catalog of all his residential work to date, including two new homes just finished in 2013. This volume features unseen and unpublished works presented through lavish and striking color photographs as well as detailed architectural drawings and plans of over thirty years of Ando’s residential work, from the Sumiyoshi Row House in 1975 to the current houses for global design connoisseurs and art collectors.
Based around an interview with Tadao Ando, this book explores the influence of the Buddhist concept of nothingness on Ando’s Christian architecture, and sheds new light on the cultural significance of the buildings of one of the world’s leading contemporary architects. Specifically, this book situates Ando’s churches, particularly his world-renowned Church of the Light (1989), within the legacy of nothingness expounded by Kitaro Nishida (1870-1945), the father of the Kyoto Philosophical School. Linking Ando’s Christian architecture with a philosophy originating in Mahayana Buddhism illuminates the relationship between the two religious systems, as well as tying Ando’s architecture to the influence of Nishida on post-war Japanese art and culture.
The image of open working and living spaces flooded with light has, more than any other, become fixed in our minds as a symbol of modernity and the spirit of the times. While the workplace has always been the focus of ergonomic studies and optimization with respect to a good provision of daylight, large glass surfaces have now become the order of the day for living spaces as well. But does this automatically make for better illumination? Taking this question as its starting point, the publication Illuminating thematizes central aspects of light planning, including the connection between the provision of daylight and architectural design, building orientation, the nature of the facade, the ground plan, comfort, and the proportions and atmosphere of rooms. In the process, general characteristics and fundamental principles as well as subtle facets of an intelligent treatment of daylight are discussed and critically examined within an expanded architecture- and culture-historical context.
The newest volume in our popular Conversations series features Japanese architect Tadao Ando. One of the most celebrated living architects, Ando is best known for crafting serenely austere structures that fuse Japanese building traditions with Western modernism. His minimalist masterworks-geometric forms clad in silky-smooth exposed concrete-are suffused with natural light and set in perfect harmony with the landscape. In these highlights from lectures delivered at the University of Tokyo's Graduate School of Architecture, Ando candidly describes his experiences as a largely self-taught practitioner, tracing his development from an early interest in the traditional building craft of his native Japan through his political awakening in the turbulent 1960s to his current stature as one of the world's foremost architects. In addition to exploring his aesthetic influences and working process, Ando offers students a road map not only for maintaining professional integrity, but also for becoming effective agents of change in the world.
This thesis introduces Tadao Ando, a well-known Japanese architect, who is currently working on an emerging concept in the discourse of architecture, and is opening an approach of high sensibility (sensual, reflective, flexible, and complex, sensitively matching with every moment of life) and conceptualism (rational, logically approaching truth) that is widely considered one of the most important ways of thinking and designing architecture.In the introduction chapter, Tadao Ando's is introduced as a master of architecture and as a critic. Secondly, his goals, objectives, concepts and strategies are outlined. These aspects are grouped and developed into major themes. Those themes will later be interpreted in Chapter Four.In the second chapter of the thesis, the architecture of Tadao Ando is examined more closely, through critics' studies and his writings. This part aims to open further discussions on the most substantial and important grounds and sources of his architecture, which are interpreted in further detail in Chapter Four: the key themes of his works and theories.Being aware that Ando's architecture cannot be understood without grasping "Japaneseness", or the historical cultural and regional contexts of Japan, the third chapter will be devoted to briefly introducing the origins, philosophy, traditions, and culture of the country, as well as major points of new waves of Japanese architecture, both of which tangibly and intangibly serve as the foundation for Ando's architectural themes: nature, shintai, and geometry as both abstract construct and substance. This chapter is essential for understanding the foundation and context of Ando's thoughts that always determine his architecture.Chapter Four is the key part of the thesis. It focuses on two aspects: Ando's philosophically-based theoretical concepts, and his major themes which have been introduced in the previous sections. This chapter provides a general and coherent understanding of his work.The concluding chapter summarizes the crucial points from among Ando's visions, moving from origins and philosophical grounds through concepts, strategies and theories, to the unique solutions which he advances for problems of the age. Thematically, Tadao Ando's works may be shown to reveal: Dialogue with Nature and Tradition (cosmologies, culture); Shintai and Space (mutual independence and penetration); and Geometry (spatial compositions, minimalist form, material and texture). Among these three over riding themes, there are many interrelated sub-themes are also examined. Download 1st chapter & ByteSizeSystems Reader FREE - and buy ByteSize b-book for $5.00.
In her Introduction, Tymieniecka states the core theme of the present book sharply: Is culture an excess of nature's prodigious expansiveness - an excess which might turn out to be dangerous for nature itself if it goes too far - or is culture a 'natural', congenial prolongation of nature-life? If the latter, then culture is assimilated into nature and thus would lose its claim to autonomy: its criteria would be superseded by those of nature alone. Of course, nature and culture may both still be seen as being absorbed by the inner powers of specifically human inwardness, on which view, human being, caught in its own transcendence, becomes separated radically in kind from the rest of existence and may not touch even the shadow of reality except through its own prism. Excess, therefore, or prolongation? And on what terms? The relationship between culture and nature in its technical phase demands a new elucidation. Here this is pursued by excavating the root significance of the 'multiple rationalities' of life. In contrast to Husserl, who differentiated living types according to their degree of participation in the world, the phenomenology of life disentangles living types from within the ontopoietic web of life itself. The human creative act reveals itself as the Great Divide of the Logos of Life - a divide that does not separate but harmonizes, thus dispelling both naturalistic and spiritualistic reductionism.
