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Author: American Art Association, Anderson Galleries (Firm)

Publisher:

Published: 1922

Total Pages: 1662

ISBN-13:

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Author: Anderson Galleries, Inc

Publisher:

Published: 1909

Total Pages: 852

ISBN-13:

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Nineteenth- and Twentieth-century Paintings

Nineteenth- and Twentieth-century Paintings

Author: Richard R. Brettell

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 482

ISBN-13: 1588393496

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Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.


Modern Art on Display

Modern Art on Display

Author: K. Porter Aichele

Publisher: Rowman & Littlefield

Published: 2016-05-19

Total Pages: 307

ISBN-13: 1611496179

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Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.


Pissarro

Pissarro

Author: Joachim Pissarro

Publisher: Skira/Wildenstein

Published: 2005

Total Pages: 452

ISBN-13:

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This new catalogue of the paintings of Camille Pissarro, while drawing extensively on the 1939 edition published by his son, makes an innovative contribution to the understanding of the work of this great artist through the discovery of previously unpublished pictures and documents. Over a career that spanned the second half of the 19th century, Pissarro tested every pictorial experiment of his time, from Impressionism to Pointillism. His rich style reveals the gifts of a great colorist and of a master of light endowed with a striking sensitivity to nature. This exhaustive 3-volume catalogue, co-published with the Wildenstein Institute, features 1528 paintings--of which 213 have never been published or are little known--detailed commentaries with rigorous analyses of each work, a complete biography of the artist, illustrated with archival photographs, a bibliography and a complete list of exhibitions.