"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.
Conflict and Peace in Central Eurasia combines theory with in-depth description and systematic analyses of ethnoterritorial conflict and coexistence in Central Eurasia. Central Eurasia is at the heart of the Eurasian continent around the Caspian Sea. Much of this macro-region is made up of the post-Soviet republics in Central Asia and the Caucasus, but it also covers other areas, such as parts of Russia and Iran. Central Eurasia is subject to a number of ethnoterritorial conflicts. Yet at the same time, a large number of ethnic groups, speaking different languages and following different religions, coexist peacefully in this macro-region. Babak Rezvani explains ethno-territorial conflicts not only by focusing on these conflicts but also by comparing all cases of conflict and coexistence in (post-)Soviet Central Asia, the Caucasus and Fereydan, the so-called Iranian little Caucasus. Aiming at formulating new theories, this book makes use of qualitative comparative analysis (QCA), as well as case studies and statistical analyses. It provides an innovative and interesting contribution to Eurasian Studies and Conflict Analysis, and at the same time demonstrates a detailed knowledge of the relevant literature. Based on thorough research, the study offers a deep and insightful history of the areas and conflicts concerned.
Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.
Illustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.
This book compares the relatively peaceful relationship between the Berbers and the Moroccan state with the violent relationship between the Kurds and the Turkish state.