A Soviet Credo: Shostakovich's Fourth Symphony

A Soviet Credo: Shostakovich's Fourth Symphony

Author: Pauline Fairclough

Publisher: Routledge

Published: 2017-07-05

Total Pages: 283

ISBN-13: 1351577956

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Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.


Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

Author: D. J. Hoek

Publisher: Scarecrow Press

Published: 2007-02-15

Total Pages: 374

ISBN-13: 1461700795

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This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.


The Classical Music Lover's Companion to Orchestral Music

The Classical Music Lover's Companion to Orchestral Music

Author: Robert Philip

Publisher: Yale University Press

Published: 2018-12-04

Total Pages: 969

ISBN-13: 0300242727

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An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.


Nikolay Myaskovsky

Nikolay Myaskovsky

Author: Patrick Zuk

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 582

ISBN-13: 1783275758

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Drawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky. Zuk's account is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius.


HB

HB

Author: Jürgen Schaarwächter

Publisher: Routledge

Published: 2018-12-21

Total Pages: 585

ISBN-13: 0429838018

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First published in 1997, This volume brings together a wide selection of those articles which include interviews, personal recollections of Brian and several detailed analyses of some of his works, generously illustrated with music examples. The book concludes with a recently updated catalogue of works.


Daniels' Orchestral Music

Daniels' Orchestral Music

Author: David Daniels

Publisher: Rowman & Littlefield

Published: 2022-06-30

Total Pages: 1464

ISBN-13: 1442275219

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Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.


The Finale in Western Instrumental Music

The Finale in Western Instrumental Music

Author: Michael Talbot

Publisher: Oxford Monographs on Music

Published: 2001

Total Pages: 272

ISBN-13: 9780198166955

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The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.


Program Notes

Program Notes

Author: Chicago Symphony Orchestra

Publisher:

Published: 1902

Total Pages: 316

ISBN-13:

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The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.