Swing Landscape

Swing Landscape

Author: Jennifer McComas

Publisher: Yale University Press

Published: 2020-09-04

Total Pages: 165

ISBN-13: 0300250673

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An insightful study of the progressive politics animating a great work of modernist mural painting In 1936 the Works Progress Administration’s Federal Art Project commissioned Stuart Davis (1892–1964) to paint a mural for the Williamsburg Houses, a New York City housing project. Though the mural, Swing Landscape, was never installed in its intended location, it survives as an impressive testament to Davis’s energetic, colorful brand of abstraction and the progressive politics that animated it. This study explores the painting, one of the greatest of twentieth-century America and arguably Davis’s most ambitious work. This book challenges the prevailing tendency to separate Davis’s leftist activism from his art and contextualizes Swing Landscape within 1930s abstract mural painting in New York, emphasizing the politics of abstraction. The book also offers the first comprehensive look at the Williamsburg mural commission, including works by Willem de Kooning, Ilya Bolotowsky, and others. The result is an indispensable resource on interwar modernism, mural painting, and urban development. Published in association with the Sidney and Lois Eskenazi Museum of Art, Indiana University Exhibition Schedule: Sidney and Lois Eskenazi Museum of Art, Indiana University (February 5–May 22, 2022)


Modernism for the Masses

Modernism for the Masses

Author: Jody Patterson

Publisher: Yale University Press

Published: 2020-11-17

Total Pages: 265

ISBN-13: 0300241399

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A mural renaissance swept the United States in the 1930s, propelled by the New Deal Federal Art Project and the popularity of Mexican muralism. Perhaps nowhere more than in New York City, murals became a crucial site for the development of abstract painting Artists such as Stuart Davis, Arshile Gorky, Willem de Kooning, and Lee Krasner created ambitious works for the Williamsburg Housing Project, Floyd Bennett Field Airport, and the 1939 World’s Fair. Modernism for the Masses examines the public murals (realized and unrealized) of these and other abstract painters and the aesthetic controversy, political influence, and ideological warfare that surrounded them. Jody Patterson transforms standard narratives of modernism by reasserting the significance of the 1930s and explores the reasons for the omission of the mural’s history from chronicles of American art. Beautifully illustrated with the artists’ murals and little-known archival photographs, this book recovers the radical idea that modernist art was a vital part of everyday life.


Antifascism in American Art

Antifascism in American Art

Author: Cécile Whiting

Publisher: Yale University Press

Published: 1989-01-01

Total Pages: 262

ISBN-13: 9780300042597

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Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.


Stuart Davis

Stuart Davis

Author: Lowery Stokes Sims

Publisher: Metropolitan Museum of Art

Published: 1991

Total Pages: 335

ISBN-13: 0870996274

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A volume on Stuart Davis, an American artist of the 20th century. He forged a personal and varied iconography inspired by the upheaval of the city, the tranquility of the seaside, industry and the automobile, cafe society, sports, jazz music and his year-long stay in Paris.


A Companion to Modern Art

A Companion to Modern Art

Author: Pam Meecham

Publisher: John Wiley & Sons

Published: 2018-02-13

Total Pages: 568

ISBN-13: 1118639847

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A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more


Looking and Listening

Looking and Listening

Author: Brenda Lynne Leach

Publisher: Scarecrow Press

Published: 2014-11-13

Total Pages: 217

ISBN-13: 0810883473

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Looking and Listening: Conversations between Modern Art and Music invites the art and music lover to place these two realms of creative endeavor into an open dialog. Although the worlds of music and visual art often seem to take separate paths, they are usually parallel. Conductor and art connoisseur Brenda Leach takes unique pairings of well-known visual art works and musical compositions from the twentieth century to identify the shared sources of inspiration, as well as similarities in theme, style, and technique, to explore the historical and cultural influences on the great artists and composers in the twentieth century. Looking and Listening asks and answers: What does jazz have in common with paintings by Stuart Davis and Piet Mondrian? How did Gershwin’s Rhapsody in Blue affect the work of artist Arthur Dove? How did painter Georgia O’Keeffe and composer Aaron Copland capture the spirit of a youthful America entering the twentieth century? What did Kandinsky and Schoenberg share in their artistic visions? Leach takes readers on a whirlwind tour of the lives of these artists, surveying many of the key movements in the twentieth century by comparing representative works from the modern masters of the visual arts and music. Leach’s refreshing and innovation approach will interest those passionate about twentieth-century art and music and is ideal for any student or instructor, museum docent, or music programmer seeking to draw the lines of connection between these two art forms.


Jazz and American Culture

Jazz and American Culture

Author: Michael Borshuk

Publisher: Cambridge University Press

Published: 2023-11-30

Total Pages: 433

ISBN-13: 1009420194

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This book explores jazz as a cultural lodestone and source of critical inquiry for over a century.


Stuart Davis: Essays and references

Stuart Davis: Essays and references

Author: William C. Agee

Publisher:

Published: 2007

Total Pages: 416

ISBN-13:

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Collected in three volumes, this is the highly anticipated, definitive reference on Stuart Daviss paintings, watercolors, drawings, and published illustrations.


Lower Extremity Biomechanics

Lower Extremity Biomechanics

Author: Stephen F. Albert, D.P.M., C.Ped., FACFAOM

Publisher: Bipedmed, LLC

Published: 2018

Total Pages: 447

ISBN-13: 0978896114

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Biomechanics is the study of the human body and how it behaves mechanically. This textbook is intended for all who have an interest in how our feet and legs work and particularly for those in the health care community who must remain abreast of the latest information and research. Written by leaders in the field, this books covers in detail current theoretical and applied concepts. You will find Lower Extremity Biomechanics: Theory and Practice Volume 1 a welcomed addition to your professional library.


Music Makes Me

Music Makes Me

Author: Todd Decker

Publisher: Univ of California Press

Published: 2011-06-24

Total Pages: 391

ISBN-13: 0520950062

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Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in Music Makes Me, Todd Decker argues that Astaire’s work as a dancer and choreographer —particularly in the realm of tap dancing—made a significant contribution to the art of jazz. Decker examines the full range of Astaire’s work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire’s creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire’s collaborations with African American musicians and his work with lesser known professionals—arrangers, musicians, dance directors, and performers.