Swedish Swing contains seven original compositions by renowned violinist and pedagogue Sven Sjögren. The pieces in this collection explore various 'swing' styles, including tango, bossa nova, and boogie. The music is extremely engaging, and each piece allows the students to concentrate on specific pedagogical tasks. The CD includes a full performance of each piece as well as a motivational play-along track.
Made in Sweden: Studies in Popular Music serves as a comprehensive and rigorous introduction to the history, sociology and musicology of twentieth-century Swedish popular music. The volume consists of essays by leading scholars of Swedish popular music and covers the major figures, styles and social contexts of pop music in Swedish. Although the vast majority of the contributors are Swedish, the essays are expressly written for an international English-speaking audience. No knowledge of Swedish music or culture will be assumed. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Swedish popular music; each section features a brief introduction by the volume editors. The book presents a general description of the history and background of Swedish popular music, followed by essays that are organized into thematic sections: The Historical Development of the Swedish Popular-Music Mainstream; The Swedishness of Swedish Popular-Music Genres; Professionalization and Diversification; and Swedish Artist Personas. Contributors: Jonas Bjälesjö Alf Björnberg Thomas Bossius Peter Dahlén Olle Edström Karin L. Eriksson Rasmus Fleischer Sverker Hyltén-Cavallius Lars Lilliestam Ulf Lindberg Morten Michelsen Susanna Nordström Marita Rhedin Henrik Smith-Sivertsen Ann Werner Kajsa Widegren
Telling a riveting true story of the emergence and development of an American icon, this book traces swing dancing from its origins to its status as a modern-day art form. From its unlikely origins in the African slave trade, one of the saddest chapters of American history, swing dance emerged as a celebration of the soul. Swing is now recognized around the globe as a joyous partnered dance, uniquely Afro-American in origin and an American treasure. This book examines how the original swing style of the 1920s, the Lindy Hop, branched out and evolved with the changing dynamics of popular culture, paralleling the development of the nation. Swing Dancing covers the dance through the years of minstrelsy, the jazz age, the big band era, bebop, and the decline of partnered dancing in the 1960s. Swing experts and instructors Tamara and Erin Stevens have combined a compelling historic examination of swing dance with an assortment of riveting personal interviews and photographic documentation to create a comprehensive reference book on this important art form.
Swedish Jazz in the United States: Swede and Cool traces and analyzes the dissemination and reception of jazz from Sweden in the United States during the period of 1947-1963. It maps the networks through which Swedish record companies exchanged recordings with their American counterparts, establishing an American interest in Swedish jazz at a time long regarded as a predominantly American era. Exploring these Swedish-American exchanges—rather than the canonized names in jazz—shines a light on new perspectives in the genre, clarifying the ways in which Swedish jazz was adapted to the American market and how it was understood in an American context. The result is an opportunity to consider the challenges national borders present in a global jazz world while reflecting on the genre’s expanding transnational reach during the 1950s.
This is the story, not just of one manOs life, but of many inspirational characters. ItOs a story of growing up rejecting the herd mentality. A story about going your own way, in life, in business, in sport, music and dance. Playing the violin in an East London School, is not the easy route to popularity. Joining an arctic expedition in the school summer break while the other kids hang out on the street, is not the norm. Learning to sail while everyone else kicks balls around, youOve got to know your own mind, early on. Running a parachute club when youOre almost the youngest person there and surrounded by tough military types and competitive skydivers, takes nerve. Becoming, the youngest advanced instructor and chief instructor in the country, a test jumper for BritainOs biggest parachute manufacturer and a display jumper for British Aerospace; these are not things experienced by all skydivers. Racing cars and motorcycles and paying for it all from a salary, sacrificing relationships, a social life and much else besides, just to make it to the starting grid. This is not the story of a Lauda or a Schumaker, but it will inform many a motor-sport enthusiast and advise anyone thinking of taking the plunge. The good and the bad characters one meets in business, from inspiration and mentoring to hypocrisy and politics, itOs all here. Discover business ideas as yet un-tried and the problems associated with taking big ideas to major players. Thinking of starting a business, or taking on a partner? Read and learn from the experiences of this author, donOt do it the hard way. From great highs to suicidal lows, from attempting the conventional, to sailing away and leaving it all behind this book will surprise and inform from first to the last.
The volume represents a state-of-the-art snapshot of the research on prosody for phoneticians, linguists and speech technologists. It covers well-known models and languages. How are prosodies linked to speech sounds? What are the relations between prosody and grammar? What does speech perception tell us about prosody, particularly about the constituting elements of intonation and rhythm? The papers of the volume address questions like these with a special focus on how the notion of context-based coding, the knowledge of prosodic functions and the communicative embedding of prosodic elements can advance our understanding of prosody.
The Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. This is something rather different: Brian Morton (who taught American history at UEA) has picked out the 1000 best recordings that all jazz fans should have and shows how they tell the history of the music and with it the history of the twentieth century. He has completely revised his and Richard Cook's entries and reassessed each artist's entry for this book. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike. 'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune 'Part jazz history, part jazz Karma Sutra with Cook and Morton as the knowledgeable, urbane, wise and witty guides ... This is one of the great books of recorded jazz; the other guides don't come close' Irish Times
"This is a book about Chicago. It is also, and for that very reason, a book about every other American city which has lived long enough and grown large enough to experience the transformation of neighborhoods and the contact of cultures and the tension between different types of individual and community behavior. . . . Here is a type of sociological investigation which is equally marked by human interest and scientific method."—Christian Century
The history of jazz dance is best understood by comparing it to a tree. The art form's roots are African. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. The branches are many and varied and include tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and much more. Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the many histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, gender, aesthetics, the international appeal of jazz dance, and its relationship to tap, rock, indie, black concert dance, and Latin dance. Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabulary differs from ballet, this complex and compelling history captures the very essence of jazz dance.
Ten years ago a revival of swing took place, originating in San Francisco, snowballing into today's international resurgence. This book presents the complete history of swing music and dancing, then and now.
