Swallow Barn, Or A Sojourn in the Old Dominion by John P. Kennedy
Author: John Pendleton Kennedy
Publisher:
Published: 1872
Total Pages: 540
ISBN-13:
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Author: John Pendleton Kennedy
Publisher:
Published: 1872
Total Pages: 540
ISBN-13:
DOWNLOAD EBOOKAuthor: John Pendleton Kennedy
Publisher:
Published: 1856
Total Pages: 622
ISBN-13:
DOWNLOAD EBOOKAuthor: John Pendleton Kennedy
Publisher:
Published: 1872
Total Pages: 542
ISBN-13:
DOWNLOAD EBOOKAuthor: John Pendleton Kennedy
Publisher:
Published: 1832
Total Pages: 334
ISBN-13:
DOWNLOAD EBOOKAuthor: John Pendleton Kennedy
Publisher:
Published: 1906
Total Pages: 516
ISBN-13:
DOWNLOAD EBOOKAuthor: Nicolas Trübner
Publisher:
Published: 1859
Total Pages: 746
ISBN-13:
DOWNLOAD EBOOKAuthor: Nicolas Trübner
Publisher:
Published: 1859
Total Pages: 742
ISBN-13:
DOWNLOAD EBOOKAuthor: Andrew R. Black
Publisher: LSU Press
Published: 2016-07-11
Total Pages: 447
ISBN-13: 0807162965
DOWNLOAD EBOOKJohn Pendleton Kennedy (1795--1870) achieved a multidimensional career as a successful novelist, historian, and politician. He published widely and represented his district in the Maryland legislature before being elected to Congress several times and serving as secretary of the navy during the Fillmore administration. He devoted much of his life to the American Whig party and campaigned zealously for Henry Clay during his multiple runs for president. His friends in literary circles included Charles Dickens, Washington Irving and Edgar Allan Poe. According to biographer Andrew Black, scholars from various fields have never completely captured this broadly talented antebellum figure, with literary critics ignoring Kennedy's political work, historians overlooking his literary achievements, and neither exploring their close interrelationship. In fact, Black argues, literature and politics were inseparable for Kennedy, as his literary productions were infused with the principles and beliefs that coalesced into the Whig party in the 1830s and led to its victory over Jacksonian Democrats the following decade. Black's comprehensive biography amends this fractured scholarship, employing Kennedy's published work and other writing to investigate the culture of the Whig party itself. Using Kennedy's best-known novel, the enigmatic Swallow Barn, or, A Sojourn in the Old Dominion (1832), Black illustrates how the author grappled unsuccessfully with race and slavery. The novel's unstable narrative and dissonant content reflect the fatal indecisiveness both of its author and his party in dealing with these volatile issues. Black further argues that it was precisely this failure that caused the political collapse of the Whigs and paved the way for the Civil War.
Author: Gretchen Martin
Publisher: Univ. Press of Mississippi
Published: 2015-12-09
Total Pages: 257
ISBN-13: 1496804163
DOWNLOAD EBOOKThe extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked. Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedy's Swallow Barn, Harriet Beecher Stowe's Uncle Tom's Cabin, Herman Melville's Benito Cereno, Joel Chandler Harris's short stories, as well as Mark Twain's Adventures of Huckleberry Finn and Pudd'nhead Wilson. As Martin indicates, such white authors show themselves to be savvy observers of the many trickster traditions and indeed a wide range of texts suggest stylistic and aesthetic influences representative of the artistry, subversive wisdom, and subtle humor in these black figures of ridicule, resistance, and repudiation. The black characters created by these white authors are often dismissed as little more than limited, demeaning stereotypes of the minstrel tradition, yet by teasing out important distinctions between the wisdom and humor signified by trickery rather than minstrelsy, Martin probes an overlooked aspect of the nineteenth-century American literary canon and reveals the extensive influence of black aesthetics on some of the most highly regarded work by white American authors.
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Published: 1922
Total Pages: 1662
ISBN-13:
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