Nine-year-old Susannah Winston is sent to stay with her Uncle Dennis, an officer with the Mounties - The Royal Canadian Mounted Police - in Regina, Saskatchewan, and has many adventures on the prairie. Made into the blockbuster Hollywood film starring Shirley Temple!
Who would have guessed that Colt Brennan was an anthropologist? While tracking Bigfoot in an attempt to prove the new theory of evolution, Colt and his guide, an old prospector, are robbed by a gang of cutthroats. One of them carelessly divulges the location of their hideout, the Valley of Sasquatch. What an auspicious clue. Following Yukon Jack's gang into British Columbia, the trackers join forces with Sergeant Preston Steele of the Northwest Mounted Police who is also pursuing the robbers. A local urchin who is infatuated with Steele tags along, presenting herself to them when they are too deep in the frontier to turn back. But Susannah is enough of a tomboy to meet the challenge; which includes some surprising revelations about Bigfoot.
Robert Service's time in the Yukon, at first as a transplanted bank clerk and later living off the royalties of poems like "The Shooting of Dan McGrew" and "The Cremation of Sam McGee," is the core of a fascinating life. Starving in Mexico, residing in a
What happens next? That was the question asked of early-twentieth-century authors Nellie L. McClung, L. M. Montgomery, and Mazo de la Roche, whose stories and novels appeared serially and kept readers and publishers in a state of anticipation. Each author answered through the writing and dissemination of further instalments. McClung’s Pearlie Watson trilogy (1908–1921), Montgomery’s Anne of Green Gables books (1908–1939), and de la Roche’s Jalna novels (1927–1960) were read avidly not just as sequels but as serials in popular and literary newspapers and magazines. A number of the books were also adapted to stage, film, and television. The Next Instalment argues that these three Canadian women writers, all born in the same decade of the late nineteenth century, were influenced by early-twentieth-century publication, marketing, and reading practices to become heavily invested in the cultural phenomenon of the continuing story. A close look at their serials, sequels, and adaptations reveals that, rather than existing as separate cultural productions, each is part of a cultural and material continuum that encourages repeated consumption through development and extension of the originary story. This work considers the effects that each mode of dissemination of a narrative has on the other.
Bon Echo: The Denison Years documents the era when famous artists, intellectuals and theatrical personalities visited the strikingly beautiful Lake Mazinaw area in Ontario’s rugged Land O’ Lakes district, to both play and work. From the construction of Bon Echo Inn by American Dr. Weston Price to the creation of today’s Bon Echo Provincial Park, the author has been privy to the "inside" story. The struggles and ideals of the early Toronto feminist Flora MacDonald Denison and her author-playwright son, Merrill, are well recorded in this important book. The author, a good storyteller, obviously learned plenty from the old master during her many years as his manuscript typist, a relationship that ended with Merrill Denison’s death in 1975.
From the paleolithic to high-tech oil drilling, the enduring saga of crime and punishment is told by these talented story-spinners in these tales of detection, mystery, and adventure.