Surrealist Painters and Poets

Surrealist Painters and Poets

Author: Mary Ann Caws

Publisher: MIT Press

Published: 2001

Total Pages: 572

ISBN-13: 9780262532013

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Art and writings by Surrealist painters and poets from a wide range of countries.


Surrealist Poetry

Surrealist Poetry

Author: Willard Bohn

Publisher: Bloomsbury Publishing USA

Published: 2017-01-01

Total Pages: 380

ISBN-13: 1441153144

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Surrealist Poetry presents new English translations of nearly 150 poems alongside their original French and Spanish versions. Founded by André Breton in 1924, Surrealism sought to examine the unconscious realm by means of the written or spoken word. Seeking to expand the ability of language to evoke irrational states and improbable events, it consistently strove to transcend the linguistic status quo. By stretching language to its limits and beyond, the Surrealists transformed it into an instrument for exploring the human psyche. The twenty-three poets in this collection come not only from France, where Surrealism was invented, but also from Spain, Belgium, Martinique, Mauritius, Catalonia, Mexico, Chile, and Peru. Three of them were awarded the Nobel Prize for Literature (Vicente Aleixandre, Pablo Neruda, and Octavio Paz). Equipped with a critical introduction and a brief bibliography, this anthology will appeal to anyone interested in modern literature.


Surrealist Poets

Surrealist Poets

Author: Salem Press

Publisher: Salem Press

Published: 2011-09

Total Pages: 0

ISBN-13: 9781429836548

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Surrealist Poets is a single-volume reference that contains selected essays from Critical Survey of Poetry, Fourth Edition. The essays in Surrealist Poets discuss such influential poets as Louis Aragon, Robert Bly, Jean Cocteau, Pablo Neruda, and Guillaume Apollinaire.


André Breton

André Breton

Author: André Breton

Publisher: Univ of California Press

Published: 2003-10

Total Pages: 190

ISBN-13: 0520239547

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"This is a kind of "essence of Breton", variously translated by some of our finest writers, each of whom highlights different facets of Breton's complex work. Mark Polizzotti's useful introduction provides context and a brief analysis of the artist and his times."—Diane di Prima, author of Recollections of My Life as a Woman "Mark Polizzotti, who is a poet, a translator, and the author of the definitive biography of André Breton, has chosen stellar translations of Breton's dazzling poetry and placed it in its lively context. This shapely introduction to the life and work of André Breton is smart, concise, and exciting. I cannot imagine a better one."—Ron Padgett, poet and translator of The Complete Poems of Blaise Cendrars "The Poets for the Millennium Series generally and André Breton's Selected Works specifically offers a workable image of an author and the work and the conjuncture, all at once. What comes across is a vivid presentation of Andre Breton not just as an art czar, a manifesto merchant, but a serious, haunted, inventive and strangely profound poet of the imagination, who invented or archeologized new ways of dreaming, but insisted on bearing witness with them in the actual world. Polizzotti does justice--as I think no other writer has--to the double burden of Breton's work."—Robert Kelly "A superbly chosen selection of Breton's poetry and prose, translated in every case with an elegant intelligence, and preceded by an unusually thorough introduction showing quite exactly how the poet's life informed each epoch of his work. It proves again the remarkable un-boringness of Breton, and how important he is now to our own poetry and to us.—Mary Ann Caws, author of The Surrealist Look: An Erotics of Encounter and editor of The Surrealist Painters and Poets


Frank O'Hara

Frank O'Hara

Author: Marjorie Perloff

Publisher: George Braziller

Published: 1977

Total Pages: 262

ISBN-13:

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Drawing extensively upon the poet's unpublished manuscripts poems, journals, essays, and letters as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades. "A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse" David Lenson, Chronicle of Higher Education "Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems" Jonathan Cott, New York Times Book Review.


Surrealism and the Art of Crime

Surrealism and the Art of Crime

Author: Jonathan Paul Eburne

Publisher: Cornell University Press

Published: 2008

Total Pages: 348

ISBN-13: 9780801446740

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Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values. Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.


Surrealism, Insanity, and Poetry

Surrealism, Insanity, and Poetry

Author: J. H. Matthews

Publisher:

Published: 1982

Total Pages: 176

ISBN-13:

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"In this groundbreaking, original study, J. H. Matthews, "clearly the chief scholarly explicator of surrealism today," according to Contemporary Literature, shows the surrealists' goals and the imaginative freedom of mind are fused and diffused in the poet's creative world. Hallucination, game-playing, experimental research, and the irrational which nurtures new ways of poetical expression are all interwoven. Out of their eagerness to share benefits they ascribed to mental disturbance surrealists developed an approach to poetic technique which capitalized on teh free association of the unconscious mind without undermining the sanity of the poets themselves. Matthews discusses early surrealist interest in psychosis, hysteria, and insanity. This interest underlies such major works as Andre Breton's Nadja and breton's and Paul Eluard's The Immaculate Conception. It is in the latter text that the issue of insanity and its relationship to poetic activity is most clearly revealed as essential to the surrealist enterprise. Also included here are chapters on insanity's poetic simulation and possession. Matthews' work is important to anyone interested in poetry, the unconscious, and the history of twentieth-century ideas, as well as to scholars of surrealism. Karol baron, a Czech surrealist artists, has provided six original drawings especially for this book" -- Dust jacket.


Shapeshifter

Shapeshifter

Author: Alice Paalen Rahon

Publisher: New York Review of Books

Published: 2021-09-14

Total Pages: 249

ISBN-13: 1681375001

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Poetry by one of the most powerful female figures in twentieth-century surrealism, now collected in English for the very first time. Alice Paalen Rahon was a shapeshifter, a surrealist poet turned painter who was born French and died a naturalized citizen of Mexico. Her first husband was the artist Wolfgang Paalen, among her lovers were Pablo Picasso and the poet Valentine Penrose, and over the years her circle of friends included Frida Kahlo and Diego Rivera, Joan Miró, Paul Éluard, Man Ray, and Anaïs Nin. This bilingual edition of Rahon’s poems confirms the achievement of this little-known but visionary writer who defies categorization. Her spellbinding poems, inspired by prehistoric art, lost love, and travels around the globe, weave together dream, fantasy, and madness. For the first time in any language, this book gathers the three collections of poetry Rahon published in her lifetime, along with uncollected and unpublished poems and an album of portraits, manuscript pages, and artworks.


Surrealism and Painting

Surrealism and Painting

Author: André Breton

Publisher:

Published: 2002

Total Pages: 454

ISBN-13:

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Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism."--BOOK JACKET.