Bert Ghezzi introduces readers to the wonderful ways God works through healing and miracles in the lives of those who love him. Each reading focuses on a miracle in the life of a saint and contains biographical information about such saints as Francis of Assisi, Patrick of Ireland, Teresa of Avila, Joan of Arc, Catherine of Siena, and many others. Woodcut illustrations of selected saints enhance the beauty of this book.
In Saints and Society, Donald Weinstein and Rudolph M. Bell examine the lives of 864 saints who lived between 1000 and 1700 and the perceptions of sanctity prevalent in late medieval and early modern Europe. They also provide a substantial body of information on the people among whom the saints lived and by whom they came to be venerated. In the first part, the authors give close consideration to what the saints' lives reveal about childhood, adolescence, and adulthood; the impact of religious inspiration upon family bonds; and family influences upon religious behavior. The second part provides a composite picture of piety and its changing configuration in Latin Christendom. With the assistance of statistical analysis, the authors answer questions involving the popular perception of holiness, social class, and gender.
THE SAINTS COLLECTION [2,428 SAINTS] CATHOLIC WAY PUBLISHING — 2,428 Hagiographies of the Saints! — 400 Original Illustrations of the Saints — 18 Volumes in One — Over 3.13 Million Words — Includes Over 5,300 Active Linked Endnotes — Includes an Active Index, 42 Table of Contents and Layered NCX Navigation — Includes Illustrations by Gustave Dore PUBLISHER: LARGE E-BOOK. INCLUDED BOOKS ON SAINTS: THE LIVES OF THE SAINTS: COMPLETE EDITION By Reverend Alban Butler — 1,458 Saint Biographies THE GOLDEN LEGEND By Jacobus de Voragine — 170 Lives of the Saints PICTORIAL LIVES OF THE SAINTS: WITH REFLECTIONS FOR EVERY DAY IN THE YEAR By John Gilmary Shea — 400 Original Illustrations of the Saints THE LIVES OF THE SAINTS: WITH REFLECTIONS FOR EVERY DAY IN THE YEAR By Reverend Alban Butler — 400 Lives of the Saints PUBLISHER: CATHOLIC WAY PUBLISHING
All-Saints' Eveby Amelia B. EdwardsOver half a century before the rise of the great Queens of Crime , Agatha Christie and Dorothy L. Sayers, Amelia B. Edwards was an expert practitioner of crime fiction and murder mysteries, of which the best dozen are included in this volume. These gripping tales range from ingenious whodunnits - All Saints Eve and The Tragedy in the Palazzo Bardello - to encounters with homicidal lunatics - Cain and A Railway Panic - clairvoyant visions preventing disaster or imminent murder - The Professor s Story and A Night on the Borders of the Black Forest - and ghost stories The Four-fifteen Express , Number Three , In the Confessional , Sister Johanna s Story , and Was It An Illusion? - in which supernatural visitations explain earlier crimes and murders. These tales, many of which have been long out of print, are an ideal read for those who like their mystery stories tinged with a touch of the supernatural. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
After a week of hearing ghostly noises, a man is visited in his home by the spirit of his mother, dead for three decades. She reproaches him for his dissolute life and begs him to have Masses said in her name. Then she lays her hand on his sleeve, leaving an indelible burn mark, and departs... A Lutheran minister, no believer in Purgatory, is the puzzled recipient of repeated visitations from "demons" who come to him seeking prayer, consolation, and refuge in his little German church. But pity for the poor spirits overcomes the man's skepticism, and he marvels at what kind of departed souls could belong to Christ and yet suffer still... Hungry Souls recounts these stories and many others trustworthy, Church-verified accounts of earthly visitations from the dead in Purgatory. Accompanying these accounts are images from the "Museum of Purgatory" in Rome, which contains relics of encounters with the Holy Souls, including numerous evidences of hand prints burned into clothing and books; burn marks that cannot be explained by natural means or duplicated by artificial ones. Riveting!
What if the annoying person you try to avoid is actually an accidental saint in your life? What if, even in our failings, holy moments are waiting to happen? Nadia Bolz-Weber demonstrates what happens when ordinary people meet to explore the Christian faith. Their faltering steps towards wholeness will ring true for believer and sceptic alike.
The age of miracles was not yet past on the Shakespearean stage. In the first book-length study of the English saint play across the Reformation divide, The Renaissance of the Saints after Reform recovers the surprisingly long theatrical life of the saints from a tenth-century monastery to the Restoration stage. Through a reassessment of archival records of performance and religious change, this book challenges the established history of the saint play as a product of medieval devotional culture that ended with the national conversion to Protestantism during the Reformation. Not only did saints in performance frequently diverge from the narratives of devotional literature during the Middle Ages but also saints made a spectacular reappearance in the theatre of the early modern era. In the rupture between those two eras, the English church separated itself from the Cult of the Saints, and saints disappeared from public view until sainthood transformed from a matter of theology into a matter of theatricality. Early modern saint plays document a post-Reformation culture committed to saints-but not all saints. Certain ancient martyrs and British saints returned to the liturgical calendar in the Elizabethan Book of Common Prayer. This limited inventory performed an initial de-Catholicization of these saints, but it did not recover their lives. Instead, the theatre produced new lives of the saints for the English public. A period of experimentation with saints and devils in the 1590s was followed by unprecedented innovation throughout the Stuart era. This book traces the transformation of sainthood in early modern drama from ambiguous supernatural association and negotiated patronage to a renaissance of miraculous theatricality and sacred place-making. By excavating saints in plays by Shakespeare, Heywood, Dekker, Massinger, and Rowley as well as plays authored by relatively unknown dramatists, this book reconfigures how we think about the legacy of late medieval religious culture, the impact of Reformation change on literary texts and social practices, and the development of English theatre and drama.
Winner of an Honorable Mention in the Professional/Scholarly Publishing Awards given by the Association of American Publishers Between 1618 and 1750, sixteen people—nine women and seven men—were brought to the attention of the ecclesiastical authorities in Venice because they were reporting visions, revelations, and special privileges from heaven. All were investigated, and most were put on trial by the Holy Office of the Inquisition on a charge of heresy under various rubrics that might be translated as "pretense of holiness." Anne Jacobson Schutte looks closely at the institutional, cultural, and religious contexts that gave rise to the phenomenon of visionaries in Venice. To explain the worldview of the prosecutors as well as the prosecuted, Schutte examines inquisitorial trial dossiers, theological manuals, spiritual treatises, and medical works that shaped early modern Italians' understanding of the differences between orthodox Catholic belief and heresy. In particular, she demonstrates that socially constructed assumptions about males and females affected how the Inquisition treated the accused parties. The women charged with heresy were non-elites who generally claimed to experience ecstatic visions and receive messages; the men were usually clergy who responded to these women without claiming any supernatural experience themselves. Because they "should have known better," the men were judged more harshly by authorities. Placing the events in a context larger than just the inquisitorial process, Aspiring Saints sheds new light on the history of religion, the dynamics of gender relations, and the ambiguous boundary between sincerity and pretense in early modern Italy.
