A unique and comprehensive guidebook to more than 200 locations in California involving the paranormal. History behind locations, events, and interviews with first hand witnesses included. More than 60 illustrations and photographs offer glimpses into the wonders of the Sunshine State. Directions are provided.
Suitably, hauntings and paranormal happenings in the Lone Star state are larger than life. Included in this must-read collection are tales of the ghost lights of Marfa, the werewolf of Elroy, and the Devil’s brand in the eternal roundup of El Paso. Your hair will stand on end as you read about the mysteries and lore in Spooky Texas.
America is haunted. Ghosts from its violent history--the genocide of Indigenous peoples, slavery, the threat of nuclear annihilation, and traumatic wars--are an inescapable and unsettled part of the nation's heritage. Not merely in the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our national identity. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable. This stunning catalog, accompanying the first major exhibition to assess the spectral in American art, explores the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible. Featuring artists from James McNeill Whistler and Kerry James Marshall to artist/mediums who made images with spirits during séances, this catalog covers more than two hundred years of the supernatural in American art. Here we find works that explore haunting, UFO sightings, and a broad range of experiential responses to other worldly contact.
Humans--even those who consider themselves secular or atheists--are utterly seduced by supernatural beliefs. Clay Routledge, an experimental social psychologist who grew up in a deeply religious environment, argues that belief or trust in forces beyond our understanding is natural and rooted in our fears of death. In Supernatural: Death, Meaning, and the Power of the Invisible World, Routledge argues that supernatural thinking is adaptive, even healthy, and that it should unite and not divide us.
What will it take to see a fresh wave of God’s power crash over the nations? The earth is shaking. The church is suffering from compromise and powerlessness. People are desperate for solutions. The answer will not come from a president; it can only come from a people who know how to bring Heaven to Earth. Could it be that...
A collection of stories features a pair of centuries-old vampires whose relationship is tested by a sudden fear of flying, a dejected teen who communicates with the universe, and a massage therapist who heals a tattooed veteran by manipulating the imageson his body.
This fascinating account and analysis of how one woman’s near-death experience sparked an awakening into psychic consciousness will “inspire your to rethink . . . humanity, death, and an afterlife” (Bruce Greyson, MD, University of Virginia School of Medicine). When Elizabeth Greenfield Krohn got out of her car with her two young sons in the parking lot of her synagogue on a late afternoon in September 1988, she couldn't have anticipated she would within seconds be struck by lightning and have a near-death experience. She felt herself transported to a garden and engaging in a revelatory conversation with a spiritual being. When she recovered, her most fundamental understandings of what the world is and how it works had been completely transformed. She was “changed in a flash,” suddenly able to interact with those who had died and have prescient dreams predicting news events. She came to believe that some early traumatic and abusive experiences had played a part in preparing her for this experience. Told in matter-of-fact language, the first half of this book is the story of Krohn’s journey, and the second is an interpretation and analysis by respected professor of religion Jeffrey J. Kripal. He places Krohn’s experience in the context of religious traditions and proposes the groundbreaking idea that we are shaping our own experiences in the future by how we engage with near-death experiences in the present. Changed in a Flash is not about proving a story, but about carving out space for serious discussion of this phenomenon.