Whatever Happened to the Man of Tomorrow?" begins the final story of the Silver Age Superman, as written by legendary scribe Alan Moore. Superman's villains attack, revealing his secret identity to those closest to him! Continued in ACTION COMICS #583.
He is the world's most powerful being. The sole survivor of a doomed planet, he has made our protection his life's work. And although his never-ending battle for truth and justice continues to this day, one question has always haunted his shining legend: How would the story of Superman finally end?
The fifth collection of Superman tales from the 1980s, featuring ADVENTURES OF SUPERMAN #432-435, ACTION COMICS #592-593 and SUPERMAN #9-10! Superman encounters the new hero Gangbuster, faces the menace of the Joker, teams up with Mister Miracle and Big Barda, and inadvertently becomes Metropolis's greatest menace!
Lois suspects that Clark Kent is Superman. A vicious criminal uses innocent people, trapped by hypnotic power, who are armed with a bomb apparatus that makes it possible for them to rob without opposition from the police. Superman must solve a series of bold crimes that were pulled by ungainly men who look anything but formidable. Lex Luthor survives his execution in the electric chair, which only makes him more powerful.
Brainiac returns to invade Earth with his ultimate weapon, Warworld, a planet-sized satellite built for destruction. With the help of super-powered friends like Wonder Woman, The Flash, Green Lantern and many more, Superman must lead the attack on Brainiac and protect Earth!Collects ACTION COMICS #474-475, SUPERMAN: MAN OF STEEL #9-10, ADVENTURES OF SUPERMAN #488-489, SUPERMAN #66.
Presents a collection of the comic book series from its beginning in 1938 through 1940, as the superhero becomes a defender of the oppressed and fights against injustice and political corruption.
From author and artist John Byrne comes another perspective on the development of both Superman and Batman that begins in 1942 and progresses right through to 2019.
The first full-fledged history not just of the Man of Steel but of the creators, designers, owners, and performers who made him the icon he is today, from the New York Times bestselling author of Satchel and Bobby Kennedy “A story as American as Superman himself.”—The Washington Post Legions of fans from Boston to Buenos Aires can recite the story of the child born Kal-El, scion of the doomed planet Krypton, who was rocketed to Earth as an infant, raised by humble Kansas farmers, and rechristened Clark Kent. Known to law-abiders and evildoers alike as Superman, he was destined to become the invincible champion of all that is good and just—and a star in every medium from comic books and comic strips to radio, TV, and film. But behind the high-flying legend lies a true-to-life saga every bit as compelling, one that begins not in the far reaches of outer space but in the middle of America’s heartland. During the depths of the Great Depression, Jerry Siegel was a shy, awkward teenager in Cleveland. Raised on adventure tales and robbed of his father at a young age, Jerry dreamed of a hero for a boy and a world that desperately needed one. Together with neighborhood chum and kindred spirit Joe Shuster, young Siegel conjured a human-sized god who was everything his creators yearned to be: handsome, stalwart, and brave, able to protect the innocent, punish the wicked, save the day, and win the girl. It was on Superman’s muscle-bound back that the comic book and the very idea of the superhero took flight. Tye chronicles the adventures of the men and women who kept Siegel and Shuster’s “Man of Tomorrow” aloft and vitally alive through seven decades and counting. Here are the savvy publishers and visionary writers and artists of comics’ Golden Age who ushered the red-and-blue-clad titan through changing eras and evolving incarnations; and the actors—including George Reeves and Christopher Reeve—who brought the Man of Steel to life on screen, only to succumb themselves to all-too-human tragedy in the mortal world. Here too is the poignant and compelling history of Siegel and Shuster’s lifelong struggle for the recognition and rewards rightly due to the architects of a genuine cultural phenomenon. From two-fisted crimebuster to über-patriot, social crusader to spiritual savior, Superman—perhaps like no other mythical character before or since—has evolved in a way that offers a Rorschach test of his times and our aspirations. In this deftly realized appreciation, Larry Tye reveals a portrait of America over seventy years through the lens of that otherworldly hero who continues to embody our best selves.
In Politics in Gotham, scholars from a variety of fields—political science, philosophy, law, and others—provide answers to the question: “What does Batman have to do with politics?” Contributors use the Batman canon, from the comics to the feature films, to explore a broad range of issues in politics and political thought. What can Batman’s role in Gotham City teach us about democracy? How do Batman’s vigilantism and his violence fit within a society committed to the rule of law? What’s the relationship between politics in Gotham and politics in our own communities? From Machiavelli to the fake news phenomenon, this book provides a compelling introduction to the politics behind one of the world’s most enduring pop culture figures.
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.