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Author: J. Brian O'Roark
Publisher:
Published: 2019
Total Pages: 0
ISBN-13: 9780815367079
DOWNLOAD EBOOKMovies showcasing Batman, Superman and Spiderman have brought in billions of dollars at the global box office and the popularity of superheroes shows no signs of wavering. But underneath the capes and masks of our favourite characters runs a fascinating world of economic decisions, strategies and incentives.
Author: Brian O'Roark
Publisher: Routledge
Published: 2018-07-11
Total Pages: 291
ISBN-13: 1351258141
DOWNLOAD EBOOKAt first sight, superheroes and economics seem to occupy completely different dimensions – but a clash of dimensions is a classic comic book storyline! In this first-of-its kind book, an economist and a business writer assemble an A-team of academic talent to explore the intersection of superhero mythology and economic theory in ten accessible chapters. Superheroes and Economics uncovers basic economic truths that are integral to the comic stories from some of the genres most famous names. The authors of the chapters look at ways that economic principles can add authenticity to imagined universes, and how familiar superhero stories can demonstrate concepts used by economists to forecast the behavior of markets and individuals. If Spider-Man is so smart, why isn’t he rich? What are the economic implications of a tech entrepreneur like Tony Stark actually inventing Iron Man armor? What does the 80-year career of Wonder Woman tell us about the evolving role of women in the workplace? This unique book extends the scope of comics studies to encompass social sciences. It offers a great way to introduce both fans and students to topics like opportunity cost, growth, inflation, and cost benefit analysis, as well as more advanced concepts like moral hazard, utility functions and economic growth. This text can be used to supplement economics courses using colorful examples that any pop culture fan can relate to.
Author: J. Brian O’Roark
Publisher: Oxford University Press
Published: 2019-01-24
Total Pages: 232
ISBN-13: 0192564900
DOWNLOAD EBOOKWhy do heroes fight each other? Why do villains keep trying even though they almost never win? Why don't heroes simply take over the world? Economics and comics may seem to be a world apart. But in the hands of economics professor and comic book hero aficionado Brian O’Roark, the two form a powerful alliance. With brilliant deadpan enthusiasm he shows how the travails of superheroes can explain the building blocks of economics, and how economics explains the mysteries of superhero behavior. Spider-Man's existential doubts revolve around opportunity costs; Wonder Woman doesn't have a sidekick because she has a comparative advantage; game theory sheds light on the battle between Captain America and Iron Man; the Joker keeps committing crimes because of the Peltzman effect; and utility curves help us decide who is the greatest superhero of all. Why Superman Doesn't Take Over the World probes the motivations of our favorite heroes, and reveals that the characters in the comics may have powers we dont, but they are still beholden to the laws of economics.
Author: Carolyn Cocca
Publisher: Bloomsbury Publishing USA
Published: 2016-09-08
Total Pages: 289
ISBN-13: 1501316567
DOWNLOAD EBOOKExplores the production, representation, and reception of prominent female superheroes in mainstream superhero comics, television shows, and films.
Author: Robin S. Rosenberg PhD
Publisher: Oxford University Press
Published: 2013-07-01
Total Pages: 200
ISBN-13: 019933952X
DOWNLOAD EBOOKIt's easy to name a superhero--Superman, Batman, Thor, Spiderman, the Green Lantern, Buffy the Vampire Slayer, Rorschach, Wolverine--but it's not so easy to define what a superhero is. Buffy has superpowers, but she doesn't have a costume. Batman has a costume, but doesn't have superpowers. What is the role of power and superpower? And what are supervillains and why do we need them? In What is a Superhero?, psychologist Robin Rosenberg and comics scholar Peter Coogan explore this question from a variety of viewpoints, bringing together contributions from nineteen comic book experts--including both scholars in such fields as cultural studies, art, and psychology as well as leading comic book writers and editors. What emerges is a kaleidoscopic portrait of this most popular of pop-culture figures. Writer Jeph Loeb, for instance, sees the desire to make the world a better place as the driving force of the superhero. Jennifer K. Stuller argues that the female superhero inspires women to stand up, be strong, support others, and most important, to believe in themselves. More darkly, A. David Lewis sees the indestructible superhero as the ultimate embodiment of the American "denial of death," while writer Danny Fingeroth sees superheroes as embodying the best aspects of humankind, acting with a nobility of purpose that inspires us. Interestingly, Fingeroth also expands the definition of superhero so that it would include characters like John McClane of the Die Hard movies: "Once they dodge ridiculous quantities of machine gun bullets they're superheroes, cape or no cape." From summer blockbusters to best-selling graphic novels, the superhero is an integral part of our culture. What is a Superhero? not only illuminates this pop-culture figure, but also sheds much light on the fantasies and beliefs of the American people.
Author: Harry Brod
Publisher: Simon and Schuster
Published: 2016-01-12
Total Pages: 240
ISBN-13: 1416595317
DOWNLOAD EBOOK"Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity."--From publisher description.
Author:
Publisher: John Wiley & Sons
Published: 2014-01-27
Total Pages: 268
ISBN-13: 1118619250
DOWNLOAD EBOOKThe first look at the philosophy behind the Captain America comics and movies, publishing in advance of the movie release of Captain America: The Winter Solider in April 2014. In The Virtues of Captain America, philosopher and long-time comics fan Mark D. White argues that the core principles, compassion, and judgment exhibited by the 1940’s comic book character Captain America remain relevant to the modern world. Simply put, "Cap" embodies many of the classical virtues that have been important to us since the days of the ancient Greeks: honesty, courage, loyalty, perseverance, and, perhaps most importantly, honor. Full of entertaining examples from more than 50 years of comic books, White offers some serious philosophical discussions of everyone’s favorite patriot in a light-hearted and accessible way. Presents serious arguments on the virtues of Captain America while being written in a light-hearted and often humorous tone Introduces basic concepts in moral and political philosophy to the general reader Utilizes examples from 50 years of comics featuring Captain America, the Avengers, and other Marvel superheroes Affirms the value of "old-fashioned" virtues for the modern world without indulging in nostalgia for times long passed Reveals the importance of the sound principles that America was founded upon Publishing in advance of Captain America: The Winter Soldier out in April 2014.
Author: Terence McSweeney
Publisher: Columbia University Press
Published: 2020-11-10
Total Pages: 223
ISBN-13: 0231549792
DOWNLOAD EBOOKAudiences around the globe continue to flock to see the latest releases from Marvel and DC studios, making it clear that superhero films resonate with the largest global audience that Hollywood has ever reached. Yet despite dominating theater screens like never before, the superhero genre remains critically marginalized—ignored at best and more often actively maligned. Terence McSweeney examines this global phenomenon, providing a concise and up-to-date overview of the superhero genre. He lays out its narrative codes and conventions, exploring why it appeals to diverse audiences and what it has to say about the world in the first two decades of the twenty-first century. Unpacking the social, ideological, and cultural content of superhero films, he argues that the genre should be considered a barometer of contemporary social anxieties and a reflection of cultural values. McSweeney scrutinizes representations of gender, race, and sexuality as well as how the genre’s conventions relate to and comment on contemporary political debates. Beyond American contributions to the genre, the book also features extensive analysis of superhero films from all over the world, contrasting them with the dominant U.S. model. The book’s presentation of a range of case studies and critical debates is accessible and engaging for students, scholars, and enthusiasts at all levels.
Author: John Jennings
Publisher: Simon and Schuster
Published: 2025-10-01
Total Pages: 0
ISBN-13: 1982134682
DOWNLOAD EBOOK#1 New York Times bestselling author John Jennings and acclaimed producer Angélique Roché illuminate some of the most important Black creators and characters through Marvel Comics history. From the introduction of Black Panther in the 1960s and publisher Stan Lee’s early efforts at addressing systemic racism, to the groundbreaking work of creators like Billy Graham, Christopher Priest, Reggie Hudlin, and Ta-Nehisi Coates, My Super Hero Is Black offers a rich examination, celebration, and historical overview of Marvel’s Black characters and creators. It also includes accounts from prominent Black creators and luminaries about their personal relationships with Marvel superheroes. Presented by John Jennings—the notable comics scholar, illustrator, editor, writer, teacher, publisher, and #1 New York Times bestselling author—and Angélique Roché—the acclaimed content creator, producer, and the popular host of Marvel Entertainment’s Marvel’s Voices podcast—this milestone work is destined to become a classic and will speak to generations of comics fans and storytellers.
Author: Cuntz, Alexander
Publisher: WIPO
Published: 2020-10-13
Total Pages: 53
ISBN-13:
DOWNLOAD EBOOKWhen copyrighted comic characters are also protected under trademark laws, intellectual property (IP) rights can be overlapping. Arguably, registering a trademark can increase transaction costs for cross-media uses of characters, or it can help advertise across multiple sales channels. In an application to book, movie and video game publishing industries, we thus ask how creative reuse (innovation in uses) is affected in situations of overlapping rights, and whether ‘fuzzy boundaries’ of right frameworks are in fact enhancing or decreasing content sales.
