With the girls and their ponies all performing so well, Vicki decides to challenge them to something different - a charity treasure hunt. All the girls are excited and hoping to win. But snooty Henrietta is also desperate to come first and when the girls find some surprise treasure during the hunt, it looks like she might just do that.
Harry is a poisonous centipede but he's not very brave. Harry likes to eat things that wriggle and crackle, and things that are juicy and munchy. But there are some things that a poisonous centipede must never eat - dangerous things like flying swoopers, belly wrigglers, furry biters and Hoo-mins.
With over one million copies sold, this series of modern classics about the charming Penderwick family, from National Book Award winner and New York Times bestseller Jeanne Birdsall, is perfect for fans of Noel Streatfeild and Edward Eager. Springtime is finally arriving on Gardam Street, and there are surprises in store for each member of the family. Some surprises are just wonderful, like neighbor Nick Geiger coming home from war. And some are ridiculous, like Batty’s new dog-walking business. Batty is saving up her dog-walking money for an extra-special surprise for her family, which she plans to present on her upcoming birthday. But when some unwelcome surprises make themselves known, the best-laid plans fall apart. Filled with all the heart, hilarity, and charm that has come to define this beloved clan, The Penderwicks in Spring is about fun and family and friends (and dogs), and what happens when you bring what's hidden into the bright light of the spring sun.
When two small sisters go fishing to the magic pond, they find something much better than a frog or a newt. They find a bog baby. Small and blue with wings like a dragon, the girls decide to make him their secret. I won't tell if you won't. But the bog baby is a wild thing, and when he becomes poorly, the girls decide they must tell their mum. And she tells them the greatest lesson, if you really love something, you have to let it go.
#1 bestselling author James Patterson doles out the laughs in the first book in the hit series! Middle-schooler Jamie Grimm faces bullies and self-doubt as he chases his dream of becoming the world’s greatest comedian Jamie Grimm is a middle schooler on a mission: he wants to become the world's greatest standup comedian--even if he doesn't have a lot to laugh about these days. He's new in town and stuck living with his aunt, uncle, and their evil son Stevie, a bully who doesn't let Jamie's wheelchair stop him from messing with Jamie as much as possible. But Jamie doesn't let his situation get him down. When his Uncle Frankie mentions a contest called The Planet's Funniest Kid Comic, Jamie knows he has to enter. But are the judges only rewarding him out of pity because of his wheelchair, like Stevie suggests? Will Jamie ever share the secret of his troubled past instead of hiding behind his comedy act? Prepare to laugh and cheer along with Jamie in this highly-illustrated, heartfelt middle school story.
Enid Blyton's Amelia Jane is big, bad and the world's naughtiest toy! Amelia Jane is full of mischievous ideas. This time, she hides things inside poor old bear's tummy, pours water down everyone's clothes and swaps the toys' wind-up keys so that clockwork robot is jumping like a rabbit. But the other toys are not letting her get away with. One day, when Amelia is fast asleep, they paint spots on her to make her think she's got measles. Ten mischievous tales from the world's naughtiest toy! First published separately in the 1950s, this collection contains the classic texts and illustrations by Deborah Allwright, cover by Alex T. Smith (2011): Amelia Jane's Spots Good Idea, Amelia Jane! Come Now, Amelia Jane! Amelia Jane and the Sailor Doll Oh! Amelia Jane! Tit for Tat, Amelia Jane! Bother You, Amelia Jane! It's Raining, Amelia Jane! Amelia Jane and the Keys Amelia Jane and the Records
This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.