The sinister duo of Simyan and Mokkari has taken control of Project Cadmus, and not even Superboy may be able to stop their diabolical plans. 'The Evil Factory' part 2.
TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music.
The Evil Factory' part 1! When Superboy confronts Superman about the secret he discovered the Man of Steel was concealing, their meeting is interrupted by a four-armed juggernaut.
"The book includes rarely seen photos of the actors who have brought Superman to life, including Clayton "Bud" Collyer, Kirk Alyn, George Reeves and Christopher Reeve. Appendices provide a listing of Superman-related books and websites, along with a comprehensive chart of the cast and characters featured in Superman films, television shows, and radio programs since 1941"--Provided by publisher.
Attract comic book collectors like a magnet Packed with nearly 100,000 classic and contemporary comics and more than 1,000 illustrations, collectors will find updated listings and prices for Acclaim, Classics Illustrated, Dark Horse, D.C., Marvel and much more. Special sections are devoted to the highly collectible Golden Age, Color Comics, Black & White Comics, and Underground Comics. Each listing is cross-referenced and includes issue number, title, date, artist and current collector value in US dollars. Collectors can accurately evaluate and value their collections with the grading guide, current market report and tips for buying, selling, and preserving comic books.
In an era when human lives are increasingly measured and weighed in relation to the medical and scientific, notions of what is “normal” have changed drastically. While it is no longer useful to think of a person’s particular race, gender, sexual orientation, or choice as “normal,” the concept continues to haunt us in other ways. In The End of Normal, Lennard J. Davis explores changing perceptions of body and mind in social, cultural, and political life as the twenty-first century unfolds. The book’s provocative essays mine the worlds of advertising, film, literature, and the visual arts as they consider issues of disability, depression, physician-assisted suicide, medical diagnosis, transgender, and other identities. Using contemporary discussions of biopower and biopolitics, Davis focuses on social and cultural production—particularly on issues around the different body and mind. The End of Normal seeks an analysis that works comfortably in the intersection between science, medicine, technology, and culture, and will appeal to those interested in cultural studies, bodily practices, disability, science and medical studies, feminist materialism, psychiatry, and psychology.
Today more than ever, series finales have become cultural touchstones that feed watercooler fodder and Twitter storms among a committed community of viewers. While the final episodes of The Fugitive and M*A*S*H continue to rank among the highest rated broadcasts, more recent shows draw legions of binge-watching fans. Given the importance of finales to viewers and critics alike, Howard and Bianculli along with the other contributors explore these endings and what they mean to the audience, both in terms of their sense of narrative and as episodes that epitomize an entire show. Bringing together a veritable “who’s who” of television scholars, journalists, and media experts, including Robert Thompson, Martha Nochimson, Gary Edgerton, David Hinckley, Kim Akass, and Joanne Morreale, the book offers commentary on some of the most compelling and often controversial final episodes in television history. Each chapter is devoted to a separate finale, providing readers with a comprehensive survey of these watershed moments. Gathering a unique international lineup of journalists and media scholars, the book also offers readers an intriguing variety of critical voices and perspectives.