Neville – hit man – deadly – until that one night when a witness saw him. With nothing to lose he hunts her down, through the alleys of London – only to find someone unexpected . . . William Hunt – young – reckless . . . and in love – but with the governor’s daughter. There can only be one option . . . Hannah – protected, but with a past that needs answers – a shadow – always there protecting her – but for how long will she be safe . . . From the solitude of the Scottish lochs to the savagery of the African bush – all will be hunted as they pursue the truth. None of them are safe as the darkness closes in. Yet , with the rising of a terrorist group scouring the African bush, and a mob syndicate searching the streets of London , one man’s dream for the treasure of a lifetime will cause all their lives to collide resulting in a choice . . . of life . . . or death.
In 1943, Private Clay Paxton trains hard with the US Army Rangers at Camp Forrest, Tennessee, determined to do his best in the upcoming Allied invasion of France. With his future stolen by his brothers' betrayal, Clay has only one thing to live for--fulfilling the recurring dream of his death. Leah Jones works as a librarian at Camp Forrest, longing to rise above her orphanage upbringing and belong to the community, even as she uses her spare time to search for her real family--the baby sisters she was separated from so long ago. After Clay saves Leah's life from a brutal attack, he saves her virtue with a marriage of convenience. When he ships out to train in England for D-day, their letters bind them together over the distance. But can a love strong enough to overcome death grow between them before Clay's recurring dream comes true?
A Peace Corps volunteer recounts stories of living in Bulgaria where he and his wife taught English and worked with youth programs. The author provides a fascinating picture of Bulgaria, a beautiful country with a complex heritage. Bulgarians are a hardy and warm-hearted people who live full, rich lives in austere conditions. The volunteers lived in an old Soviet-style apartment building and had colorful interactions with neighbors and shopkeepers, traveling around the country, volunteering at an orphanage, canning for "winter survival," and even some teaching.
In the thrilling conclusion to The Dreamers, the Vlagh prepares for one merciless attack that will pit her forces against the might of both the Elder Gods and the Younger Gods. All may be for naught, however, if the allies fail to respond to the fact that one within their ranks is losing her mind. The end of twenty-five eons has arrived: now the four Elder Gods will be replaced by the Younger Gods. During this transition, the greatest danger comes not from the Vlagh, who breeds her largest and deadliest insectoid army for a final war on Dhrall, but from Aracia, an Elder God. Aracia has grown addicted to the worship of mortals and believes a young deity wants to usurp her glory. Eager to stay in power forever, the Elder God plans the unthinkable: to murder one of the Younger Gods. But in her madness, Aracia forgets that the Elder Gods are forbidden to take life-as a principle of existence. If she kills the child deity, it will cause the absolute unmaking of all creation...
Jean Toomer's adamant stance against racism and his call for a raceless society were far more complex than the average reader of works from the Harlem Renaissance might believe. In To Make a New Race Jon Woodson explores the intense influence of Greek-born mystic G. I. Gurdjieff on the thinking of Toomer and his coterie--Zora Neale Hurston, Nella Larson, George Schuyler, Wallace Thurman--and, through them, the mystic's influence on many of the notables in African American literature. Gurdjieff, born of poor Greco-Armenian parents on the Russo-Turkish frontier, espoused the theory that man is asleep and in prison unless he strains against the major burdens of life, especially those of identification, like race. Toomer, whose novel Cane became an inspiration to many later Harlem Renaissance writers, traveled to France and labored at Gurdjieff's Institute for the Harmonious Development of Man. Later, the writer became one of the primary followers approved to teach Gurdjieff's philosophy in the United States. Woodson's is the first study of Gurdjieff, Toomer, and the Harlem Renaissance to look beyond contemporary portrayals of the mystic in order to judge his influence. Scouring correspondence, manuscripts, and published texts, Woodson finds the direct links in which Gurdjieff through Toomer played a major role in the development of "objective literature." He discovers both coded and explicit ways in which Gurdjieff's philosophy shaped the world views of writers well into the 1960s. Moreover Woodson reinforces the extensive contribution Toomer and other African-American writers with all their international influences made to the American cultural scene. Jon Woodson, an associate professor of English at Howard University in Washington, D.C., is a contributor to the collection, Black American Poets Between Worlds, 1940-1960. He has published articles in African American Review and other journals.
