A powerful novel about a boy coming to terms with his new life after his parents' marriage breaks up. When Alex's mother goes off to live with her new partner in the country, Alex goes too, determined to hate it, but soon meets two very different girls who afferct him in very different ways.This is a rites-of-passage novel from a new writer with an original, humorous, and insightful voice.'A readable and revealing account of growing up' Kids Out'engaging and accessible' Ahuka
Twelve-year-old Lou's attempt to play matchmaker for her mother and Richard are foiled by a mandatory visit with her grandmother, which is marked by boredom, Brussel sprouts, and Memaw's own plans for Mom's love life.
Summertime is here! But there's no sun, surf, or sand for Lou. Instead, it's Brussels sprouts, mud, and mosquitoes. Lou and her mom are off to spend the summer with Memaw in the most boring town on earth. Lou's mom keeps busy by exchanging love letters with her new sweetheart, Richard, but Lou's crush, Tristan, only sends her a lousy postcard. Will meeting a new boy chase Lou's blues away? Paul's not exactly a heartthrob, but he's sweet and . . . unusual. He's nothing like Tristan, but could he be just as crush-worthy?
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Using an innovative framework, this reader examines the most important and influential writings on modern class relations. Uses an interdisciplinary approach that combines scholarship from political economy, social history, and cultural studies Brings together more than 50 selections rich in theory and empirical detail that span the working, middle, and capitalist classes Analyzes class within the larger context of labor, particularly as it relates to conflicts over and about work Provides insight into the current crisis in the global capitalist system, including the Occupy Wall Street Movement, the explosion of Arab Spring, and the emergence of class conflict in China
Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home. Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics.
Covers those bands and artists who have rejected the mainstream in favor of innovation, originality and the pursuit of their own unique musical identity.
Beth Richards writes: "My poetry probably reflects the inside image of my thoughts-sometimes very deep thoughts. I write from the heart and sometimes when I'm in a reflective mood my poetry is serious and somewhat philosophical " This collection of poems is a result of Beth's suggestion to Charles Muller that they produce a book that combines their gifts. Beth says: "Charles and I have led two very different lives, and it shows in our writing-hence the title Worlds Apart. Apart from having been born in different hemispheres, we are two very different people, but we appear to be kindred spirits in many ways. (Both born under the star sign of Leo!)" The poems by Charles Muller are perhaps more startling, with jagged images and sentences that cut like broken glass, sometimes exposing the raw nerves of life. Many of these were composed in the context of Apartheid South Africa and recall the violence and injustices of those times. Beth and Charles are also artists, and the cover depicts a painting by each of the poet-paintings that highlight their contrasting worlds.
San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city – and more widely in American culture – right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later. The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews. For more information, read Sarah Hill's blog posts here: http://blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s http://blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/ http://blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/
