The Clean Water Act (CWA) requires that wetlands be protected from degradation because of their important ecological functions including maintenance of high water quality and provision of fish and wildlife habitat. However, this protection generally does not encompass riparian areasâ€"the lands bordering rivers and lakesâ€"even though they often provide the same functions as wetlands. Growing recognition of the similarities in wetland and riparian area functioning and the differences in their legal protection led the NRC in 1999 to undertake a study of riparian areas, which has culminated in Riparian Areas: Functioning and Strategies for Management. The report is intended to heighten awareness of riparian areas commensurate with their ecological and societal values. The primary conclusion is that, because riparian areas perform a disproportionate number of biological and physical functions on a unit area basis, restoration of riparian functions along America's waterbodies should be a national goal.
Defines riparian areas in laymen's terms and provides a brief overview of the value of riparian areas, and how the Bureau of Land management manages them.
Reflections on the life of Aretha Franklin captured in exclusive photographs by her friend, photojournalist Linda Solomon. "Aretha was private. I respected this and she trusted me." Linda Solomon met Aretha Franklin in 1983 when she was just beginning her career as a photojournalist and newspaper columnist. Franklin's brother and business manager arranged for Solomon to capture the singer's major career events—just as she was coming back home to Detroit from California—while Franklin requested that Solomon document everything else. Everything. And she did just that. What developed over these years of photographing birthday and Christmas parties in her home, annual celebrity galas, private backstage moments during national awards ceremonies, photo shoots with the iconic pink Cadillac, and more was a friendship between two women who grew to enjoy and respect one another. The Queen Next Door: Aretha Franklin, An Intimate Portrait is a book full of firsts as Solomon was invited not only to capture historical events in Aretha's music career showcasing Detroit but to join in with the Franklin family's most intimate and cherished moments in her beloved hometown. From performance rehearsals with James Brown to off-camera shenanigans while filming a music video with the Rolling Stones, from her first television special to her first time performing with the Detroit Symphony Orchestra, to her last performance with her sisters at her father's church and her son's college graduation celebration. In the book's afterword, Sabrina Vonne' Owens, Franklin's niece, honors her aunt, a woman who was an overwhelming supporter of civil rights, women's rights, and fundraising campaigns that helped to benefit her hometown. There was a time in her career—when Franklin was more in demand than ever before—when she insisted that if someone wanted her to perform, they had to come to Detroit. During this time all of her major concerts, national television specials, music videos, and commercials would happen in Detroit. Aretha Franklin showed her respect for the people in the city who championed her from the very beginning when she started singing as a young girl in the church choir. Franklin used to say, "I am the lady next door when I am not on stage." The Queen Next Dooroffers fans a personal and unseen look at an extraordinary woman in her most natural moments—both regal and intimate—and highlights her devotion to her family and her hometown Detroit—"forever and ever."
What's the difference between an anthill and a city?Protection from weather and predators, living and working quarters, transportation networks, food storage capability—all these they hold in common. And while there are obvious differences between humans and ants, both exist in the same space and time dimension—in nature. This simple idea, imagining cities as part of the larger physical world, has driven the work of the historian Martin Melosi for twenty-five years. Melosi is one of a handful of scholars who examine urban history from an ecological perspective, using the city to help define the place of nature in human life. Cities, he maintains, are places where humans live, work, play, consume goods, and make waste—just as humans have in caves, on farms, and in villages. To imagine the city as outside of nature limits what can be known about our past, and our future. Effluent America is a collection of essays spanning this innovative scholar's career and the growing field of urban environmental history. Garbage, wastewater, hazardous waste: these are the lenses through which Melosi views nineteenth- and twentieth-century America. In broad overviews and specific case studies, Effluent America treats the relationship between industrial expansion and urban growth from an ecological perspective. He charts the development of city services, the rationale for their implementation, and how they affected growth. He explores the environmental impacts of unprecedented methods of production, the influence of new forms of energy, and changing patterns of consumption during the Industrial Revolution and beyond. In so doing, he traces how one of the richest nations in the world became also the most wasteful, a juxtaposition of affluence and effluence. Other essays consider the important role of American cities in the history of the conservation and environmental movements. Melosi sketches the reforms and reformers, born out of such urban "quality of life" issues as pollution, sanitation, public health, and the need for greenspace. He also profiles the environmental justice movement, whose response to environmental problems is a question—Who bears the most risk?Urban environmental history is a window on the past, but it also directly informs issues of the present: public health, pollution, the role of government in delivering services, etc. Effluent America is an important volume for students of history and urban affairs, as well as for policymakers and all those concerned about the one world we inhabit.
Marguerite de Angeli was born in Lapeer, Michigan, in 1889. As a child, she loved to hear her father tell the story of the red leather-topped copper-toed boots he prized when he was a boy. Recreating the mischievous adventures of that boy through a Michigan summer, Copper-Toed Boots escapes to a time of "tradin" with schoolmates, "tradin" at the store, and picnicking during blackberry season. Children of all ages will delight in this realistic portratyal of mid-nineteenth century rural life. From classroom antics to the day the circus comes to town, Marguerite de Angeli vivdly depicts the folk happenings of a little American town.